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‘Brilliantly human’: Kiran Desai and David Szalay make Booker prize shortlist

No debut novels are among the six finalists, with established authors including Ben Markovits and previously shortlisted Andrew Miller in the running

No debuts appear on this year’s Booker prize shortlist, which is dominated by established authors including previous winner Kiran Desai and previously shortlisted writers David Szalay and Andrew Miller.

Ben Markovits, Susan Choi and Katie Kitamura are also on the list, which was announced at an event at the Southbank Centre in central London on Tuesday evening.

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Will There Ever Be Another You by Patricia Lockwood review – long Covid from the inside

The cult author’s autofictional follow-up to No One Is Talking About This is the story of a breakdown

It sounds like the setup to a joke: a viral author and a global virus walk into a novel. The punchline is long Covid, an illness that defies narrative – dissolves it. Patricia Lockwood’s new autofiction, Will There Ever Be Another You, is the product of that cruel dissolution. “I wrote it insane, and edited it sane,” she explained in a recent interview. The madness is the method. But must you know the mind before you can know the madness?

Lockwood is the literary Frankenchild of Dorothy Parker and Flannery O’Connor: a heretical wit fused with gothic strangeness, vintage quippery rewired for the digital age. She’s the kind of writer who inspires parasocial devotion and copycat haircuts. Even her cats are internet-famous. The sacred text of Lockwood lore is Priestdaddy, her glorious 2017 memoir, which introduced readers to the American author’s trouser-resistant father, an ordained Catholic priest who blew his daughter’s college fund on a vintage guitar.

“What are you working on?” people kept asking me. Little stories, I would evade, and leave it at that, because if to write about being ill was self-indulgent, what followed was that the most self-indulgent thing of all was to be ill. But I was determined to do it. I was going to write a masterpiece about being confused.

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‘A resistance to AI’: The author inviting readers to contribute to a mass memoir

Richard Beard says he’s got ‘better at telling the truth’ by arranging his life story on a grid – and invites others to do the same

Richard Beard, award-winning author of The Day That Went Missing and Sad Little Men, thought he was writing his next book, a whole life memoir. In the event, he has written his way off the page and into an entirely new publishing model. The Universal Turing Machine is the title both of Beard’s memoir and the mass memoir project he hopes others will help him to build.

Organised as a chessboard, each of the 64 squares narrates one year of Beard’s life, in 1,000 words per year. (He’s 58, so the last five years are fictionalised.) The reader moves around the “board” as if they were a knight, picking the next year to read from options limited by the knight’s L-shaped ambulation.

Contributions to The Universal Turing Machine can be made at universalturingmachine.co.uk

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107 Days by Kamala Harris review – no closure, no hope

The former presidential candidate sticks to the script in a memoir that will only cause further bad blood

Almost a year after the 2024 election there are still some houses with “Harris” signs in their windows dotted around my liberal Philadelphia neighbourhood. The result left many people in a state of shock and denial, unable to process exactly what went wrong.

No one was more shocked than Kamala Harris, whose inner circle had been confident on election night that they’d eked out a win during the whirlwind campaign. Cupcakes with “Madam President” toppings were ready to go; champagne on ice. “It says a lot about how traumatized we both were by what happened that night that [my husband] Doug and I never discussed it with each other until I sat down to write this book,” Harris reveals in her new memoir, which functions as a political postmortem.

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If Anyone Builds it, Everyone Dies review – how AI could kill us all

If machines become superintelligent we’re toast, say Eliezer Yudkowsky and Nate Soares. Should we believe them?

What if I told you I could stop you worrying about climate change, and all you had to do was read one book? Great, you’d say, until I mentioned that the reason you’d stop worrying was because the book says our species only has a few years before it’s wiped out by superintelligent AI anyway.

We don’t know what form this extinction will take exactly – perhaps an energy-hungry AI will let the millions of fusion power stations it has built run hot, boiling the oceans. Maybe it will want to reconfigure the atoms in our bodies into something more useful. There are many possibilities, almost all of them bad, say Eliezer Yudkowsky and Nate Soares in If Anyone Builds It, Everyone Dies, and who knows which will come true. But just as you can predict that an ice cube dropped into hot water will melt without knowing where any of its individual molecules will end up, you can be sure an AI that’s smarter than a human being will kill us all, somehow.

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How modern life makes us sick – and what to do about it

From depression to obesity, the concept of ‘evolutionary mismatch’ can help foster self-compassion and point the way to a more rewarding existence

One of the fascinating things about working as a psychotherapist is the opportunity to observe how many of our problems involve us getting in the way of ourselves. The difficulties we encounter are frequently the result of self-sabotage, and managing them often requires wrestling with our own drives, doing our best not to give in to every impulse. This is easier said than done, of course. To lose weight and keep it off, to successfully climb out of debt, to find meaningful work, to maintain long-term, happy relationships: all demand postponing our immediate desires in the service of a longer-term goal.

Delaying gratification, as it’s called, has been a useful tactic for aeons. But at a certain point it becomes reasonable to ask: why does so much of modern life seem to involve swimming upstream? Why is it that following our instincts often seems to land us in so much trouble?

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Hilary Mantel championed emerging writers – a new prize in her memory will help them get published

Judged by Maggie O’Farrell, Ben Miles and Chigozie Obioma, the Hilary Mantel prize for fiction will recognise emerging talent, and pay tribute to the Wolf Hall author’s legacy

A few months after Hilary Mantel died in September 2022, the novelist Maggie O’Farrell was browsing in a bookshop. Stopping at a table of new novels, she noticed a couple with Mantel’s endorsement on the cover, which, she tells me, she generally regards as instantly justifying the book’s price. This time, though, “I suddenly thought there aren’t going to be many more of these. It was such a sad moment. We’re not going to get another Mantel book, and we’re also not going to get to know about the books that she read and loved.”

To many readers who gobbled up Mantel’s books – 17 of them, including the novel Beyond Black, and the Wolf Hall trilogy, which won two Booker prizes – it’s extraordinary that she found time or energy for anything beside the mammoth research that her vast historical enterprises entailed, not to mention her enthusiastic and detailed involvement in their various adaptations. But Mantel was an engaged and enthusiastic supporter of other writers, especially those in the crucial early stages of their careers. Perhaps she never forgot how long it took her to see the first novel she wrote, A Place of Greater Safety, finally emerge in print in 1992.

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Kiran Desai: ‘I never thought it would happen in the US’

Since winning the Booker prize, the Indian author has spent two decades writing a follow-up. She talks about being longlisted again — and the immigration raids creating fear in her New York neighbourhood

Not long after the novelist Kiran Desai published her second book, The Inheritance of Loss, which won the Booker prize in 2006, she began working on her third. The title, The Loneliness of Sonia and Sunny, came to her quickly, and she knew she wanted to write a “modern-day romance that wasn’t necessarily romantic”, one as much concerned with the forces that keep us apart – class, race, nationality, family history – as those that bind us. Writing the book itself took almost two decades.

One problem with devoting so many years to one book is that people worry for your welfare, Desai says with a laugh. “People begin to wonder what’s wrong. Are you really working on something?” One neighbour – who observed how Desai would rise early each morning to write, eat her breakfast and lunch at her desk, take a short break to do her food shop or housework and then write until as late as she could manage in the evenings – attempted an intervention. “You need to come out of your house,” he told her. “You will go crazy writing a book! This is no way to live!” Her 90-year-old uncle observed, with affection, that she was starting to look “like a kind of derelict”, which she acknowledges was true. “It was becoming absurd!” And yet Desai says she loved living this way, in complete service to her writing.

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Nick Harkaway: ‘I loathed Charles Dickens – it nearly turned me off reading for ever’

The author on his secret theories about Tolkien, the most perfect and terrifying Moomin book, and how his father, John le Carré, inspired him

My earliest reading memory
I read The Lord of the Rings by JRR Tolkien at seven, in my bedroom in the deep west of Cornwall. I secretly believed that Rivendell was based on that house, which it clearly wasn’t.

My favourite book growing up
Impossible. I’m inconstant, so it was whatever I was reading at the time. Let’s say Finn Family Moomintroll, which is the most perfect of Tove Jansson’s lovely (and occasionally frankly terrifying) Moomin books.

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