Category Autobiography and memoir

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Careless People by Sarah Wynn-Williams audiobook review – the insider story that Meta tried to stifle

The author reads her account of her time as a senior executive at Facebook with a mixture of dark humour and astonishment at the working culture in which she finds herself

Sarah Wynn-Williams’s memoir documenting her seven years working at Facebook opens, unexpectedly, with a shark attack. The New Zealander was 13 years old and swimming in the sea when the shark bit her torso and shook her from side to side. She lived to tell the tale, but her near-death experience awakened in her a desire to leave the world better than she found it.

Wynn-Williams went on to take a job at Facebook’s public policy department in 2011, having seen the potential of the platform as a global meeting place. But what she found was a senior staff high on power and untroubled by ethical concerns such as privacy or the dissemination of hate speech and misinformation. All were resistant to political interference and dedicated to rapid expansion, no matter the consequences, claims that Meta has called out of date and false. The author also encountered a working culture where employees enjoyed perks but had to be available around the clock – a situation that led to her responding to emails while in labour.

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‘I saw the backlash coming’: civil rights activist Kimberlé Crenshaw on America and race

She coined the term ‘intersectionality’ and helped to develop critical race theory, now her life’s work is under attack by Washington’s war on ‘woke’. As her memoir is published, the legal scholar explains why she’ll never stop speaking truth to power

When Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as “critical race theory”. A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including “intersectional” and “intersectionality”. All of which has amounted to 40 years of Kimberlé Crenshaw’s work being literally and deliberately erased.

For decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognise. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as “critical race theory”, which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw’s ideas are being contested like never before.

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Ghost Stories by Siri Hustvedt review – life after Paul Auster

What’s it like to lose your partner of more than 40 years? The novelist and essayist reflects on going from ‘we’ to ‘I’

It wasn’t quite Beatlemania, but, at the height of Paul Auster’s fame in the 1980s and 90s, screaming fans clambered on to the hood of a car after a reading in Buenos Aires. Admirers mobbed him at bookshop events in Paris, the city where he had once eked out a living translating French literature. He was offered big money to make ads promoting American beef to Japan. He was hailed as a rock god, a literary superstar, a postmodernist with leading-man looks.

Little of this is of much consequence or consolation to novelist and essayist Siri Hustvedt who, before he died of cancer in 2024, had been married to Auster for more than 40 years. As she tells it in Ghost Stories, her memoir of their life together, she was a tall blond PhD student in a jumpsuit when she met him – “a beautiful man in a black leather jacket” – at a poetry reading. He was separated from the mother of his child, living alone in a gloomy Brooklyn apartment, yet to publish anything of substance. Literature bound them: he was just 15 when he decided his future was in writing; she had come to the same insight at an even younger age.

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‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing

From sad-fishing on Facebook to sensational Substack revelations – today’s readers don’t have to look far for confessional writing. Is this the end of autobiography?

Every day I meet strangers who share intimate details with me. It’s called reading. In a newspaper piece a former sex addict recalls her need for BDSM (“when a sexual partner hurt me, I felt seen”) and how she conquered her dependency. On Substack an actor describes her grief on losing a baby (“After the miscarriage, I became convinced my daughter was backstage. I would push back the costumes on the rack and almost expect to find her”). And then there are the published memoirs, first-person stories of trauma, displacement and heartbreak. It’s not just women who unburden themselves, of course. As Martin Amis says in his memoir, Experience: “We are all writing it or at any rate talking it: the memoir, the apologia, the CV, the cri de coeur.”

Recent memoirs have upped the ante, though. What was once a geriatric, self-satisfied genre (politicians, generals and film stars looking back fondly on long careers) is now open to anyone with a story to tell – “nobody memoirs”, the American journalist Lorraine Adams has called them. Candour is the key, no matter how fraught the consequences. “Most writers I know,” Maggie Nelson writes in The Argonauts, “nurse persistent fantasies about the horrible things – or the horrible thing – that will happen to them if and when they express themselves as they desire”. But she takes that risk, addressing the book to “you”, her fluidly gendered husband Harry (who’s angry when she shows him a draft), while exploring identity, pregnancy, motherhood and sexuality.

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No New York by Adele Bertei review – a vivid, vibrant musical coming of age

1970s and 80s New York are viscerally evoked in this potent memoir of the ‘no wave’ scene

You won’t necessarily have heard of Adele Bertei: she was a member of experimental jazz-punk band the Contortions from 1977 and recorded the pop-house single Build Me a Bridge. But her memoir is an essential slice of New York’s bohemian pizza pie, and works in part because she is a relative unknown, not weighed down by her own cultural baggage.

Following a troubled, itinerant upbringing, she arrives in Manhattan in 1977 to find a city on its knees. The big apple was in the red, both literally (fires were a regular occurrence) and monetarily (there was a municipal debt crisis). But pre-Aids and post-Warhol’s avant garde grip, it was also a place that was creatively open.

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The Salt Path author published earlier book under alias, despite debut claims

Raynor Winn’s lawyers have confirmed she published a previous book in 2012, years before the memoir that won a £10,000 prize for debut writers

Author Raynor Winn published a book under a pseudonym six years before her 2018 memoir The Salt Path, despite repeatedly describing the later work as her debut, it has emerged.

Winn received widespread acclaim for The Salt Path, including a £10,000 prize for debut writers.

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London book fair roundup: Idris Elba’s thriller deal, the rise of romcom, and fights against censorship

The actor led the starry book deals, while publishers assessed whether US-style bans are spreading to the UK

The annual London book fair wrapped on Thursday, marking the end of three days that saw 33,000 people connected to the book industry – agents, publishers, authors, among others – gather at Olympia to make deals and discuss the state of the publishing world, and its future. Here’s our roundup of the biggest deals, trends and takeaways from the fair.

The starriest book deal of the week was a new thriller series co-authored by Idris Elba, featuring an MI6 field operative who gets deployed to Mauritius to investigate an attempted murder. Elsewhere, rights were scooped for Alex Ferguson’s first autobiography in 13 years, broadcaster Mishal Husain’s debut children’s book, and the story of designer Paul Smith’s life.

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Kids, Wait Till You Hear This! by Liza Minnelli review – a heady brew of gossip, glamour and defiance

Lady Gaga and David Gest are among those who get ferocious dressings-down in this brutally candid memoir

Liza Minnelli’s father, the film director Vincente Minnelli, used to joke that his daughter’s career in show business was preordained. She was certainly familiar with the dark side of the industry from a young age through her mother Judy Garland, who was on the MGM payroll aged 13, before shooting to fame as Dorothy in The Wizard of Oz. Garland was famously depressive and addicted to prescription drugs and alcohol. When her daughter was six, she shut herself in the bathroom and made the first of many suicide attempts. Minnelli soon learned to monitor her mother and hide her pill bottles when she saw darkness descending. By 13, she was “my mother’s caretaker – a nurse, a doctor, pharmacologist and psychiatrist rolled into one … Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine.”

In her memoir, Minnelli – who turns 80 this month – recounts how she broke free from her dysfunctional family at 16 and moved to New York to make it as a singer and actor. Little surprise, given her parentage, that her ascent was swift. “I was the original nepo baby,” she observes, gleefully. But if show business was in her DNA, so was addiction. In her 20s she became hooked on Valium, diet pills, cocaine and alcohol. Later, as her career faltered and her private life imploded, her sister Lorna staged an intervention and got her into the first of many rehab programmes.

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Homeschooled by Stefan Merrill Block review – a true ‘Misery’ memoir

A compelling and fitfully harrowing child’s-eye account of a mother’s unravelling

Stefan Merrill Block was nine when his mother pulled him out of school. It was the early 1990s and the family had recently moved from Indianapolis to Plano, Texas, where Block’s father had started a new job. While Block and his older brother, Aaron, had been wrenched away from their schoolmates, their mother had left behind work, a social life and her best friend, and found herself isolated and rudderless. But then she discovered a new purpose: taking charge of her son’s education.

Homeschooled reveals how Block ended up spending five years deprived of the company of his peers (including Aaron, who continued going to school) and at the mercy of his mother’s unpredictable moods. She had decided school was stifling her younger son’s creativity and that mainstream education wasn’t right for a boy of his sensitivities.

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Another World by Melvyn Bragg review – portrait of the broadcaster as a young man

Leaving behind Cumbria for Oxford in the late 1950s, Bragg navigates class and culture in a world on the brink of change

It’s October 1958, and a nearly 19-year-old Melvyn Bragg is on the platform at Wigton railway station, saying goodbye to his childhood sweetheart, Sarah. He is off to read history at Wadham College, Oxford, one of the youngest in his cohort because national service is being phased out. Another World starts here, picking up the story left off in Back in the Day, Bragg’s previous memoir about his childhood and youth in this small Cumbrian town.

Oxford to Bragg seems “more a theatre than a city, a spectacle rather than a habitation”. After his prelims, the weeding-out exams in his second term, he is left alone until his finals. He discovers Ingmar Bergman and has many earnest pub conversations about whether Pasternak will get the Nobel prize, or jazz is superior to rock’n’roll. He goes on the Aldermaston march and joins the anti-apartheid movement – although in hindsight he sees this as inspired by a residual faith in empire, with South Africa as Britain’s moral responsibility. Even after Suez, he owns a pencil sharpener in the shape of a globe on which the empire is “a continuous governing blur of pink”.

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