Category Arundhati Roy

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What we’re reading: writers and readers on the books they enjoyed in March

John Lanchester, Patmeena Sabit and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

I find it hard to read contemporary fiction while I’m in the middle of writing a novel, so I use the time after finishing as an opportunity to catch up. I hugely enjoyed two British novels, Drayton and Mackenzie by Alexander Starritt, about friendship and business, and The New Life by Tom Crewe, about gay life in the 1890s. European fiction: Eurotrash by Christian Kracht is a funny novel about going on a road trip with a deranged parent; Perfection by Vincenzo Latronico is about the horrible life of digital nomads; Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk is an unclassifiable, riveting sort-of mystery.

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Arundhati Roy and Lyse Doucet lead ‘exceptional’ Women’s prize for nonfiction shortlist

Roy’s memoir Mother Mary Comes to Me and Doucet’s The Finest Hotel in Kabul are joined by books on exile by Ece Temelkuran and Judith Mackrell and an ode to the arts by Daisy Fancourt

Arundhati Roy, Lyse Doucet and Judith Mackrell are among the writers shortlisted for this year’s Women’s prize for nonfiction.

Jane Rogoyska, Ece Temelkuran and Daisy Fancourt are also in contention for the £30,000 prize, launched in 2024 to address the persistent gender imbalance in UK nonfiction prize winners.

To browse all books in the 2026 Women’s prize for nonfiction shortlist, visit guardianbookshop.com. Delivery charges may apply.

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Arundhati Roy and Sarah Perry longlisted for Women’s prize for nonfiction

Sixteen authors – including Lea Ypi, Lyse Doucet and Barbara Demick – are in contention for the £30,000 award, launched to address a historic gender imbalance in nonfiction prizes

Arundhati Roy, Sarah Perry and Lea Ypi are among the writers longlisted for this year’s Women’s prize for nonfiction.

Sixteen authors are in contention to win the £30,000 award, launched in 2024 to address the persistent gender imbalance in UK nonfiction prize winners.

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Mother Mary Comes To Me by Arundhati Roy review – brave and absorbing

In this remarkable memoir, the Booker-winning novelist looks back on her bittersweet relationship with her mercurial mother

Twelve minutes into an interview with Allen Ginsberg for the BBC’s Face to Face, Jeremy Isaacs asks him about the extraordinary long poem he wrote about his mother: “In Kaddish, you mourn your mother. What was the effect on you of living with a mother who was mad?” Ginsberg’s answer, mildly inflected by a laugh, is: “It gave me a great sort of … tolerance for eccentric behaviour.”

Arundhati Roy, whose memoir is partly an account of her life with her mother Mary Roy, might recognise this insight. Arguably, all mothers appear to their children as mad: madness here meaning an unbounded force, at odds with what society imagines normal parenting to consist of. The manifestations of this madness are as disparate as those of love, and these two aspects – the abnormal, the overbearing, and the protective, the nurturing – can be, in our mothers, intimately intertwined (“She was my shelter and my storm,” writes Roy). It is through loving and depending on the mysterious and incomprehensible that we come to “tolerate”, even embrace, the strangest thing of all: life itself.

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