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Jonathan Coe: ‘I was a Tory until I read Tony Benn’

The author on getting hooked on Flann O’Brien, reassessing Kingsley Amis, and why his grandfather was outraged by Watership Down

My earliest reading memory
Not my earliest reading memory, exactly, but my earliest memory of reading with avid enjoyment: The Three Investigators mysteries, a series of kids’ books about three juvenile detectives operating in far-off California (impossibly glamorous to me at the time) under the benign direction of Alfred Hitchcock, of all people. I devoured the first 12 in the franchise.

My favourite book growing up
Like everybody else growing up in the 1970s, I had a copy of Watership Down by Richard Adams on my bedroom shelves – it was the law. I did love it, though. Whatever fondness I have for the English countryside probably comes from that book. I remember my grandfather – a real country dweller – seeing me reading it and being outraged. “A book about rabbits?” he shouted. “They’re vermin!”

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The Curious Case of Mike Lynch by Katie Prescott review – the extraordinary story behind the Bayesian tragedy

A meticulously researched account of the controversial businessman’s rise and shocking demise

At least two terrible ironies surround the death of Mike Lynch. One lies in the name of his superyacht, which sank off the coast of Sicily in the early hours of 19 August 2024. He had named the boat Bayesian to honour Bayes’s theorem, a mathematical rule that helps you weigh up the probability of something given the available evidence, which served as Lynch’s guiding light over the course of a tempestuous career. The theorem was “a beautiful key to our minds”, Lynch believed. But it was entirely incapable of predicting the outcome that morning, when the yacht capsized during a storm, killing seven people, including Lynch, his 18-year-old daughter Hannah and his US lawyer, Chris Morvillo.

A second irony lies in the fact that Lynch had just come through the trial of his life, one he felt was bound to end in jail, where he thought he could die. Somehow, to everyone’s astonishment, an American jury had acquitted him and his co-defendant on all 15 counts of fraud.

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The best books of 2025

New novels from Chimamanda Ngozi Adichie and Ian McEwan, plus the return of Slow Horses and Margaret Atwood looks back … Guardian critics pick the must-read titles of 2025

Guardian fiction editor Justine Jordan picks the best of the year, from Chimamanda Ngozi Adichie’s Dream Count to Thomas Pynchon’s return, David Szalay’s Booker winner and a remarkable collection of short stories.

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The best fiction of 2025

New novels from Ian McEwan and Chimamanda Ngozi Adichie, a high-concept debut and remarkable short stories are just some of the best new titles of the year

There aren’t many giants of 20th-century literature still writing, but 2025 saw the first novel in 12 years from American great Thomas Pynchon, now in his late 80s: Shadow Ticket (Jonathan Cape) is a typically larky prohibition-era whodunnit, set against rising nazism and making sprawling connections with the spectre of fascism today. Other elder statesmen publishing this year included Salman Rushdie with The Eleventh Hour (Cape), a playful quintet of mortality-soaked short stories and his first fiction since the 2022 assault that blinded him in his right eye; while Ian McEwan was also considering endings and legacy in What We Can Know (Cape), in which a 22nd-century literature scholar looks back, from the other side of apocalypse, on a close-knit group of (mostly) fictional literary lions from our own era. In a time of climate terror, the novel is both a fascinating wrangle with the limits of what humans are able to care about – from bare survival, to passion and poetry, to the enormity of environmental disaster – and a poignant love letter to the vanishing past.

But perhaps the most eagerly awaited return this year was another global figure: Chimamanda Ngozi Adichie, whose first novel in more than a decade, Dream Count (4th Estate), follows the lives of four interconnected women between Nigeria and the US. Taking in love, motherhood and female solidarity as well as privilege, inequality and sexual violence, it’s a rich and beautifully composed compendium of women’s experience.

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The best music books of 2025

From an enraging indictment of Spotify to Del Amitri frontman Justin Currie’s account of Parkinson’s and a compelling biography of Tupac Shakur, here are five titles that strike a chord

Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist
Liz Pelly (Hodder & Stoughton)
Enraging, thoroughly depressing, but entirely necessary, Mood Music offers a timely, forensically researched demolition of Spotify. In Pelly’s account, the music streaming giant views music as a kind of nondescript sonic wallpaper, artists as an unnecessary encumbrance to the business of making more money and its target market not as music fans, but mindless drones who don’t really care what they’re listening to, ripe for manipulation by its algorithm. Sharp business practices and evidence of its deleterious effect on the quality and variety of new music abound: the worst thing is that Pelly can’t really come up with a viable alternative in a world where convenience trumps all.

Men of a Certain Age: My Encounters With Rock Royalty
Kate Mossman (Bonnier)
There’s no doubt that Men of a Certain Age is a hard sell, a semi-autobiographical book in which the New Statesman’s arts editor traces her obsession with often wildly unfashionable, ageing male artists – Queen’s Roger Taylor, Bruce Hornsby, Steve Perry of Journey, Jon Bon Jovi among them – through a series of interviews variously absurd, insightful, hair-raising and weirdly touching. But it’s elevated to unmissable status by Mossman’s writing, which is so sparkling, witty and shrewd that your personal feelings about her subjects are rendered irrelevant amid the cocktail of self-awareness, affection and sharp analysis she brings to every encounter. In a world of music books retelling tired legends, Men of a Certain Age offers that rare thing: an entirely original take on rock history.

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Five of the best science fiction books of 2025

An eco-masterpiece, icy intrigue, cyberpunkish cyborgs, memory-eating aliens and super-fast travel sends the world spinning out of control

Circular Motion
Alex Foster (Grove)
Alex Foster’s novel treats climate catastrophe through high-concept satire. A new technology of super-fast pods revolutionises travel: launched into low orbit from spring-loaded podiums, they fly west and land again in minutes, regardless of distance. Since every action has an equal and opposite reaction, our globe starts to spin faster. Days contract, first by seconds, then minutes, and eventually hours. It’s a gonzo conceit, and Foster spells out the consequences, his richly rendered characters caught up in their own lives as the world spirals out of control. As days become six hours long, circadian rhythms go out of the window and oceans start to bulge at the equator. The increasing whirligig of the many strands of storytelling converge on their inevitable conclusion, with Foster’s sparky writing, clever plotting and biting wit spinning an excellent tale.

When There Are Wolves Again
EJ Swift (Arcadia)
There are few more pressing issues with which fiction can engage than the climate crisis, and SF, with its capacity to extrapolate into possible futures and dramatise the realities, is particularly well placed to do so. Swift’s superb novel is an eco-masterpiece. Its near-future narrative of collapse and recovery takes us from the rewilding of Chornobyl and the return of wolves to Europe, through setback and challenge, to 2070, a story by turns tragic, alarming, uplifting, poetic and ultimately hopeful. Swift’s accomplished prose and vivid characterisation connect large questions of the planet’s destiny with human intimacy and experience, and she avoids either a too-easy doomsterism or a facile techno-optimism. We can bring the world back from the brink, but it will require honesty, commitment, hard work and a proper sense of stewardship.

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The best poetry books of 2025

From Seamus Heaney’s collected poems and Simon Armitage’s animal spirits, to prizewinners Karen Solie and Vidyan Ravinthiran

Many of 2025’s most notable collections have been powered by a spirit of wild experimentation, pushing at the bounds of what “poetry” might be thought to be. Sarah Hesketh’s 2016 (CB Editions) is a fabulous example: it takes 12 interviews with a variety of anonymous individuals about the events of that year and presents fragments of the transcripts as prose poems. The cumulative effect of these voices is haunting and full of pathos, as “they vote for whoever, and their life stays exactly the same”.

Luke Kennard and Nick Makoha also daringly remixed their source material and inspirations. The former’s latest collection, The Book of Jonah (Picador), moves the minor prophet out of the Bible into a world of arts conferences, where he is continually reminded that his presence everywhere is mostly futile. Makoha’s The New Carthaginians (Penguin) turns Jean-Michel Basquiat’s idea of the exploded collage into a poetic device. The result? “The visible / making itself known by the invisible.”

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The best memoirs and biographies of 2025

Anthony Hopkins and Kathy Burke on acting, Jacinda Ardern and Nicola Sturgeon on politics, plus Margaret Atwood on a life well lived

Not all memoirists are keen to share their life stories. For Margaret Atwood, an author who has sold more than 40m books, the idea of writing about herself seemed “Dead boring. Who wants to read about someone sitting at a desk messing up blank sheets of paper?” Happily, she did it anyway. Book of Lives: A Memoir of Sorts (Chatto & Windus) is a 624-page doorstopper chronicling Atwood’s life and work, and a tremendous showcase for her wisdom and wit. Helen Garner’s similarly chunky, Baillie Gifford prize-winning How to End a Story (Weidenfeld & Nicolson) is a diary collection spanning 20 years and provides piquant and puckish snapshots of the author’s life, work and her unravelling marriages. Mixing everyday observation and gossipy asides with profound self-examination, it is spare in style and utterly moreish.

In Arundhati Roy’s Mother Mary Comes to Me (Hamish Hamilton) and Jung Chang’s Fly, Wild Swans (William Collins), formidable mothers get top billing. In the former, The God of Small Things author reveals how her mother, whose own father was a violent drunk, stood up to the patriarchy and campaigned for women’s rights, but was cruel to her daughter. Describing her as “my shelter and my storm”, Roy reflects on Mary’s contradictions with candour and compassion. Fly, Wild Swans is the sequel to Chang’s bestselling Wild Swans, picking up where its predecessor left off and reflecting how that book was only made possible by the author’s mother, who shared family stories and kept her London-dwelling daughter apprised of events in China.

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The five best romance books of 2025

A tricky age gap, a dose of wedding day drama, literary love affairs, office rivals and the sexy side of Brexit

Consider Yourself Kissed
Jessica Stanley (Hutchinson Heinmann)
Clever and contemporary, this modern romance between short king single dad Adam and magazine writer Coralie accrues depth as it jumps from initial meet-cute to a decade-long romance, all the while embracing stepmotherhood, work and politics. (You didn’t think you could get Brexit into a romance?) The writing is wonderful, and the book has genuine heft – which might dial back the escapist fun, but it’s no less enjoyable for that.

Problematic Summer Romance
Ali Hazelwood (Sphere)
Hazelwood, a behemoth of current romantic fiction, specialises in funny and sharp hot-nerd affairs. Despite highlighting its own issues in the title, this novel got a rather mixed reception from the more judgmental corners of the internet on account of the age difference between the lovers. The gap between Maya and Conor, her big brother’s best friend, is 15 years – she is 23 to his 38. Depending on your generation and point of view, this is either completely and absolutely fine, or intensely concerning, despite the heroine insisting valiantly on her own agency and a reluctant romantic hero who resists the affair for this very reason. The book itself is typically charming and incredibly enjoyable, full of one-liners and cheek. (Far less controversially, she has followed it up with Mate, about a vampire bride falling in love with a werewolf. Sex with an actual animal is notably less problematic than an age gap in 2025.)

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The best science and nature books of 2025

From the threat of superintelligent AI to the secrets of a longer life; plus the evolution of language and the restless genius of Francis Crick

This felt like the year that AI really arrived. It is on our phones and laptops; it is creeping into digital and corporate infrastructure; it is changing the way we learn, work and create; and the global economy rests on the stratospheric valuations of the corporate giants vying to control it.

But the unchecked rush to go faster and further could extinguish humanity, according to the surprisingly readable and chillingly plausible If Anyone Builds It, Everyone Dies (Bodley Head), by computer scientists Eliezer Yudkowsky and Nate Soares, which argues against creating superintelligent AI able to cognitively outpace Homo sapiens in all departments. “Even an AI that cares about understanding the universe is likely to annihilate humans as a side-effect,” they write, “because humans are not the most efficient method for producing truths … out of all possible ways to arrange matter.” Not exactly cheery Christmas reading but, as the machines literally calculate our demise, you’ll finally grasp all that tech bro lingo about tokens, weights and maximising preferences.

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