Category Fiction in translation

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Crossing the Wine Dark Sea by Emily Wilson review – a masterclass in translation

The polarising translator of the Odyssey and the Iliad sets out her philosophy in this fascinating collection

Emily Wilson’s translations of the Odyssey in 2017 and the Iliad in 2023 are now the standard English-language versions, acclaimed for their conciseness and fluency. Her infatuation with Homer began at the age of eight, when her primary school put on a production of the Odyssey, with her in the role of Athena, and the excitement hasn’t worn off. You can question some of the choices she makes in her translations (she questions them herself), but you can’t doubt the months and years she has spent finding the “least bad” compromises.

Her new book is a series of essays on the challenges of translation and the pleasures and insights to be gained from reading the classics. She is fascinated by how far the ancient world intersects with the modern. Aeschylus, Demosthenes, Catullus and Aristophanes are here but so are Spike Lee, Erica Jong, PG Wodehouse’s Jeeves (a last link to the clever servants in Roman comedy) and Boris Johnson (“an incompetent drunkard” who somehow passed as an intellectual “on the basis of his ability to parrot a few garbled lines of Homeric Greek”). Wealthy white men in Silicon Valley get a look-in, too, for embracing Stoicism (not to be confused with stoicism) in “a watered-down form”. Continuities between then and now pile up: war, cruelty and political turmoil. But there are also important contrasts and she scolds those who look back on antiquity as “a mirror in which we always find ourselves”, even when we’re not there.

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‘It’s still a no-go area’: German author Matthias Jügler on the trauma surrounding the GDR’s ‘stolen children’

The reaction among officials in Germany to his bestselling novel has been hostile. As Mayfly Season is published in the UK, its author explains why

A few weeks after the German publication of his debut novel in 2024, author Matthias Jügler received a call from an employee at the German government agency tasked with investigating the human rights abuses of the socialist east.

The call wasn’t overtly threatening; Jügler was asked to explain what historical source material he had consulted for Mayfly Season and which period he was planning to tackle in his next book. But it came after another government official had accused him of traumatising some of his readership, and after the organiser of a reading had asked him to bring along documents proving the plausibility of his book’s plot.

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‘Hope, insight and burning humanity’: 2026 International Booker prize shortlist announced

The six finalists include Marie NDiaye and Yáng Shuāng-zǐ alongside Daniel Kehlmann’s second nomination for the £50,000 prize

Daniel Kehlmann, Marie NDiaye and Yáng Shuāng-zǐ are among the six authors shortlisted for the 2026 International Booker prize, as the award marks its 10th anniversary.

The annual prize celebrates the best works of fiction translated into English, and awards £50,000 to one author-translator pair, to be split equally.

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Shahrnush Parsipur: ‘The women of Iran will cause the fall of the Islamic Republic’

As her banned 1989 novella, Women Without Men, is published for the first time in the UK, the Iranian author looks back on a life of resistance and repression

As I write this, Iranians around the world are holding their breath for the end of the murderous Islamic Republic. More than three years after the “Woman, Life, Freedom” movement began, amid renewed demonstrations, brutal state crackdowns and now US bombing raids, Shahrnush Parsipur’s banned novella Women Without Men arrives in the UK, where last month it was longlisted for the 2026 International Booker prize.

At 80 years old, Parsipur is one of Iran’s most celebrated living writers, and one of our boldest, most original feminists. In the 1980s, her stories were the talk of Iran’s literary circles and she was imprisoned for nearly five years, without ever being formally charged.

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Hooked by Asako Yuzuki review – follow-up to global hit Butter

A Tokyo high-flyer tries to befriend her favourite blogger in a novel that wears its aura of black comedy lightly, and its political statements more heavily

Asako Yuzuki’s international bestseller Butter was a taste sensation based on the true story of a Japanese female serial killer and gourmet chef who scammed and poisoned male victims with her culinary offerings. Attempting to get a scoop, a journalist bonds with the convicted prisoner by asking her for recipe tips, and gradually reassesses her own life and values as a result of this peculiar relationship. One review described the book as “the Martha Stewart Show meets The Silence of the Lambs”, but as well as the crime thriller/foodie mashup, a critique of capitalist society and deep-seated misogyny also emerged from the narrative. Yuzuki’s prose style, a mix of the banal and the profound, proved to be catnip for sales.

Hooked is the follow-up for English-language readers, though it was written earlier, in 2015, and like the previous novel is translated with crackling verve by Polly Barton. While a more introspective work, its high-wire plot and uneven trajectory make for a relentlessly dizzying experience. Fans of Butter might even view it as a trial run.

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Asako Yuzuki: ‘I’m very far from the ideal Japanese woman’

Butter, her novel about a female serial killer, was a global hit. As Asako Yuzuki’s second book is published in English, she talks about criticism at home – and why she’ll be writing darker stories in the future

The next time Japanese novelist Asako Yuzuki comes to the UK, she would like to bake some traditional Japanese muffins for Paul Hollywood on The Great British Bake Off, she says when we meet over video call. It is evening in Tokyo, where she lives with her partner and eight-year-old son. “I’ve had my bath and am ready for bed,” she explains, via translator Bethan Jones, apologising for being in her pyjamas. She thinks the Bake Off judge would be particularly impressed by “marubouro” muffins, from Nagasaki. “Kazuo Ishiguro also comes from Nagasaki and British people love Ishiguro, so they are bound to love these muffins,” she continues. “They go very well with tea.”

As anyone who has read Yuzuki’s international bestseller Butter will know, Yuzuki is all about food. Based on the 2009 real-life “Konkatsu Killer” case (konkatsu means marriage hunting), in which 35-year-old Kanae Kijima was convicted of poisoning three men, Butter follows the relationship between journalist Rika Machida and Manako Kajii, a serial killer and gourmet cook, through a succession of interviews in Tokyo Detention Centre. Yuzuki even signed up for the high-class cookery school in Tokyo that Kijima attended as research. The result is an irresistible mix of social satire and feminist thriller, dripping with descriptions of buttery rice and soy sauce.

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Witches, Nazi collaborators and banned books: International Booker prize announces 2026 longlist

Thirteen books make this year’s longlist for translated fiction, which awards a first prize of £50,000

Olga Ravn, Daniel Kehlmann, Ia Genberg, Mathias Énard and Gabriela Cabezón Cámara are among those longlisted for the 10th International Booker prize, which recognises the best translated fiction published in the past year.

A “Booker dozen” of 13 books were longlisted for this year’s prize. One author-translator pair will win £50,000, to be split equally.

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Georgi Gospodinov: ‘Jorge Luis Borges gave me an exhilarating sense of freedom’

The Bulgarian Booker winner on the letter he wrote to JD Salinger, the allure of Homer’s Odyssey and the magic of Thomas Mann

My earliest reading memory
I was taught to read quite early, at five or six, probably so that I would sit quietly and not be a nuisance to the adults. And it worked. Once I’d entered a book, I didn’t want to come out. I remember how Hans Christian Andersen’s The Little Match Girl turned my heart upside down. I was living with my grandmother at the time, and I cried under the blanket, terrified that one day she, too, would die.

My favourite book growing up
I read greedily and indiscriminately, picking books at random from my parents’ library. Thomas Mayne Reid’s adventure novels were favourites, especially The Headless Horseman. Jack London’s Martin Eden, too. Clearly, the idea of being both a hero and a writer appealed to me. Writers were not usually heroes. I also loved a textbook on criminology, which explained how to make invisible ink, what traces criminals leave behind, and so on – matters of extraordinary importance to any 10-year-old boy.

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Books to look out for in 2026 – fiction

Maggie O’Farrell, Yann Martel and Julian Barnes are among the authors publishing new novels this year

The beginning of the books calendar is usually dominated by debuts, but January 2026 sees releases from some of the year’s biggest authors. Known for his surreally bittersweet short stories, George Saunders has written only one novel so far – but that one won the Booker prize. The follow-up to 2017’s Lincoln in the Bardo, Vigil (Bloomsbury) focuses on an unquiet spirit called Jill who helps others pass over from life to whatever comes next. She is called to the deathbed of an oil tycoon who is rapidly running out of time to face up to his ecological crimes, in a rallying cry for human connection and environmental action. Ali Smith’s Glyph (Hamish Hamilton) is a companion to 2024’s Gliff, and promises to tell a story initially hidden in that previous novel. Expect fables, siblings, phantoms and horses in a typically playful shout of resistance against war, genocide and the increasingly hostile social discourse. And in Departure(s) (Jonathan Cape), Julian Barnes announces his own – this blend of memoir and fiction, exploring memory, illness, mortality and love across the decades, will be his last book. “Your presence has delighted me,” he assures the reader. “Indeed, I would be nothing without you.”

The Hamnet adaptation hits UK cinemas in January, but Maggie O’Farrell’s next novel isn’t out until June. Land (Tinder), a multigenerational saga which opens in 19th-century Ireland in the wake of the famine, is inspired by her own family history and centres on a man tasked with mapping the country for the Ordnance Survey. There’ll be much anticipation, too, for The Things We Never Say from Elizabeth Strout (Viking, May). The ultra-prolific Strout is adored for her interconnected novels, but this story of a man with a secret is a standalone, introducing characters we’ve never met before. In John of John (Picador, May) Douglas Stuart, author of much-loved Booker winner Shuggie Bain, portrays a young gay man returning home from art school to the lonely croft on the Hebridean island where he grew up. And September sees a new novel from Irish writer Sebastian Barry: The Newer World (Faber) follows Costa winner Days Without End and A Thousand Moons in transporting the reader to late 19th-century America in the aftermath of the Civil War.

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