Category Film books

Auto Added by WPeMatico

Kids, Wait Till You Hear This! by Liza Minnelli review – a heady brew of gossip, glamour and defiance

Lady Gaga and David Gest are among those who get ferocious dressings-down in this brutally candid memoir

Liza Minnelli’s father, the film director Vincente Minnelli, used to joke that his daughter’s career in show business was preordained. She was certainly familiar with the dark side of the industry from a young age through her mother Judy Garland, who was on the MGM payroll aged 13, before shooting to fame as Dorothy in The Wizard of Oz. Garland was famously depressive and addicted to prescription drugs and alcohol. When her daughter was six, she shut herself in the bathroom and made the first of many suicide attempts. Minnelli soon learned to monitor her mother and hide her pill bottles when she saw darkness descending. By 13, she was “my mother’s caretaker – a nurse, a doctor, pharmacologist and psychiatrist rolled into one … Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine.”

In her memoir, Minnelli – who turns 80 this month – recounts how she broke free from her dysfunctional family at 16 and moved to New York to make it as a singer and actor. Little surprise, given her parentage, that her ascent was swift. “I was the original nepo baby,” she observes, gleefully. But if show business was in her DNA, so was addiction. In her 20s she became hooked on Valium, diet pills, cocaine and alcohol. Later, as her career faltered and her private life imploded, her sister Lorna staged an intervention and got her into the first of many rehab programmes.

Continue reading...

The Last Kings of Hollywood by Paul Fischer review – the rise and reign of Spielberg, Lucas and Coppola

An epic account of how three demigod directors, in pursuit of indie freedom, redefined American film-making

Here we are once more: back to the glory days of the New Hollywood that emerged from the ashes of the old studio system in the 1960s and 70s. Our cast is filled with brilliant hotshots and creative risk-takers, energised by the French New Wave, the American counterculture and the industry’s own amazing entrepreneurial past.

Peter Biskind’s breezy, bleary, cynical book Easy Riders, Raging Bulls ranged freely across the 1970s, with controversial anecdotes about egos and drugs (though maybe the definitive book about the role of cocaine in film production has yet to be written). Mark Harris’s Scenes from a Revolution had the witty idea of looking at the five films Oscar-nominated for best picture in the transitional year of 1968, from the supercool Bonnie and Clyde to the squaresville Dr Doolittle, to see what they told us about America’s cinematic mind at the time.

Continue reading...

Making Mary Poppins by Todd James Pierce review – the musical brothers behind the movie magic

Bob and Dick Sherman take centre stage in this well-researched account of how Walt Disney created a classic

Like many kids of the VHS generation, I must have watched my taped-off-the-telly copy of Disney’s Mary Poppins (1964) well over 100 times. I probably knew every frame as well as Walt Disney himself, who invested 20 years in bringing it to the screen.

The culmination of his live action achievements, Mary Poppins remained the project Walt was most proud of. A sophisticated, multi-Oscar-winning musical that proved the House of Mouse was about more than just cartoons, its box office success enabled him to expand his Florida ambitions for Disney World resort and shore up the company’s financial future.

Continue reading...

Future Boy by Michael J Fox review – secrets from the set of a definitive 80s movie

The actor’s account of his big Hollywood break – and how it almost never happened

Michael J Fox has already eked out four books of Hollywood memoir, so the justification for a fifth – written with longtime collaborator Nelle Fortenberry – ought to be good. It is: the subject of these 176 pages is a three-month period in 1985 when Fox was simultaneously shooting his breakout sitcom role in Family Ties and the career-defining American classic, Back to the Future.

That’s two more-than-full-time jobs for one little guy, necessitating that the then 23-year-old actor work 20-hour days, six days a week. This schedule was only possible because the mid-1980s was a time before showbiz labour laws caught up with basic human decency. These days, we’re told, a standard contract “demands two weeks of buffer time on either side of a job”, while Fox didn’t even get an hour.

Continue reading...