Category Short stories

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The News from Dublin by Colm Tóibín review – subtle short stories about being far from home

Grief, betrayal and moral complications are explored across nine tales of quiet power that take us from Argentina to County Wexford

The title of Colm Tóibín’s new story collection seems to promise, at first glance, a return to familiar territory: a tour, perhaps, of old stomping grounds; a reconnection with earlier work. But as the pages turn, that suggestion of affinity is revealed to be a subtle bait and switch. The stories in this collection, it turns out, have to do with displacement, not familiarity; their news is not from Dublin, but from the places where Dublin’s news might land. They interrogate what it means, and how it feels, to live at one remove: from home, from loved ones, from the past.

That sense of dislocation is established in the opening story, The Journey to Galway, set during the first world war, in which once again the interaction between title and content proves delicately wrongfooting. This “journey”, we discover, is not about attaining a longed-for destination, nor even really about forward motion; rather, it’s a moment of suspension, between one reality and the next. An unnamed woman remembers the morning on which she received a telegram telling her that her son, a pilot in the British airforce, had been killed in action over Italy. On hearing the news, she knows she must take the train to Galway, to inform her son’s wife, Margaret. “In Margaret’s mind,” the woman realises, as she stares out of the train window, “Robert was still alive. Maybe that meant something; it gave Robert some strange extra time …” And it is this liminal time, untethered and provisional, that is the “journey” of the title – a Schrödinger’s-cat caesura, in which the terrible event both has and hasn’t taken place. “Until she appeared in the doorway of that house, there would not be death,” the woman thinks. “But once she appeared, death would live in that house.”

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‘I’ve learned first-hand how evil is tolerated’: Colm Tóibín on living in the US under Trump

The Brooklyn author on immigration and the inspiration behind his latest collection of stories

I often write the first paragraph of a story in a notebook, add to it every so often or leave it there to see if something might emerge from it. In 2008, in San Francisco, I went with three friends on a hike near Muir Woods overlooking the Pacific Ocean. At the summit, there was a kind of lodge where you could get a bed for the night and use the kitchen to make your own dinner. The view was spectacular.

As we climbed, I began to imagine a character, an Irish guy who had made up his mind to go home. This was his last big outing in the landscape. He had been working as a plumber. Dotted in the Bay Area were houses where he had repaired pipes and installed new sinks and toilets and washing machines. This was his legacy in America. He was someone who could be depended on in an emergency. But he was illegal and he was going home.

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Books to look out for in 2026 – fiction

Maggie O’Farrell, Yann Martel and Julian Barnes are among the authors publishing new novels this year

The beginning of the books calendar is usually dominated by debuts, but January 2026 sees releases from some of the year’s biggest authors. Known for his surreally bittersweet short stories, George Saunders has written only one novel so far – but that one won the Booker prize. The follow-up to 2017’s Lincoln in the Bardo, Vigil (Bloomsbury) focuses on an unquiet spirit called Jill who helps others pass over from life to whatever comes next. She is called to the deathbed of an oil tycoon who is rapidly running out of time to face up to his ecological crimes, in a rallying cry for human connection and environmental action. Ali Smith’s Glyph (Hamish Hamilton) is a companion to 2024’s Gliff, and promises to tell a story initially hidden in that previous novel. Expect fables, siblings, phantoms and horses in a typically playful shout of resistance against war, genocide and the increasingly hostile social discourse. And in Departure(s) (Jonathan Cape), Julian Barnes announces his own – this blend of memoir and fiction, exploring memory, illness, mortality and love across the decades, will be his last book. “Your presence has delighted me,” he assures the reader. “Indeed, I would be nothing without you.”

The Hamnet adaptation hits UK cinemas in January, but Maggie O’Farrell’s next novel isn’t out until June. Land (Tinder), a multigenerational saga which opens in 19th-century Ireland in the wake of the famine, is inspired by her own family history and centres on a man tasked with mapping the country for the Ordnance Survey. There’ll be much anticipation, too, for The Things We Never Say from Elizabeth Strout (Viking, May). The ultra-prolific Strout is adored for her interconnected novels, but this story of a man with a secret is a standalone, introducing characters we’ve never met before. In John of John (Picador, May) Douglas Stuart, author of much-loved Booker winner Shuggie Bain, portrays a young gay man returning home from art school to the lonely croft on the Hebridean island where he grew up. And September sees a new novel from Irish writer Sebastian Barry: The Newer World (Faber) follows Costa winner Days Without End and A Thousand Moons in transporting the reader to late 19th-century America in the aftermath of the Civil War.

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‘He was just trying to earn a few kopecks’: how newly translated stories reveal Chekhov’s silly side

With daft jokes and experimental wordplay, the first comprehensive translations of his lesser-known stories show Anton Chekhov in a new light

Few writers are as universally admired as Chekhov. As Booker winner George Saunders puts it, “Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.” Novelists from Ann Patchett to Zadie Smith cite him as an inspiration. His plays The Seagull, Three Sisters, Uncle Vanya and The Cherry Orchard still pack out theatres internationally. In the past year alone, Andrew Scott wowed audiences in his one-man Vanya for London’s National Theatre and Cate Blanchett took on the role of Arkadina in The Seagull at the Barbican. But how much did you know about his silly side?

Anton Chekhov: Earliest Stories offers the first comprehensive translation in English of the stories, novellas and humoresques that the Russian author wrote in the early 1880s. And it is supremely juvenile in the best way. The reason many of these stories are now appearing in translation for the first time is because, explains editor Rosamund Bartlett, they have never been regarded by commercial publishers as “worthy” of Chekhov’s reputation. They are too childishly comical. During the translation process, she says, “we would just collapse in fits of giggles”.

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Jeeves Again review – new Jeeves and Wooster stories by celebrity fans

This collection of new short stories about Bertie and his valet pays homage to the genius of PG Wodehouse – just in time for Christmas

As with most of the giants of late 19th- and early 20th-century English literature, the vast majority of PG Wodehouse’s readers today are non-white. Perhaps it was brutal colonial indoctrination that ensured the modern descendants of the aspirant imperial middle classes from Barbados to Burma, with their tea caddies, gin-stuffed drinks cabinets and yellowing Penguin paperbacks, still devour Maugham, Shaw and Kipling. Perhaps they just have good taste.

Wodehouse’s detractors are many – Stephen Sondheim (“archness … tweeness … flimsiness”), Winston Churchill (“He can live secluded in some place or go to hell as soon as there is a vacant passage”), the Inland Revenue – but for millions around the world he remains the greatest comic writer Britain has ever produced. And he clearly still sells here, as this collection of a dozen new officially sanctioned stories by writers, comedians and celebrity admirers, out in time to be a stocking filler, attests.

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The Eleventh Hour by Salman Rushdie – a haunting coda to a groundbreaking career

From an afterlife fantasy to a tale of loss in Mumbai, death is a recurring theme in this story collection – an echo of the novelist at his peak

Towards the end of Knife, his 2024 book about the assault at a public event in upstate New York that blinded him in his right eye, Salman Rushdie offers a thought experiment:

Imagine that you knew nothing about me, that you had arrived from another planet, perhaps, and had been given my books to read, and you had never heard my name or been told anything about my life or about the attack on The Satanic Verses in 1989. Then, if you read my books in chronological order, I don’t believe you would find yourself thinking, Something calamitous happened to this writer’s life in 1989. The books are their own journey.

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‘They disappeared when the wall came down’: German author Jenny Erpenbeck on the objects that contain vast histories

From the drip catchers of coffee pots to the typewriter she used for her first works, the International Booker prize-winning writer reflects on the hidden significance of everyday items

Drip catcher
The carpet hangers disappeared from the rear courtyards when wall-to-wall carpeting and vacuum cleaners were introduced – when the Persian carpets had been bombed away, when there was no money to buy new ones, when the men who used to carry the rolled-up carpets down the stairs for cleaning had been killed in the war.

The shop where I used to take my tights to get them mended when they had a run in them, back when I was a little girl – a shop called “Run Express” – disappeared when the Wall came down and the west was able to sell its cheap tights in the east.

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The Land of Sweet Forever by Harper Lee review – newly discovered stories from an American great

If we regard this book as literature, it is an unqualified failure. But these juvenile stories and essays shed fascinating light on the repression of Lee’s early life

When a new book is published by a writer dead for a decade, there is always some suspicion that the bottom of the barrel is being scraped. When the writer is Harper Lee, there is also the unpleasant aftertaste of the release of her second novel, 2015’s Go Set a Watchman, which was promoted as a sequel to To Kill a Mockingbird, when in fact it was a formless early draft. The publication was also surrounded by controversy over whether the aged Lee, by then seriously disabled, had really consented to its publication.

This new book, The Land of Sweet Forever, is a much more conventional enterprise: a collection of Lee’s unpublished short stories and previously uncollected essays. No deception is being practised here, and if people want to read the lesser scribblings of a favourite author, it is surely a victimless crime. However, like most such books, it has little to offer to those who aren’t diehard fans.

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‘Provocative’ story about British Museum statue wins 4thWrite prize

Piyumi Kapugeekiyana’s tale explores repatriation and cultural ownership through a replica of the goddess Tārā
• Read the winning story: The Original Is Not Here

A story exploring cultural ownership through the eyes of a museum curator has won this year’s 4thWrite prize.

Piyumi Kapugeekiyana was announced as the winner of the prize at a ceremony in London on Wednesday evening.

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Debut author Colwill Brown wins BBC short story award for ‘heartbreaking’ tale – read an extract here

Brown’s story of a teenage life ‘critically damaged in a moment’ was the ‘unanimous’ pick for the £15,000 prize
• Read an extract from the story below

Doncaster-born writer Colwill Brown has won this year’s BBC national short story award for a “heartbreaking” entry about shame and the long-term effects of trauma, told in South Yorkshire dialect.

Brown was announced as the winner of the £15,000 award, run in collaboration with Cambridge University, at a ceremony held at BBC Broadcasting House on Tuesday evening.

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