Category Culture

Auto Added by WPeMatico

The Dog’s Gaze by Thomas Laqueur review – the art of the canine, from Velázquez to Picasso

A clever and beautiful survey of dogs in painting, with a brilliant interpretation of their role at its heart

Thirty-five thousand years ago, in the Ardèche region of France, Paleolithic artists drew a spectacular bestiary on the walls of the Chauvet cave. Their focus was apex predators, so there were lots of lions, as well as mammoths and woolly rhinoceroses. Dogs were nowhere to be seen, and yet in the soft sediment on the limestone floor of the cave, there are traces of canid pawprints next to human footprints. Two fellow creatures, most likely a boy and a dog, stood together, about 10,000 years after the art was made, looking up at the walls in wonder. Here was a moment of shared contemplation, followed perhaps by a glance to see the other’s reaction.

In this luminous book, the American cultural historian Thomas Laqueur explores what he calls “the dog’s gaze”. The dog was the first animal to live companionably with humans, and Laqueur argues that this marks the boundary between nature and culture. It is this threshold status that has, in turn, qualified the dog to play a rich, symbolic part in western art. Just having dogs in a picture – snuffling for picnic crumbs in Seurat’s La Grande Jatte or trooping home in Bruegel the Elder’s Hunters in the Snow – becomes a way for an artist to pack an image with extra resonance and second-order meaning.

Continue reading...

Yesteryear by Caro Claire Burke review – the downfall of an all‑American tradwife

The premise – Instagram influencer is confronted by pioneer reality – is genius. But does this high-concept debut live up to the hype?

Could Caro Claire Burke’s Yesteryear be the first great tradwife novel? This was my hope: finally, a literary response to the unhinged social trend of women cosplaying “traditional Christian values” – pronatalism and obeying one’s husband – to large social media followings. I am not immune to hype, and Yesteryear has been hyped to high heaven, prompting massive auctions for the rights, and landing a film deal with Anne Hathaway.

You have to admit that the premise – Instagram tradwife wakes up in what appear to be the actual pioneer days, and finds that traditional wifedom is not as much of a hoot as her whitewashed social media re-enactment had implied – is genius. As one of the “Angry Women” our heroine Natalie so disparages, I was looking forward to some sweet schadenfreude.

Continue reading...

The Fallen by Louise Brangan review – an enraging account of Ireland’s Magdalene laundries

The horrifying story of the Catholic-run institutions that incarcerated thousands of women and girls

Many readers, and surely most Irish readers, will finish this book in a state of white-knuckled rage, mingled with sorrow and at least a pang of guilt. It is a detailed, thoroughgoing and appalling account of the Magdalene laundries, the most famous, and most infamous, among Ireland’s extended and varied landscape of penal or correctional institutions, which operated for most of the 20th century – the last of the laundries was closed in 1996.

As the academic Louise Brangan points out in The Fallen, it is easy to become confused by the number and variety of prisons, mental asylums, orphanages, workhouses and homes for unmarried mothers that proliferated in Ireland between the foundation of the Irish Free State in 1922 and the late 1990s. However, the Magdalene laundries were unique. Dr Brangan writes: “In a regime distinguished by its excessive inhumanity, the Magdalene laundries were its deep end. In 1951, when the laundries were at their height, for every 100,000 males, 27 were in prison … [while] for every 100,000 females, 70 were in a laundry. These were not peripheral: they were Ireland’s main carceral institution.”

Continue reading...

My Year in Paris With Gertrude Stein by Deborah Levy review – wonderfully entertaining

Biography mingles with fiction as Levy explores the avant-garde writer through the story of three female friends in Paris

The narrator of Deborah Levy’s witty scherzo of a “fiction” – “novel” isn’t the word for this uncategorisable book – thinks that Gertrude Stein would have liked Sigmund Freud. She imagines them enjoying a cigar together while their wives make small talk. Would Frau Freud “have exchanged her recipe for boiled beef with Alice B [Toklas]’s recipe for hashish fudge”? The two never met (though with her interest in the “bottom character” and his in the “unconscious”, Stein and Freud would have had plenty to talk about), but that barely matters. This book is full of things that don’t actually happen, of relationships that are not what the people involved suppose them to be, of digressions and fantasies and encounters that are imagined but never take place.

It all starts with a lost cat. The cat is called “it”: lower-case “i” followed by lower-case “t”. This causes all sorts of linguistic confusion, highlighting the way we use the word “it” to mean something indeterminate (as in the first sentence of this paragraph), or something trivial, or something tremendous. The phrase “lost it” recurs, the “it” meaning – variously – one’s mind, sympathy with Ernest Hemingway, daring to be as unconventional as Gertrude Stein, the stream of consciousness “flowing under the mowed and manicured golf courses on which men swung their clubs in the 21st century”, the temptation to smile while being undermined by a patronising man, the drudgery of housekeeping, the thing – which might be obedience or shame – that holds an artist back from becoming a modernist … or love, or one’s mother, or a black-and-white cat with one deformed ear.

Continue reading...

Tucker Carlson to launch publishing imprint with books by Russell Brand and Milo Yiannopoulos

Former Fox News host says publishing house Skyhorse ‘looking for books that nobody else will publish’

Former Fox News host Tucker Carlson is set to launch his own imprint and publish books by the likes of Russell Brand and “alt-right” commentator Milo Yiannopoulos.

The imprint, Tucker Carlson Books, will be part of the US-based publisher Skyhorse. “I think most people don’t read books anymore because they’re too absorbed in all the other available media,” said Carlson, according to the Wall Street Journal. He added that those who do “tend to be disproportionately influential in policy conversations and conversations about ideas”.

Continue reading...

Walking Shadow by Greg Doran review – Shakespeare’s healing power

After the death of his husband, Antony Sher, the former RSC director embarks on a quest to see every First Folio

This is really two books in one. The first part consists of the diaries written by Antony Sher in the six months before his death from liver cancer in December 2021. The second, longer part is a record by his husband and partner of 35 years, Greg Doran, of an obsessive quest to see as many of the more than 200 extant copies of Shakespeare’s First Folio as possible. Taken together, the two parts amount to a very moving record of one person’s confrontation with death and of his partner’s attempt to cope with survival.

Sher, in his multiple roles as actor, artist and writer, was always a shrewd observer, and what he called The Dying Diaries show a characteristic mix of candour, resilience and wit. He doesn’t minimise the horror and writes at one point that “this cancer thing is like a bomb in our household”, which sits there unobtrusively and goes off at unexpected moments. But he also confronts it with wry humour. When he discovers that the two lesions in his liver are the size of a satsuma and a walnut, he thinks that might make a good title for his diaries. Reflecting on the fact that the last play he did, Kunene and the King by John Kani, was about an old South African Shakespearean actor dying of liver cancer, he adds: “Who says that actors don’t take their roles home with them?” And although his last days are grim, what comes across is his and Doran’s shared delight in many things, from wildlife to tapes of the US comedian Jackie Mason, and their unshakeable love for each other.

Continue reading...

Is AI the greatest art heist in history?

New technologies of reproduction are plundering the art world – and getting away with it

In 2026, its easy to see why generative AI is bad. The internet has nicknamed its excretions “slop”. The CEOs of AI companies prance about on stage like supervillains, bragging that their products will eliminate vast swathes of work. Generative AI requires sacrificing the world’s water to feed its hideous data centres. Around the globe, chatbots induce schizophrenic delusions and urge teens to kill themselves – all while turning users brains to mush.

Who could have predicted this? Artists, that’s who.

Continue reading...

Too hot to handle? Why it’s time for straight male authors to rediscover sex

It’s a high-wire act and the risk of an embarrassing failure can weigh heavily – but that’s no reason to avoid writing about sex, argues Black Bag author Luke Kennard

Are straight male writers scared of writing about sex? If you read modern fiction it’s hard to conclude otherwise. Maybe we’re worried that the very presence of a sex scene in our book would feel somehow exploitative or gratuitous. Or maybe we feel our gender has simply said enough on the subject so we should shut up.

Women writing about straight relationships don’t seem as nervous. In fact, sex is often a central element of narrative, and of nuanced portrayals of masculinity; from the slow-burn tenderness and awkwardness of intimacy in Sally Rooney’s work, to the surreal celebrations of and lamentations for the erotic in Diane Williams’s extraordinary short stories.

Continue reading...

From Peepo! to Middlemarch: 25 books to read before you turn 25

An unmissable book for every year of your early life – with recommendations from Jacqueline Wilson, Michael Rosen, Katherine Rundell and more

The news about reading in general, and childhood reading in particular, is not good. Last year a National Literacy Trust survey of more than 100,000 young people between the ages of 11 and 18 discovered that the number of children who read for pleasure is the lowest since records of this sort began. Only about a third of children say they actively enjoy reading, and the number who report reading daily in their free time is has halved over the last two decades. It’s down to less than one in five.

Whether we blame this on screens, social media, or on a renewed enthusiasm for healthy outdoor activities, the facts are clear. Children are reading less, taking less pleasure in doing so, and there’s already talk of the dawning of a “post-literate age”. Yet books make available the best, wisest and most beautiful things that humankind has conceived, and children’s literature offers a host of classics, old and new, to be introduced to new generations of readers.

Continue reading...

Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’

The South African author on discovering Colette, being inspired by JG Ballard, and the subversive joys of Asako Yuzuki

My earliest reading memory
The Cat in the Hat by Dr Seuss, particularly the little red fan the cat holds in the tip of its tail. At the age of five, I was reading The Famous Five, getting to grips with Enid Blyton’s most complex characters, Aunt Fanny and Uncle Quentin. I was born in apartheid South Africa. The children in the Famous Five series had no human rights problems and it is set in Dorset, a landscape that was totally unknown to me. My bedroom window in Johannesburg looked out on a garden of bone-white grass and a peach tree.

My favourite book growing up
I was delighted to move on to the imaginative sophistication of The Lion, the Witch and the Wardrobe. CS Lewis’s lucky strike was to come up with the idea that a wardrobe was the portal to another world. Although she terrified me, I wanted to meet the White Witch, who rode on a sleigh pulled by white reindeer.

Continue reading...