Category Fiction in translation

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‘Hope, insight and burning humanity’: 2026 International Booker prize shortlist announced

The six finalists include Marie NDiaye and Yáng Shuāng-zǐ alongside Daniel Kehlmann’s second nomination for the £50,000 prize

Daniel Kehlmann, Marie NDiaye and Yáng Shuāng-zǐ are among the six authors shortlisted for the 2026 International Booker prize, as the award marks its 10th anniversary.

The annual prize celebrates the best works of fiction translated into English, and awards £50,000 to one author-translator pair, to be split equally.

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Shahrnush Parsipur: ‘The women of Iran will cause the fall of the Islamic Republic’

As her banned 1989 novella, Women Without Men, is published for the first time in the UK, the Iranian author looks back on a life of resistance and repression

As I write this, Iranians around the world are holding their breath for the end of the murderous Islamic Republic. More than three years after the “Woman, Life, Freedom” movement began, amid renewed demonstrations, brutal state crackdowns and now US bombing raids, Shahrnush Parsipur’s banned novella Women Without Men arrives in the UK, where last month it was longlisted for the 2026 International Booker prize.

At 80 years old, Parsipur is one of Iran’s most celebrated living writers, and one of our boldest, most original feminists. In the 1980s, her stories were the talk of Iran’s literary circles and she was imprisoned for nearly five years, without ever being formally charged.

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Hooked by Asako Yuzuki review – follow-up to global hit Butter

A Tokyo high-flyer tries to befriend her favourite blogger in a novel that wears its aura of black comedy lightly, and its political statements more heavily

Asako Yuzuki’s international bestseller Butter was a taste sensation based on the true story of a Japanese female serial killer and gourmet chef who scammed and poisoned male victims with her culinary offerings. Attempting to get a scoop, a journalist bonds with the convicted prisoner by asking her for recipe tips, and gradually reassesses her own life and values as a result of this peculiar relationship. One review described the book as “the Martha Stewart Show meets The Silence of the Lambs”, but as well as the crime thriller/foodie mashup, a critique of capitalist society and deep-seated misogyny also emerged from the narrative. Yuzuki’s prose style, a mix of the banal and the profound, proved to be catnip for sales.

Hooked is the follow-up for English-language readers, though it was written earlier, in 2015, and like the previous novel is translated with crackling verve by Polly Barton. While a more introspective work, its high-wire plot and uneven trajectory make for a relentlessly dizzying experience. Fans of Butter might even view it as a trial run.

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Asako Yuzuki: ‘I’m very far from the ideal Japanese woman’

Butter, her novel about a female serial killer, was a global hit. As Asako Yuzuki’s second book is published in English, she talks about criticism at home – and why she’ll be writing darker stories in the future

The next time Japanese novelist Asako Yuzuki comes to the UK, she would like to bake some traditional Japanese muffins for Paul Hollywood on The Great British Bake Off, she says when we meet over video call. It is evening in Tokyo, where she lives with her partner and eight-year-old son. “I’ve had my bath and am ready for bed,” she explains, via translator Bethan Jones, apologising for being in her pyjamas. She thinks the Bake Off judge would be particularly impressed by “marubouro” muffins, from Nagasaki. “Kazuo Ishiguro also comes from Nagasaki and British people love Ishiguro, so they are bound to love these muffins,” she continues. “They go very well with tea.”

As anyone who has read Yuzuki’s international bestseller Butter will know, Yuzuki is all about food. Based on the 2009 real-life “Konkatsu Killer” case (konkatsu means marriage hunting), in which 35-year-old Kanae Kijima was convicted of poisoning three men, Butter follows the relationship between journalist Rika Machida and Manako Kajii, a serial killer and gourmet cook, through a succession of interviews in Tokyo Detention Centre. Yuzuki even signed up for the high-class cookery school in Tokyo that Kijima attended as research. The result is an irresistible mix of social satire and feminist thriller, dripping with descriptions of buttery rice and soy sauce.

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Witches, Nazi collaborators and banned books: International Booker prize announces 2026 longlist

Thirteen books make this year’s longlist for translated fiction, which awards a first prize of £50,000

Olga Ravn, Daniel Kehlmann, Ia Genberg, Mathias Énard and Gabriela Cabezón Cámara are among those longlisted for the 10th International Booker prize, which recognises the best translated fiction published in the past year.

A “Booker dozen” of 13 books were longlisted for this year’s prize. One author-translator pair will win £50,000, to be split equally.

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Georgi Gospodinov: ‘Jorge Luis Borges gave me an exhilarating sense of freedom’

The Bulgarian Booker winner on the letter he wrote to JD Salinger, the allure of Homer’s Odyssey and the magic of Thomas Mann

My earliest reading memory
I was taught to read quite early, at five or six, probably so that I would sit quietly and not be a nuisance to the adults. And it worked. Once I’d entered a book, I didn’t want to come out. I remember how Hans Christian Andersen’s The Little Match Girl turned my heart upside down. I was living with my grandmother at the time, and I cried under the blanket, terrified that one day she, too, would die.

My favourite book growing up
I read greedily and indiscriminately, picking books at random from my parents’ library. Thomas Mayne Reid’s adventure novels were favourites, especially The Headless Horseman. Jack London’s Martin Eden, too. Clearly, the idea of being both a hero and a writer appealed to me. Writers were not usually heroes. I also loved a textbook on criminology, which explained how to make invisible ink, what traces criminals leave behind, and so on – matters of extraordinary importance to any 10-year-old boy.

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Books to look out for in 2026 – fiction

Maggie O’Farrell, Yann Martel and Julian Barnes are among the authors publishing new novels this year

The beginning of the books calendar is usually dominated by debuts, but January 2026 sees releases from some of the year’s biggest authors. Known for his surreally bittersweet short stories, George Saunders has written only one novel so far – but that one won the Booker prize. The follow-up to 2017’s Lincoln in the Bardo, Vigil (Bloomsbury) focuses on an unquiet spirit called Jill who helps others pass over from life to whatever comes next. She is called to the deathbed of an oil tycoon who is rapidly running out of time to face up to his ecological crimes, in a rallying cry for human connection and environmental action. Ali Smith’s Glyph (Hamish Hamilton) is a companion to 2024’s Gliff, and promises to tell a story initially hidden in that previous novel. Expect fables, siblings, phantoms and horses in a typically playful shout of resistance against war, genocide and the increasingly hostile social discourse. And in Departure(s) (Jonathan Cape), Julian Barnes announces his own – this blend of memoir and fiction, exploring memory, illness, mortality and love across the decades, will be his last book. “Your presence has delighted me,” he assures the reader. “Indeed, I would be nothing without you.”

The Hamnet adaptation hits UK cinemas in January, but Maggie O’Farrell’s next novel isn’t out until June. Land (Tinder), a multigenerational saga which opens in 19th-century Ireland in the wake of the famine, is inspired by her own family history and centres on a man tasked with mapping the country for the Ordnance Survey. There’ll be much anticipation, too, for The Things We Never Say from Elizabeth Strout (Viking, May). The ultra-prolific Strout is adored for her interconnected novels, but this story of a man with a secret is a standalone, introducing characters we’ve never met before. In John of John (Picador, May) Douglas Stuart, author of much-loved Booker winner Shuggie Bain, portrays a young gay man returning home from art school to the lonely croft on the Hebridean island where he grew up. And September sees a new novel from Irish writer Sebastian Barry: The Newer World (Faber) follows Costa winner Days Without End and A Thousand Moons in transporting the reader to late 19th-century America in the aftermath of the Civil War.

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Ice by Jacek Dukaj review – a dazzling journey to an alternate Siberia

The 1908 Tunguska comet changes the direction of history and gives rise to a weird new reality in this acclaimed epic from the Polish author

The opening sentence of this remarkable novel announces that the reader is in for an intriguing experience. “On the fourteenth day of July 1924, when the tchinovniks of the Ministry of Winter came for me, on the evening of that day, on the eve of my Siberian Odyssey, only then did I begin to suspect that I did not exist.” It may hint at Kafka in the ominous arrival of officials, or Borges in its metaphysical conundrum, but stranger things are afoot. In 1924 there was no tsar, let alone his bureaucrats, the tchinovniks. The date is significant, but I don’t mind admitting I had to find out why online. The time, as Hamlet says, is out of joint.

The rudely awakened sleeper is Benedykt Gierosławski, a Polish philosopher, logician, mathematician and gambler whose debts will be erased if he undertakes a special mission for the Ministry. He is to travel to Siberia, “the wild east”, and find his father, Filip, who was exiled there for anti-government activities. This is not clemency. Filip is now known as Father Frost, and as a geologist, radical and mystic, he might have a connection with what has occurred. The reader is drip-fed the details. A comet fell into Tunguska in Siberia in 1908, as it did in our universe. But here the event has caused the emergence of an inexplicable, expanding, possibly sentient coldness called the “gleiss”. Ice, which won the European Union prize for literature, came out in Poland in 2007, well before the Game of Thrones TV adaptation made “winter is coming” a meme; but in this novel, it certainly is.

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Freezing Point by Anders Bodelsen review – a prescient classic of cryogenics

This resurrected Danish novel about a man who is ‘frozen down’, awaking in an Orwellian dystopia two decades later, is inventive, funny and all too timely

In the Danish author’s uncannily prescient novel, first published in 1969, the year is 1973 and Bruno works as a fiction editor for a popular weekly magazine; his talent for generating story ideas makes him indispensable to his authors. Invited for dinner at the home of one of them, Bruno finds himself seated next to a woman named Jenny, a struggling ballet dancer with a gloomy aspect and no sense of humour. Bruno is drawn to her nonetheless, and finds himself inventing stories about her. The following day, he is admitted to hospital to undergo tests: a small lump on the side of his neck has raised some concerns. Bruno cannot help feeling the two events are somehow connected.

It comes as little surprise to Bruno when he learns he has cancer. The doctor in charge of his case, Josef Ackerman, offers a choice: he can either undergo the gruelling and fallible radiotherapy currently prescribed for his disease, or he can become a pioneer in a new, radically experimental treatment programme in which patients are “frozen down”, remaining in a state of suspended animation until such time as medical science has advanced sufficiently to offer a cure.

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‘Suddenly, it was everywhere’: why some books become blockbusters overnight

Whether it’s through TikTok buzz, celebrity endorsements or good old-fashioned word of mouth, some titles enjoy a second, more powerful, life. But what unites them – and is there a formula for this type of success?

There is a particular kind of literary deja vu that strikes sometimes. Seemingly out of nowhere, the same book starts appearing across multiple social media feeds. On the bus, you’ll spot two copies of the same title in one day. A friend says, “Have you read this yet?”, to which you respond, “Someone was just telling me about it the other day.”

These are the sleeper hits that seem to materialise without warning. They are not stacked high on the new release tables. They are books that, for one reason or another, have slipped their original timelines and found a second, often more powerful life.

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