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‘It’s no romcom’: why the real Wuthering Heights is too extreme for the screen

The new film adaptation by Saltburn director Emerald Fennell looks set to be provocative – but nowhere near as shocking as Emily Brontë’s original

The most astonishing thing about the first trailer for Emerald Fennell’s Wuthering Heights is not the extreme closeup of dough being kneaded into submission. It’s not that in the lead roles Margot Robbie is blonde and 35, and Jacob Elordi is white, when Emily Brontë described Cathy as a teen brunette and Heathcliff as “a dark-skinned gypsy”. It’s not the gaudy splendour of the interiors – silver walls, plaster Greek gods spewing strings of pearls, blood-red floors and a flesh-pink wall for clutching and licking. It’s not Robbie’s gobstopper diamonds or her scarlet sunglasses or her stuffing grass into her mouth or the loud snip of her corset laces being slashed with a knife or her elaborately – erotically – bound hair as she contemplates multiple silver cake stands stacked with vertiginous fruit puddings. It’s not any of her dresses – the red latex number or the perfectly 1980s off-the-shoulder wedding dress topped by yards of veil half-wuthered off her head. Nor is it any of the times Elordi takes his top off.

The most astonishing thing is that the trailer says Wuthering Heights is “the greatest love story of all time”. Which is almost exactly how the 1939 Laurence Olivier and Merle Oberon film was trailed – as “the greatest love story of our time … or any time!” Have we learned nothing? I am not talking about the fact that (like Oberon’s!) Robbie’s wedding dress is white, which is not period-correct. This has exercised many people on the internet. I’m more worried about the fact that almost a century since Olivier’s film, we are still calling it a love story – a great one! The greatest! It’s being released the day before Valentine’s Day! – when what actually happens is that Cathy rejects Heathcliff because she’s a snob, and he turns into a psychopath.

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Could AI relationships actually be good for us?

From companionship to psychotherapy, technology could meet unmet needs – but it needs to be handled responsibly

There is much anxiety these days about the dangers of human-AI relationships. Reports of suicide and self-harm attributable to interactions with chatbots have understandably made headlines. The phrase “AI psychosis” has been used to describe the plight of people experiencing delusions, paranoia or dissociation after talking to large language models (LLMs). Our collective anxiety has been compounded by studies showing that young people are increasingly embracing the idea of AI relationships; half of teens chat with an AI companion at least a few times a month, with one in three finding conversations with AI “to be as satisfying or more satisfying than those with real‑life friends”.

But we need to pump the brakes on the panic. The dangers are real, but so too are the potential benefits. In fact, there’s an argument to be made that – depending on what future scientific research reveals – AI relationships could actually be a boon for humanity.

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Books to look out for in 2026 – fiction

Maggie O’Farrell, Yann Martel and Julian Barnes are among the authors publishing new novels this year

The beginning of the books calendar is usually dominated by debuts, but January 2026 sees releases from some of the year’s biggest authors. Known for his surreally bittersweet short stories, George Saunders has written only one novel so far – but that one won the Booker prize. The follow-up to 2017’s Lincoln in the Bardo, Vigil (Bloomsbury) focuses on an unquiet spirit called Jill who helps others pass over from life to whatever comes next. She is called to the deathbed of an oil tycoon who is rapidly running out of time to face up to his ecological crimes, in a rallying cry for human connection and environmental action. Ali Smith’s Glyph (Hamish Hamilton) is a companion to 2024’s Gliff, and promises to tell a story initially hidden in that previous novel. Expect fables, siblings, phantoms and horses in a typically playful shout of resistance against war, genocide and the increasingly hostile social discourse. And in Departure(s) (Jonathan Cape), Julian Barnes announces his own – this blend of memoir and fiction, exploring memory, illness, mortality and love across the decades, will be his last book. “Your presence has delighted me,” he assures the reader. “Indeed, I would be nothing without you.”

The Hamnet adaptation hits UK cinemas in January, but Maggie O’Farrell’s next novel isn’t out until June. Land (Tinder), a multigenerational saga which opens in 19th-century Ireland in the wake of the famine, is inspired by her own family history and centres on a man tasked with mapping the country for the Ordnance Survey. There’ll be much anticipation, too, for The Things We Never Say from Elizabeth Strout (Viking, May). The ultra-prolific Strout is adored for her interconnected novels, but this story of a man with a secret is a standalone, introducing characters we’ve never met before. In John of John (Picador, May) Douglas Stuart, author of much-loved Booker winner Shuggie Bain, portrays a young gay man returning home from art school to the lonely croft on the Hebridean island where he grew up. And September sees a new novel from Irish writer Sebastian Barry: The Newer World (Faber) follows Costa winner Days Without End and A Thousand Moons in transporting the reader to late 19th-century America in the aftermath of the Civil War.

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The books to look out for in 2026

New books by Liza Minelli, David Sedaris, Maggie O’Farrell and Yann Martel are among the literary highlights of the year ahead

2026 is already promising plenty of unmissable releases: there are new novels by George Saunders, Ali Smith and Douglas Stuart, memoirs from Gisèle Pelicot, Lena Dunham and Mark Haddon, and plenty of inventive debuts to look forward to. Here, browse all the biggest titles set to hit shelves in the coming months across fiction and nonfiction, selected by the Guardian’s books desk.

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‘Like Kafka by way of Pedro Almodóvar’: 10 debut novels to look out for in 2026

A Pulitzer finalist is among the first-time novelists, in tales of love, a surreal prison, teen murder and a tradwife

Belgrave Road
Manish Chauhan (Faber, January)
An affecting tale of loneliness and love in Chauhan’s home town of Leicester, Belgrave Road tells the story of Mira, newly arrived in the UK from India following an arranged marriage, and Tahliil, a Somali cleaner who becomes her lunch partner, and her escape. By day, Chauhan is a finance lawyer; his debut novel follows his shortlisting in last year’s BBC short story competition.

This Is Where the Serpent Lives
Daniyal Mueenuddin (Bloomsbury, January)
The Pakistani-American writer’s 2009 story collection, In Other Rooms, Other Wonders, was a Pulitzer finalist. Like his debut, hHis first novel is set in Pakistan, moving between bustling cities and agricultural estates, interrogating the country’s class dynamics through an epic portrait spanning six decades.

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Ice by Jacek Dukaj review – a dazzling journey to an alternate Siberia

The 1908 Tunguska comet changes the direction of history and gives rise to a weird new reality in this acclaimed epic from the Polish author

The opening sentence of this remarkable novel announces that the reader is in for an intriguing experience. “On the fourteenth day of July 1924, when the tchinovniks of the Ministry of Winter came for me, on the evening of that day, on the eve of my Siberian Odyssey, only then did I begin to suspect that I did not exist.” It may hint at Kafka in the ominous arrival of officials, or Borges in its metaphysical conundrum, but stranger things are afoot. In 1924 there was no tsar, let alone his bureaucrats, the tchinovniks. The date is significant, but I don’t mind admitting I had to find out why online. The time, as Hamlet says, is out of joint.

The rudely awakened sleeper is Benedykt Gierosławski, a Polish philosopher, logician, mathematician and gambler whose debts will be erased if he undertakes a special mission for the Ministry. He is to travel to Siberia, “the wild east”, and find his father, Filip, who was exiled there for anti-government activities. This is not clemency. Filip is now known as Father Frost, and as a geologist, radical and mystic, he might have a connection with what has occurred. The reader is drip-fed the details. A comet fell into Tunguska in Siberia in 1908, as it did in our universe. But here the event has caused the emergence of an inexplicable, expanding, possibly sentient coldness called the “gleiss”. Ice, which won the European Union prize for literature, came out in Poland in 2007, well before the Game of Thrones TV adaptation made “winter is coming” a meme; but in this novel, it certainly is.

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Books to look out for in 2026 – nonfiction

Memoirs from Liza Minnelli and Lena Dunham, essays by David Sedaris and Alan Bennett’s diaries are among the highlights of the year ahead

Over the past year we’ve been spoiled for memoirs from high-wattage stars – Cher, Patti Smith and Anthony Hopkins among them. But 2026 begins with a very different true story, from someone who never chose the spotlight, but now wants some good to come of her appalling experiences. After the trial that resulted in her husband and 50 others being convicted of rape or sexual assault, Gisèle Pelicot’s aim is to nurture “strength and courage” in other survivors. In A Hymn to Life (Bodley Head, February) she insists that “shame has to change sides”. Another trial – of the men accused of carrying out the Bataclan massacre – was the subject of Emmanuel Carrère’s most recent book, V13. For his next, Kolkhoze (Fern, September), the French master of autofiction turns his unsparing lens back on himself, focusing on his relationship with his mother Hélène, and using it to weave a complex personal history of France, Russia and Ukraine. Family also comes under the microscope in Ghost Stories (Sceptre, May) by Siri Hustvedt, a memoir of her final years with husband Paul Auster, who died of cancer in 2024.

Hollywood isn’t totally out of the picture, though: The Steps (Seven Dials, May), Sylvester Stallone’s first autobiography, follows the star from homelessness in early 70s New York to Rocky’s triumph at the Oscars later that decade. Does achieving your creative dreams come at a price, though? Lena Dunham suggests as much in Famesick (4th Estate, April), billed as a typically frank memoir of how how her dramatic early success gave way to debilitating chronic illness. Frankness of a different kind is promised in More (Bloomsbury, September), actor Gillian Anderson’s follow-up to her bestselling 2024 anthology of women’s sexual fantasies, Want.

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Killing the Dead by John Blair review – a gloriously gruesome history of vampires

Shroud-chewers, lip-smackers and suckers populate this fascinating study of ‘the unquiet dead’ across the centuries

The word “vampire” first appears in English in sensational accounts of a revenant panic in Serbia in the early 18th century. One case in 1725 concerned a recently deceased peasant farmer, Peter Blagojević, who rose from the grave, visited his wife to demand his shoes, and then murdered nine people in the night. When his body was disinterred, his mouth was found full of fresh blood. The villagers staked the corpse and then burned it. In 1745, the clergyman John Swinton published an anonymous pamphlet, The Travels of Three English Gentlemen, from Venice to Hamburgh, in which it is written: “These Vampyres are supposed to be the Bodies of deceased Persons, animated by evil Spirits, which come out of the Graves, in the Night-time, suck the Blood of many of the Living, and thereby destroy them.” And so a modern myth was born.

But it is not so modern, or exclusively European, as this extraordinary survey shows. Instead, the author, a historian and archeologist, argues that belief in the unquiet dead is found in many cultures and periods, where it can lay dormant for centuries before erupting in an “epidemic”, as in Serbia. Where there is no written source, John Blair makes persuasive use of archeological finds in which bodies are found to have been decapitated or nailed down. In 16th-century Poland, a buried woman “had a sickle placed upright across her throat and a padlock on the big toe of her left foot”. Someone, our author infers reasonably, wanted to keep these people in their coffins.

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Charlie Mackesy’s Always Remember is Christmas No 1 in the UK’s bestsellers chart

The writer and illustrator’s follow-up to The Boy, the Mole, the Fox and the Horse sold roughly one copy every 14 seconds last week

Charlie Mackesy has scored the literary world’s Christmas No 1 with Always Remember, the follow-up to his bestselling 2019 title The Boy, the Mole, the Fox and the Horse.

Always Remember sold 43,825 copies in the seven days to 20 December, equating to a sale roughly every 14 seconds, according to NielsenIQ BookData. The illustrated fable – subtitled The Boy, the Mole, the Fox, the Horse and the Storm – follows the four unlikely friends as they navigate meteorological and metaphorical dark clouds.

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What to read in 2026: recommendations from booksellers and publishers in Abuja, Nairobi and Brighton

A selection of the best Kenyan, Nigerian and black diaspora writing from 2025 – and some to look out for next year

From the richness of Nigeria’s modern literary scene, to the thriving publishing ecosystem of Kenya and the booming creativity coming from black British and African American writers, we asked an African publishing house, a UK bookshop dedicated to black authors and Nairobi’s oldest bookshop for some recommendations on what to read in the coming year.

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