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Capitalism by Sven Beckert review – an extraordinary history of the economic system that controls our lives

The Harvard professor provides a ceaseless flow of startling details in this exhaustively researched, 1000-year account

In the early 17th century, the Peruvian city of Potosí billed itself as the “treasure of the world” and “envy of kings”. Sprouting at the foot of the Cerro Rico, South America’s most populous settlement produced 60% of the world’s silver, which not only enabled Spain to wage its wars and service its debts, but also accelerated the economic development of India and China. The city’s wealthy elites could enjoy crystal from Venice and diamonds from Ceylon while one in four of its mostly indigenous miners perished. Cerro Rico became known as “the mountain that eats men”.

The story of Potosí, in what is now southern Bolivia, contains the core elements of Sven Beckert’s mammoth history of capitalism: extravagant wealth, immense suffering, complex international networks, a world transformed. The Eurocentric version of capitalism’s history holds that it grew out of democracy, free markets, Enlightenment values and the Protestant work ethic. Beckert, a Harvard history professor and author of 2015’s prize-winning Empire of Cotton, assembles a much more expansive narrative, spanning the entire globe and close to a millennium. Like its subject, the book has a “tendency to grow, flow, and permeate all areas of activity”. Fredric Jameson famously said that it was easier to imagine the end of the world than the end of capitalism. At times during these 1,100 pages, I found it easier to imagine the end of the world than the end of Capitalism.

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John Updike’s best books – Ranked!

Following the publication of the novelist’s letters, we count down the best of his books, from the dark magic of The Witches of Eastwick to the misadventures of Rabbit Angstrom

Inspired by and drawing on three British novels (HG Wells’s The Time Machine, George Orwell’s Nineteen Eighty-Four and Henry Green’s Concluding), Updike’s debut imagines a near future where the residents of a care home stage a revolt in which two antagonists, John Hook and Stephen Conner, struggle for supremacy. A curio.
Updike tropes Religion, death

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Palaver by Bryan Washington review – a remix of the author’s greatest hits

From exile to family dysfunction, street food to sex, this stylish novel about a mother visiting her estranged gay son in Tokyo explores familiar themes

While we now use it to mean a fuss or convoluted mess, the origins of the word palaver, the title of Bryan Washington’s third novel, lie in the Portuguese term palavra, which simply means “word”. Over time, and possibly coloured by the historical context of Portuguese colonists’ rampages across the globe, “palaver” came to refer to a complex debate or negotiation between two culturally distinct parties.

Culture clashes, conflicted conversations, oppositions and exchanges are principal interests for Washington. His debut novel, 2020’s Memorial, was a sobering but sensitive consideration of a fracturing interracial gay relationship set between Houston and Osaka. This was followed in 2023 by Family Meal, again taking place in Houston, with its pithy observations of a combustible queer love triangle. Palaver centres on the tense relationship between protagonists “the son” and “the mother”. Guarded and prickly, the son is an American who has lived in Tokyo for the best part of a decade, teaching English as a foreign language. Throughout this period, he’s been estranged from his Jamaican-American mother back home in Texas. The novel opens with the equally crabby mother unexpectedly turning up on her son’s doorstep, and mostly covers the week and a half they spend together, moving between their two perspectives. Illuminated by Tokyo’s harsh neon, mother and son edge around reckonings with their bitter past of familial dysfunction, and make their way towards something resembling rapprochement.

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Poem of the week: Down on the canal on Christmas Day by Chris McCabe

A melancholy December vision in Liverpool invokes a Dickensian ghost with more worldly but still warm realism

Down on the canal on Christmas Day

Down on the canal on Christmas Day
a man walks towards me out of water-light,
upright, Cratchit-wrapped, a smile to say:
I know you. Hello Chris. Ghost in a time-ripped landscape
where a low solstice sun spills whisked
through a metallic staircase.
With joy, the man’s smile haunts me for miles —
a long blasted path, where a dead rat’s belly festoons
its purple crinoline Christmas hat.

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Richard Osman’s The Impossible Fortune tops 2025 UK bestsellers list

Fantasy, mystery and psychological thriller series dominate book sales, as adult colouring also makes a comeback

Fantasy, mystery and psychological thriller series dominate the UK’s bestsellers list for 2025, topped by Richard Osman’s The Impossible Fortune. The fifth book in his Thursday Murder Club series secured the top position at 391,429 hardback sales.

Adult colouring also had a resurgence this year: colouring books aimed at all ages made it into the top 20 chart, according to analysis by NielsenIQ BookData.

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There’s a new space race – will the billionaires win?

The commercialisation of the cosmos is already underway, and our current laws aren’t fit for purpose

If there is one thing we can rely on in this world, it is human hubris, and space and astronomy are no exception.

The ancients believed that everything revolved around Earth. In the 16th century, Copernicus and his peers overturned that view with the heliocentric model. Since then, telescopes and spacecraft have revealed just how insignificant we are. There are hundreds of billions of stars in our galaxy, the Milky Way, each star a sun like ours, many with planets orbiting them. In 1995, the Hubble space telescope captured its first deep-field image: this showed us that there are hundreds of billions of galaxies in our known universe, huge wheeling collections of stars dispersed through space.

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Not just love, actually: why romance fiction is booming

From Emily Henry to Rebecca Yarros and Alison Espach’s The Wedding People – romance has dominated the book charts this year. So why is it still dismissed by critics?

People buy lipstick when the world is falling apart. This genuine economic theory, known as the “lipstick index”, was first noted by Leonard Lauder (son of the more famous Estée). When the world seems very bleak – in the weeks and months after the twin towers fell, for instance, or after the 2008 financial crash – and spending generally goes down, lipstick sales trend strongly upwards.

The psychological truth at the heart of this equation is real: when people have less than they need, they spend more on small, beautiful things. It’s easy, maybe, to dismiss this in the way most feminine-coded things are dismissed: frivolous, wasteful, foolish. But that would be a mistake. A single treasure, bright and gorgeous, is like a talisman; a candle in the night. It is possible, with your small candle, to make your way in the darkness. One delight, against all this. The world crumbles, and lipstick sales go up.

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‘There’s a sense of our freedoms becoming vulnerable’: novelist Alan Hollinghurst

A knighthood, a lifetime achievement award and a hit theatre production of The Line of Beauty… the author on a year of personal success and political change

If there can be a downside to receiving a lifetime achievement award, it can surely only be the hint of closure it evokes. I put this as tactfully as I can to Alan Hollinghurst, this year’s winner of the David Cohen prize, which has previously recognised the contribution to literature of, among others, VS Naipaul, Doris Lessing and Edna O’Brien. It does have “a certain hint of the obituary about it”, he concedes, laughing. “So I’m very much doing what I can to take it as an incentive rather than a reward.”

But there have been plenty of rewards recently. Hollinghurst was knighted in this year’s New Year honours list, a couple of months after the publication of his novel Our Evenings, the story of actor Dave Win’s journey from boarding school to the end of his life, which received rave reviews. In the Guardian, critic Alexandra Harris announced it his finest novel to date, noting that it “forms a deep pattern of connection with its predecessors, while being an entirely distinct and brimming whole”.

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David Walliams dropped by publisher over alleged inappropriate behaviour

HarperCollins has ‘decided not to publish any new titles’ by Walliams after the successful children’s author was reportedly accused of harassing junior female staff

David Walliams has been dropped by his publisher after an investigation into allegations of inappropriate behaviour towards young women, the Telegraph has reported.

Walliams, one of Britain’s most successful children’s authors, was reportedly the subject of complaints that he had “harassed” junior female staff at HarperCollins UK, prompting the publisher to decide it would no longer release new titles by the author.

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