Category Autobiography and memoir

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‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing

From sad-fishing on Facebook to sensational Substack revelations – today’s readers don’t have to look far for confessional writing. Is this the end of autobiography?

Every day I meet strangers who share intimate details with me. It’s called reading. In a newspaper piece a former sex addict recalls her need for BDSM (“when a sexual partner hurt me, I felt seen”) and how she conquered her dependency. On Substack an actor describes her grief on losing a baby (“After the miscarriage, I became convinced my daughter was backstage. I would push back the costumes on the rack and almost expect to find her”). And then there are the published memoirs, first-person stories of trauma, displacement and heartbreak. It’s not just women who unburden themselves, of course. As Martin Amis says in his memoir, Experience: “We are all writing it or at any rate talking it: the memoir, the apologia, the CV, the cri de coeur.”

Recent memoirs have upped the ante, though. What was once a geriatric, self-satisfied genre (politicians, generals and film stars looking back fondly on long careers) is now open to anyone with a story to tell – “nobody memoirs”, the American journalist Lorraine Adams has called them. Candour is the key, no matter how fraught the consequences. “Most writers I know,” Maggie Nelson writes in The Argonauts, “nurse persistent fantasies about the horrible things – or the horrible thing – that will happen to them if and when they express themselves as they desire”. But she takes that risk, addressing the book to “you”, her fluidly gendered husband Harry (who’s angry when she shows him a draft), while exploring identity, pregnancy, motherhood and sexuality.

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No New York by Adele Bertei review – a vivid, vibrant musical coming of age

1970s and 80s New York are viscerally evoked in this potent memoir of the ‘no wave’ scene

You won’t necessarily have heard of Adele Bertei: she was a member of experimental jazz-punk band the Contortions from 1977 and recorded the pop-house single Build Me a Bridge. But her memoir is an essential slice of New York’s bohemian pizza pie, and works in part because she is a relative unknown, not weighed down by her own cultural baggage.

Following a troubled, itinerant upbringing, she arrives in Manhattan in 1977 to find a city on its knees. The big apple was in the red, both literally (fires were a regular occurrence) and monetarily (there was a municipal debt crisis). But pre-Aids and post-Warhol’s avant garde grip, it was also a place that was creatively open.

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The Salt Path author published earlier book under alias, despite debut claims

Raynor Winn’s lawyers have confirmed she published a previous book in 2012, years before the memoir that won a £10,000 prize for debut writers

Author Raynor Winn published a book under a pseudonym six years before her 2018 memoir The Salt Path, despite repeatedly describing the later work as her debut, it has emerged.

Winn received widespread acclaim for The Salt Path, including a £10,000 prize for debut writers.

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London book fair roundup: Idris Elba’s thriller deal, the rise of romcom, and fights against censorship

The actor led the starry book deals, while publishers assessed whether US-style bans are spreading to the UK

The annual London book fair wrapped on Thursday, marking the end of three days that saw 33,000 people connected to the book industry – agents, publishers, authors, among others – gather at Olympia to make deals and discuss the state of the publishing world, and its future. Here’s our roundup of the biggest deals, trends and takeaways from the fair.

The starriest book deal of the week was a new thriller series co-authored by Idris Elba, featuring an MI6 field operative who gets deployed to Mauritius to investigate an attempted murder. Elsewhere, rights were scooped for Alex Ferguson’s first autobiography in 13 years, broadcaster Mishal Husain’s debut children’s book, and the story of designer Paul Smith’s life.

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Kids, Wait Till You Hear This! by Liza Minnelli review – a heady brew of gossip, glamour and defiance

Lady Gaga and David Gest are among those who get ferocious dressings-down in this brutally candid memoir

Liza Minnelli’s father, the film director Vincente Minnelli, used to joke that his daughter’s career in show business was preordained. She was certainly familiar with the dark side of the industry from a young age through her mother Judy Garland, who was on the MGM payroll aged 13, before shooting to fame as Dorothy in The Wizard of Oz. Garland was famously depressive and addicted to prescription drugs and alcohol. When her daughter was six, she shut herself in the bathroom and made the first of many suicide attempts. Minnelli soon learned to monitor her mother and hide her pill bottles when she saw darkness descending. By 13, she was “my mother’s caretaker – a nurse, a doctor, pharmacologist and psychiatrist rolled into one … Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine.”

In her memoir, Minnelli – who turns 80 this month – recounts how she broke free from her dysfunctional family at 16 and moved to New York to make it as a singer and actor. Little surprise, given her parentage, that her ascent was swift. “I was the original nepo baby,” she observes, gleefully. But if show business was in her DNA, so was addiction. In her 20s she became hooked on Valium, diet pills, cocaine and alcohol. Later, as her career faltered and her private life imploded, her sister Lorna staged an intervention and got her into the first of many rehab programmes.

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Homeschooled by Stefan Merrill Block review – a true ‘Misery’ memoir

A compelling and fitfully harrowing child’s-eye account of a mother’s unravelling

Stefan Merrill Block was nine when his mother pulled him out of school. It was the early 1990s and the family had recently moved from Indianapolis to Plano, Texas, where Block’s father had started a new job. While Block and his older brother, Aaron, had been wrenched away from their schoolmates, their mother had left behind work, a social life and her best friend, and found herself isolated and rudderless. But then she discovered a new purpose: taking charge of her son’s education.

Homeschooled reveals how Block ended up spending five years deprived of the company of his peers (including Aaron, who continued going to school) and at the mercy of his mother’s unpredictable moods. She had decided school was stifling her younger son’s creativity and that mainstream education wasn’t right for a boy of his sensitivities.

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Another World by Melvyn Bragg review – portrait of the broadcaster as a young man

Leaving behind Cumbria for Oxford in the late 1950s, Bragg navigates class and culture in a world on the brink of change

It’s October 1958, and a nearly 19-year-old Melvyn Bragg is on the platform at Wigton railway station, saying goodbye to his childhood sweetheart, Sarah. He is off to read history at Wadham College, Oxford, one of the youngest in his cohort because national service is being phased out. Another World starts here, picking up the story left off in Back in the Day, Bragg’s previous memoir about his childhood and youth in this small Cumbrian town.

Oxford to Bragg seems “more a theatre than a city, a spectacle rather than a habitation”. After his prelims, the weeding-out exams in his second term, he is left alone until his finals. He discovers Ingmar Bergman and has many earnest pub conversations about whether Pasternak will get the Nobel prize, or jazz is superior to rock’n’roll. He goes on the Aldermaston march and joins the anti-apartheid movement – although in hindsight he sees this as inspired by a residual faith in empire, with South Africa as Britain’s moral responsibility. Even after Suez, he owns a pencil sharpener in the shape of a globe on which the empire is “a continuous governing blur of pink”.

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A Hymn to Life by Gisèle Pelicot review – a unique memoir by a figure of astonishing power

Pelicot’s riveting account of her ordeal refuses to conform to any agenda but her own

It is a mark of the power and honesty of Gisèle Pelicot’s memoir, A Hymn to Life – a seemingly impossible writing project in which the author must reconcile herself with horrors of which she has no recollection – that in the first 40 pages, the person I felt most angry towards was Pelicot herself. Her ex-husband, Dominique, who will almost certainly be in jail for the rest of his life for drugging and raping his wife and recruiting 50 men over the internet to do likewise, takes his place among the monsters of our age. In his absence, the reader may experience a version of what happened in Gisèle Pelicot’s own family – namely, the misdirection of anger towards her.

I have read enough books by female survivors of male sexual violence to say with confidence that Hymn to Life is unique. Pelicot – she decided to keep her married name in the interests of giving those of her grandchildren who share it a way to be proud rather than ashamed – was 67 when her husband of almost 50 years was arrested in 2020 for upskirting women in a supermarket in Carpentras, a small town in the south-east of France near the couple’s retirement home in the village of Mazan. When the police investigation uncovered a cache of videos and photos in which an unconscious Pelicot was shown being sexually assaulted by scores of men, she entered a nightmare.

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More heartache than Hamnet?: Maggie O’Farrell’s best books – ranked!

As her Women’s prize-winning novel heads to the Oscars, we rate the author’s best work – from tales of new motherhood to a life-affirming memoir of mortality

The ghost of a previous lover is always a challenge, particularly if you (mistakenly) believe that she’s actually dead. This is the unenviable situation for Lily, the protagonist of O’Farrell’s second novel, who is swept off her feet by dashing architect Marcus and in short order moves in with him. Lily takes his assurances that her predecessor Sinead is “no longer with us” to mark a more permanent absence; in fact, Sinead has simply been thrown over, and it is in the details of the collapse of her relationship with Marcus that the novel most engages. Hints of the gothic ghost story deepen one of the main takeaways, which is that Marcus consists almost entirely of red flags.

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The Uncool by Cameron Crowe audiobook review – memoir of an awestruck insider

The film-maker and author narrates this vivid account of his wide-eyed adventures as young music journalist in 70s America, hanging out with heroes from David Bowie to Led Zeppelin

The title of The Uncool refers to rock critic Lester Bangs’s assessment of Cameron Crowe, whose adventures as a music journalist were loosely depicted in his 2000 movie, Almost Famous. Long before he became a film-maker, the teenage Crowe travelled around the US interviewing some of the biggest rocks acts of the era, among them Gram Parsons, Led Zeppelin, David Bowie, the Eagles and the Allman Brothers Band. Crowe’s memoir reveals him as the perennial outsider who, unlike his interviewees, cared little about sex, booze and drugs and who lacked a certain savoir-faire. Yet rock stars liked having him around, enjoying his sincerity and the fact that he was more admiring fan than dispassionate reporter.

Crowe is the reader, delivering a warm and vivacious narration that conveys the wide-eyed astonishment of his youthful self as he is thrust into the orbit of his heroes. He also paints a vivid picture of an era in which bands weren’t protected by gaggles of PR representatives and a writer could spend 18 months with an artist – as Crowe did with Bowie in the mid-1970s – to write a single profile.

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