Anton Chekhov - trang moi

Anton Chekhov, Arundhati Roy, Books, Culture, John Lanchester, Olga Tokarczuk, Sách & Tri thức

What we’re reading: writers and readers on the books they enjoyed in March

John Lanchester, Patmeena Sabit and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

I find it hard to read contemporary fiction while I’m in the middle of writing a novel, so I use the time after finishing as an opportunity to catch up. I hugely enjoyed two British novels, Drayton and Mackenzie by Alexander Starritt, about friendship and business, and The New Life by Tom Crewe, about gay life in the 1890s. European fiction: Eurotrash by Christian Kracht is a funny novel about going on a road trip with a deranged parent; Perfection by Vincenzo Latronico is about the horrible life of digital nomads; Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk is an unclassifiable, riveting sort-of mystery.

thanhtoong0
April 1, 2026

Anton Chekhov, Books, Culture, Fiction, Publishing, Sách & Tri thức, Short stories

‘He was just trying to earn a few kopecks’: how newly translated stories reveal Chekhov’s silly side

With daft jokes and experimental wordplay, the first comprehensive translations of his lesser-known stories show Anton Chekhov in a new light

Few writers are as universally admired as Chekhov. As Booker winner George Saunders puts it, “Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.” Novelists from Ann Patchett to Zadie Smith cite him as an inspiration. His plays The Seagull, Three Sisters, Uncle Vanya and The Cherry Orchard still pack out theatres internationally. In the past year alone, Andrew Scott wowed audiences in his one-man Vanya for London’s National Theatre and Cate Blanchett took on the role of Arkadina in The Seagull at the Barbican. But how much did you know about his silly side?

Anton Chekhov: Earliest Stories offers the first comprehensive translation in English of the stories, novellas and humoresques that the Russian author wrote in the early 1880s. And it is supremely juvenile in the best way. The reason many of these stories are now appearing in translation for the first time is because, explains editor Rosamund Bartlett, they have never been regarded by commercial publishers as “worthy” of Chekhov’s reputation. They are too childishly comical. During the translation process, she says, “we would just collapse in fits of giggles”.

thanhtoong0
November 23, 2025