Category Fiction

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Beasts of the Sea by Iida Turpeinen review – a hypnotic tale of the sea cow’s extinction

This hit debut from Finland is intensely readable, but could have delved more deeply into the links between human progress and environmental destruction

In November 1741 Georg Wilhelm Steller, “theologian, naturalist, and curious man”, was shipwrecked on an island between Alaska and Russia. There he found, floating in the shallow waters, a vast sirenian, Hydrodamalis gigas, nine feet long and soon to be known as Steller’s sea cow. Having made it through the winter, largely by eating the sea cows, the following August Steller and the remaining survivors of the Great Northern Expedition left the island. Within 30 years, Steller’s sea cow was hunted to extinction.

Having described these events, Finnish author Iida Turpeinen’s debut novel goes on to describe the lives of other historical figures, each of whom are touched in some way by the sea cow, now reduced to bones. There is Hampus Furuhjelm, governor of Alaska, in search of a complete skeleton, and his sister Constance, who finds peace and intellectual autonomy among her taxidermy collection. Later, there’s Hilda Olson, a scientific illustrator, and John Grönvall, specialist in the reconstruction of birds’ eggs, who is tasked with preparing a sea cow’s relics for exhibition.

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Alan Hollinghurst wins David Cohen lifetime award for ‘pioneering’ novels

Author says he is ‘overcome with emotion’ after winning £40,000 honour for books including The Line of Beauty and The Swimming-Pool Library

Alan Hollinghurst has been awarded the 2025 David Cohen prize for literature, one of the UK and Ireland’s most prestigious literary honours, in recognition of his lifetime’s achievement in fiction.

The prize, worth £40,000, was announced on Tuesday evening in London by the chair of judges Hermione Lee. She described Hollinghurst as “one of the most daring, stylish, witty, humane and influential novelists writing in the English language today”.

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Tom’s Crossing by Mark Z Danielewski – House of Leaves author returns with a 1200-page western

A quarter century after that landmark cult novel, this new epic has aspects of brilliance but seems designed for academic study rather than readerly enjoyment

In this moment of cultural panic about the decline of reading, it takes an enviable confidence to deliver a volume such as Tom’s Crossing. Weighing in at more than 1,200 pages of closely printed text, the novel contains, I would hazard, about half a million words – roughly two Ulysses. It’s also, for that matter, about twice the length of Danielewski’s debut, House of Leaves, which secured cult status for its author on publication 25 years ago. Tom’s Crossing is so big that when I got it out on the tube, I felt like that character on Trigger Happy TV with his enormous mobile phone. “Look,” I seemed to be telling the passengers scrolling Instagram on their devices, “I’m reading a book!”

The novel is not merely long, it’s also a challenging, deliberately arcane work that insists on its own epic status, yet has at its heart a straightforward and compelling story. Kalin March, a 16-year-old nerdy outsider in the town of Orvop in Utah, is a preternaturally talented horse rider. Through a shared love of horses, he strikes up an unlikely friendship with handsome and popular Tom Gatestone.

“Earlier that afternoon, when for some reason Allison’s thoughts had angrily returned to the curse she’d laid upon Kalin before he’d left, warnin him from guns, makin it clear by insubstantial decree that even handlin a gun might cost him the horses he loved, and for the rest of his life, she and Sondra had returned to the Isatch Canyon parkin lot, where they’d promptly learned about the great rockfall.”

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‘It’s not just a book, it’s a window to my soul’: why we’re in love with literary angst

Why did an obscure Dostoevsky novella sell 100,000 copies in the UK last year? And why are TikTokers raving about a 1943 Turkish novel? The way young people are discovering books is changing – and their literary tastes reflect our times

The sales patterns for classic novels are normally a fairly predictable business. “Every year it’s the same authors,” says Jessica Harrison, publishing director for Penguin Classics UK. “Austen is always at the very top, and then all the school ones: Orwell, An Inspector Calls, Of Mice and Men, Jane Eyre.”

But last year it was different. Penguin’s bestselling classic by far was a little-known novella by Fyodor Dostoevsky. White Nights sold more than 100,000 copies in the UK in 2024. It is an angsty story of impossible love, run through with characteristic Dostoevskian gloom. A young man and woman meet on a bridge in St Petersburg on consecutive nights: his love for her is unrequited; she is despairing because the man she really loves has ghosted her. The pleasure the young man takes in her company is shadowed by the knowledge that it can never be permanent.

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What did Pasolini know? Fifty years after his brutal murder, the director’s vision of fascism is more urgent than ever

With mystery still surrounding Pier Paolo Pasolini’s death, the poet and film-maker’s warnings of corruption and rising totalitarianism offer a chilling message for our times

Pier Paolo Pasolini was murdered at around midnight on 2 November 1975. His blood-soaked body was found the next morning on waste ground in Ostia, on the outskirts of Rome, battered so badly the famous face was almost unrecognisable. Italy’s premier intellectual, artist, provocateur, national conscience, homosexual, dead at the age of 53, his scandalous final film still in the editing suite. “Assassinato Pasolini,” the next morning’s papers announced, alongside photographs of the 17-year-old accused of his murder. Everyone knew his taste for working-class hustlers. A hookup gone wrong was the instant verdict.

Some deaths are so suggestive that they become emblematic of a subject, the deceiving lens through which an entire life is forever after read. In this weirdly totalitarian mode of interpretation, Virginia Woolf is always walking towards the Ouse, the river in which she drowned herself. Likewise, Pasolini’s entire body of work is coloured by the seeming fact that he was murdered by a rent boy, the crowning act of a relentlessly high-risk life.

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What we’re reading: writers and readers on the books they enjoyed in October

Writers and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

Erik Satie Three Piece Suite by Ian Penman is a daring and endlessly inventive portrait of the iconoclastic composer. Penman’s skill lies in his total disregard for tired cliches and tropes of music criticism, while perfectly combining the highbrow and the lowbrow – a digression on Les Dawson shows why he might just be our greatest writer on music.

Cursed Daughters by Oyinkan Braithwaite is published by Atlantic (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

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Theft by Abdulrazak Gurnah audiobook review – coming-of-age saga in Tanzania

Three young people step boldly into their adult lives in this elegantly narrated novel from the Nobel laureate

The Nobel prize-winning author Abdulrazak Gurnah is known for his portrayals of east Africans and the after-effects of colonial rule. Opening in Zanzibar in the aftermath of independence, his 11th novel, Theft, spans half a century as it documents the lives of Karim, Fauzia and Badar. We learn how young Karim is treated as “an afterthought” by his mother, Raya, who divorces her much older husband and leaves her son behind to start a new life.

Mother and son are reunited several years later in Dar es Salaam, Tanzania, where Raya has married a pharmacist named Haji. Karim, who grows up to be handsome, intelligent and more than a little conceited, gets a scholarship to study in the city and meets Fauzia, who is training to be a teacher and is keen to avoid the fate of other “mute daughter[s] laid out for deflowering”. She and Karim marry, and the pair open their home to Badar, a former servant of Raya and Haji’s who was abandoned by his parents as a child.

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Heart the Lover by Lily King review – a love story to treasure

A companion novel to the brilliant Writers & Lovers, this delightfully witty tale of college romance matures into midlife poignancy

The university experience is a risky business in fiction. Generally, the feelings are intense, but the stakes are low; it’s all very formative for the individual character, but it can feel a bit trivial to anyone else. In fact, reading an account of someone’s university days is surely only one or two stages removed from having to hear about the dream they had last night.

So my heart initially sank at Heart the Lover’s cover promise that our main character would soon be “swept into an intoxicating world of academic fervour, rapid-fire banter and raucous card games” – good grief, save me from the raucous card games! But obviously the caveat here is what it always is: a good writer will make it matter. I had faith, therefore, that everything would be all right, since Lily King is an exceptionally good writer. Indeed, she could probably write a book-length account of her most recent dream and I would still rush to read it.

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Where to start with: Paul Bailey

The novelist and poet, who died a year ago, left a huge body of work distinguished by its melancholy wit and warmth. These are some of the highlights

Paul Bailey, who died last October aged 87, was best known as a novelist of comic brilliance, wide-ranging empathy – even for the worst of his characters – and a cleverness that was never clinical. His fiction was frequently occupied with the impact of memories on our lives, and usually heavily driven by sharp, syncopated dialogue. But he was also a memoirist, poet and more besides – so here’s a guide to the legacy of books he left behind.

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The Eleventh Hour by Salman Rushdie – a haunting coda to a groundbreaking career

From an afterlife fantasy to a tale of loss in Mumbai, death is a recurring theme in this story collection – an echo of the novelist at his peak

Towards the end of Knife, his 2024 book about the assault at a public event in upstate New York that blinded him in his right eye, Salman Rushdie offers a thought experiment:

Imagine that you knew nothing about me, that you had arrived from another planet, perhaps, and had been given my books to read, and you had never heard my name or been told anything about my life or about the attack on The Satanic Verses in 1989. Then, if you read my books in chronological order, I don’t believe you would find yourself thinking, Something calamitous happened to this writer’s life in 1989. The books are their own journey.

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