Category Fiction

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The best fiction of 2025

New novels from Ian McEwan and Chimamanda Ngozi Adichie, a high-concept debut and remarkable short stories are just some of the best new titles of the year

There aren’t many giants of 20th-century literature still writing, but 2025 saw the first novel in 12 years from American great Thomas Pynchon, now in his late 80s: Shadow Ticket (Jonathan Cape) is a typically larky prohibition-era whodunnit, set against rising nazism and making sprawling connections with the spectre of fascism today. Other elder statesmen publishing this year included Salman Rushdie with The Eleventh Hour (Cape), a playful quintet of mortality-soaked short stories and his first fiction since the 2022 assault that blinded him in his right eye; while Ian McEwan was also considering endings and legacy in What We Can Know (Cape), in which a 22nd-century literature scholar looks back, from the other side of apocalypse, on a close-knit group of (mostly) fictional literary lions from our own era. In a time of climate terror, the novel is both a fascinating wrangle with the limits of what humans are able to care about – from bare survival, to passion and poetry, to the enormity of environmental disaster – and a poignant love letter to the vanishing past.

But perhaps the most eagerly awaited return this year was another global figure: Chimamanda Ngozi Adichie, whose first novel in more than a decade, Dream Count (4th Estate), follows the lives of four interconnected women between Nigeria and the US. Taking in love, motherhood and female solidarity as well as privilege, inequality and sexual violence, it’s a rich and beautifully composed compendium of women’s experience.

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Five of the best science fiction books of 2025

An eco-masterpiece, icy intrigue, cyberpunkish cyborgs, memory-eating aliens and super-fast travel sends the world spinning out of control

Circular Motion
Alex Foster (Grove)
Alex Foster’s novel treats climate catastrophe through high-concept satire. A new technology of super-fast pods revolutionises travel: launched into low orbit from spring-loaded podiums, they fly west and land again in minutes, regardless of distance. Since every action has an equal and opposite reaction, our globe starts to spin faster. Days contract, first by seconds, then minutes, and eventually hours. It’s a gonzo conceit, and Foster spells out the consequences, his richly rendered characters caught up in their own lives as the world spirals out of control. As days become six hours long, circadian rhythms go out of the window and oceans start to bulge at the equator. The increasing whirligig of the many strands of storytelling converge on their inevitable conclusion, with Foster’s sparky writing, clever plotting and biting wit spinning an excellent tale.

When There Are Wolves Again
EJ Swift (Arcadia)
There are few more pressing issues with which fiction can engage than the climate crisis, and SF, with its capacity to extrapolate into possible futures and dramatise the realities, is particularly well placed to do so. Swift’s superb novel is an eco-masterpiece. Its near-future narrative of collapse and recovery takes us from the rewilding of Chornobyl and the return of wolves to Europe, through setback and challenge, to 2070, a story by turns tragic, alarming, uplifting, poetic and ultimately hopeful. Swift’s accomplished prose and vivid characterisation connect large questions of the planet’s destiny with human intimacy and experience, and she avoids either a too-easy doomsterism or a facile techno-optimism. We can bring the world back from the brink, but it will require honesty, commitment, hard work and a proper sense of stewardship.

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The five best romance books of 2025

A tricky age gap, a dose of wedding day drama, literary love affairs, office rivals and the sexy side of Brexit

Consider Yourself Kissed
Jessica Stanley (Hutchinson Heinmann)
Clever and contemporary, this modern romance between short king single dad Adam and magazine writer Coralie accrues depth as it jumps from initial meet-cute to a decade-long romance, all the while embracing stepmotherhood, work and politics. (You didn’t think you could get Brexit into a romance?) The writing is wonderful, and the book has genuine heft – which might dial back the escapist fun, but it’s no less enjoyable for that.

Problematic Summer Romance
Ali Hazelwood (Sphere)
Hazelwood, a behemoth of current romantic fiction, specialises in funny and sharp hot-nerd affairs. Despite highlighting its own issues in the title, this novel got a rather mixed reception from the more judgmental corners of the internet on account of the age difference between the lovers. The gap between Maya and Conor, her big brother’s best friend, is 15 years – she is 23 to his 38. Depending on your generation and point of view, this is either completely and absolutely fine, or intensely concerning, despite the heroine insisting valiantly on her own agency and a reluctant romantic hero who resists the affair for this very reason. The book itself is typically charming and incredibly enjoyable, full of one-liners and cheek. (Far less controversially, she has followed it up with Mate, about a vampire bride falling in love with a werewolf. Sex with an actual animal is notably less problematic than an age gap in 2025.)

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The best crime and thrillers of 2025

Mick Herron’s Slow Horses, Belinda Bauer’s obsessive world of bird egg collectors, Uketsu’s innovative Japanese detective mystery – and more

If we get the heroes we deserve, then Jackson Lamb, foul-mouthed and slovenly ringmaster of a circus of failed spies, is truly the man for our times. With Clown Town (Baskerville), the ninth book in Mick Herron’s state-of-the-nation satire/thriller mashup series, hitting the bestseller lists, and the fifth series of the Slow Horses TV adaptation streaming, this has been the author’s year. In the latest outing, Lamb and his stable of “losers, misfits and boozers” are well up to the mark as secrets about an IRA double agent threaten to come to light, exposing the seamier side of state security for a story of loyalty and betrayal.

Complicity and culpability, as well as class and professional ethics, are the subjects of Denise Mina’s The Good Liar (Harvill). When the creator of a revolutionary blood splatter probability scale realises that its flaws may have led to an unsafe conviction, she has to decide what to do about it. Tense and powerful, this is a sobering reminder of how the human element can undermine an apparently objective scientific method. The Confessions by Paul Bradley Carr (Faber) ventures into similar territory to terrifying effect. It takes place in an all-too-plausible future in which the world has become reliant on a decision-making algorithm; things go catastrophically awry when the AI tool begins to feel remorse for some of its decisions, and carnage results.

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Five of the best translated fiction of 2025

The return of Nobel laureate Han Kang; film-making under the Nazis; stuck in a time loop; Scandinavian thrills; and essential stories from postwar Iraq

We Do Not Part
Han Kang, translated by e yaewon and Paige Aniyah Morris (Hamish Hamilton)
The Korean 2024 Nobel laureate combines the strangeness of The Vegetarian and the political history in Human Acts to extraordinary effect in her latest novel. Kyungha, a writer experiencing a health crisis (“I can sense a migraine coming on like ice cracking in the distance”), agrees to look after a hospitalised friend’s pet bird. The friend, Inseon, makes films that expose historical massacres in Korea. At the centre of the book is a mesmerising sequence “between dream and reality” where Kyungha stumbles toward Inseon’s rural home, blinded by snow, then finds herself in ghostly company. As the pace slows, and physical and psychic pain meet, the story only becomes more involving. This might be Han’s best novel yet.

On the Calculation of Volume I and II
Solvej Balle, translated by Barbara J Haveland (Faber)
“It is the eighteenth of November. I have got used to that thought.” Book dealer Tara Selter is stuck in time, each day a repeat of yesterday. Groundhog Day it ain’t; this is more philosophical than comic – why, she doesn’t even bet on the horses – but it’s equally arresting. Tara slowly begins to understand how she occupies space in the world, and the ways in which we allow our lives to drift. At first she tries to live normally, recreating the sense of seasons passing by travelling to warm and cold cities. By the end of volume two, with five more books to come, we get hints of cracks appearing in the hermetic world – is Balle breaking her own rules? – but it just makes us want to read on further.

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‘I took literary revenge against the people who stole my youth’: Romanian author Mircea Cărtărescu

As the first part of his acclaimed Blinding trilogy is released in the UK, the novelist talks about communism, Vladimir Nabokov – and those Nobel rumours

In 2014, when he was travelling around the US on a book tour, Mircea Cărtărescu was able to fulfil the dream of a lifetime: a tour of Vladimir Nabokov’s butterfly collection. Cărtărescu is a great admirer of the Russian-American author, and shares with him a literary career that bridges the western and eastern cultural spheres – as well as a history of being mooted as the next Nobel literature laureate but never having won it.

Above all, the Romanian poet and novelist shares Nabokov’s fascination with butterflies. As a child, he harboured dreams of becoming a lepidopterist. On a visit to Harvard, Cărtărescu was allowed access to Nabokov’s former office and marvelled at specimens the St Petersburg-born author had collected. “His most important scientific work was about butterflies’ sexual organs, and I saw these very tiny vials with them in,” he whispers in awe. “It’s like an image from a poem or a story. It was absolutely fantastic.”

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Bog People: A Working-Class Anthology of Folk Horror review – dark tales with a sting

This collection of macabre stories set across England explores class, hierarchy and the enduring nature of inequality

Folk horror may have had a dramatic resurgence in recent years, but it has always been the backbone of much of our national storytelling. A new anthology of 10 stories set across England, Bog People, brings together some of the most accomplished names in the genre.

In her introduction, editor Hollie Starling describes an ancient ritual in a Devon village: the rich throw heated pennies from their windows, watching those in need burn their fingers. Folk horror by its nature is inherently connected to class and hierarchy. Reverence for tradition is a double-edged sword – or a burning-hot coin.

The rain stops, the sun shows, another night comes dark and flowing with energy. I don’t sleep; I feel my way through the landscape, the trees that reach and catch my shirt sleeves, holding on to me, saving me from slipping on mossy roots, the unfriendly gorse keeping me at a distance, saying don’t step here, stopping me from tearing my feet on its throne of thorns. Stars alive, alight, I wish you could see them…

First light fattened like a dying star and formed the signature of an industrial town already at toil predawn, its factory stacks belching the new day black, the mills dyeing the forked-tongue river sterile inside that Hellmouth north of Halifax where paternal cotton kings had housed their workers in spoked rows of blind back-to-backs quick to tilt and rot.

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A Particularly Nasty Case by Adam Kay audiobook review – a wayward doctor turns detective

Andy Serkis revels in his narration of the first murder mystery from the author of This Is Going to Hurt, which showcases Kay’s signature pitch-black humour

Dr Eitan Rose is stark naked in a gay sauna when he is called upon to perform CPR on an elderly man and fellow patron who is having a heart attack. When arriving paramedics ask Eitan for his details, he declines to give his real name, instead giving them the name of his work supervisor and nemesis, Douglas Moran. Eitan is a hard-partying consultant rheumatologist who has just returned to work after several months off following a mental health crisis, and who uses liquid cocaine secreted into a nasal inhaler to get through the working day.

When Moran dies in unexpected circumstances, Eitan suspects foul play and sets about finding the culprit. Soon he is performing illicit postmortems and impersonating a police detective so he can cross-examine a suspect. But when he tries to blow the whistle, his colleagues and the police decline to take his claims seriously. Eitan may work among medical professionals, but they are not above stigmatising a colleague diagnosed with bipolar disorder and taking his outlandish claims as evidence of his instability.

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The Matchbox Girl by Alice Jolly review – horror, humanity and Dr Asperger

The reader grapples with fascism and complicity through the eyes of a mute autistic girl being treated during the second world war

As I started reading Alice Jolly’s new novel, whose narrator is a mute autistic girl in wartime Vienna, I realised that I was resisting its very premise. I am generally sceptical about books that use child narrators to add poignancy to dark plots, or novels that use nazism as a means of introducing moral jeopardy to their characters’ journeys. And yet by the end Jolly had won me over. This is a book that walks a tightrope between sentimentality and honesty, between realism and imagination, and creates something spirited and memorable as it does so.

We meet our fierce narrator, Adelheid Brunner, when she is brought into a children’s hospital by her grandmother, who cannot cope with the little girl’s fixations. Adelheid is obsessed with the matchboxes of the title, which she is constantly studying, ordering and occasionally discarding. In the hospital, she finds that she and her fellow child inmates are the object of obsessive study in turn by their doctors – sometimes understood, sometimes valued, and then, tragically, sometimes discarded.

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£15,000 prize launched for writers from refugee and migrant backgrounds

The Footnote x Counterpoints prize is intended to uncover new literary voices whose work reflects the experiences of migration

Footnote Press and Counterpoints Arts have announced a new fiction award celebrating writers from refugee and migrant backgrounds, offering a £15,000 prize and a publishing deal for the winner.

The Footnote x Counterpoints prize for fiction, launching on Thursday, marks the second time the two organisations have collaborated on a prize. In 2023, writers were invited to submit narrative nonfiction, but now the prize will focus on fiction for the first time.

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