Category Fiction

Auto Added by WPeMatico

Big Kiss, Bye-Bye by Claire-Louise Bennett review – remembering terrible men

In the latest novel from the acclaimed avant garde author, the narrator considers the impact of the relationships she’s left behind

“English, strictly speaking, is not my first language by the way,” Claire-Louise Bennett wrote in her first book, 2015’s Pond, a series of essayistic stories by an autofictional narrator. What was her first language, then? She doesn’t know, and she’s still in search of it. “I haven’t yet discovered what my first language is so for the time being I use English words in order to say things.”

Bennett was concerned then – and remains concerned now – with finding words to make inner experience legible, and to make familiar objects, places and actions unfamiliar. Pond was a kind of phenomenology of 21st-century everyday female experience, concentrating on the narrator’s momentary physical and mental feelings and sensation, isolated from the larger social world. Bennett became an acclaimed avant garde writer, and if acclaimed and avant garde may seem at odds, then that tension has powered her books ever since, as she’s been drawn to working on larger scales. In Checkout 19 she showed this phenomenological vision unfurling across a life. It was a kind of Künstlerroman, a messy, sparkling book that threw together the narrator’s early reading history with her early story writing (she retold the picaresque antics of her first literary protagonist, Tarquin Superbus) and her experiences of menstruation and sex.

Continue reading...

‘I wanted to write more than I wanted to have children’: author Sarah Perry on rejecting motherhood

When the novelist was faced with the decision of whether to pursue fertility treatment or focus on her career, her literary ambitions kicked in

Fifteen years ago, having said all my life that I never wanted a baby, that I couldn’t fathom why any free woman would do such a thing to her body and her mind, I suddenly and passionately wanted a child. I remember where I was when this feeling, so heretical to me, arrived: it was early morning in London, and having come down Fleet Street on my way to work, I was standing at the till of a newsagents to pay for a Diet Coke, a flapjack and a pack of Silk Cut. There were no children there and no pregnant women; nothing had been said or done to change my mind. It had simply landed on me, and more or less immediately – because I’ve never known how to control an impulse, and because I was 30, which seemed to me then a great age – my husband, Robert, and I set about trying to have a child.

When for some months nothing happened, I turned to the websites where women who’ve never met scrutinise their bodies for signs of pregnancy or fertility or miscarriage, and my vocabulary changed. I became able to communicate in acronyms impenetrable to anyone who hadn’t held a dozen ovulation sticks in a dozen urine streams, and it is all so long ago now that I only remember one: 2WW. At first I took this to be some dry reference to the second world war, since they did seem to be always in battle, these women, or in flight – but in fact it refers to the “two-week wait”, the fearful, hopeful days between sex and ovulation, and the first signs the uterus had succeeded or failed (that these signs can be identical sometimes invokes a kind of madness, to which I also briefly succumbed).

Continue reading...

‘I’m going to write about all of it’: author Chris Kraus on success, drugs and I Love Dick

A decade after her debut became a cult hit, the US author talks about the true crime that inspired her latest novel, #MeToo overreach and being married to an addict

Chris Kraus regards the late success of her first book, I Love Dick, with ambivalence. A work of autofiction, first published in 1997, it chronicles Kraus’s infatuation with a cultural theorist named Dick, a doomed, one-sided love affair that nonetheless pulls Kraus, a depressed, 39-year-old failing film-maker languishing in a sexless marriage, out of her personal and artistic rut. After a slow start, the book became a cult classic and in 2016 it was made into an Amazon Prime Video TV series, with Kraus played by Kathryn Hahn. “To me, success would have been like a long review in the New York Review of Books, not being a character on a sitcom,” Kraus says now. Her commercial success was a financial boon, of course. “But who can stand by a book they wrote 20 years ago? It was massively embarrassing to go out and support the book as if I’d written it last year.”

She had, however, promised herself that if she ever achieved mainstream success she would write about it with the same candour that she brought to her struggles. “I’m going to write about all of it. Not just about youth, but about middle age,” she says. “Middle age is so much harder to write about, because youth is kind of like a trope. We’re very familiar with reading books about the aspirations or disappointed aspirations of youth, but middle age is much crazier ground. It’s not as sexy, it’s not as familiar. So, to write about middle age in the same way takes commitment.”

Continue reading...

Colm Tóibín: Why I set up a press to publish Nobel winner László Krasznahorkai

The Irish novelist discovered the Hungarian writer two decades ago, and was excited by the verbal pyrotechnics of a rule-breaking storyteller

That Christmas – it was almost 20 years ago – I came back from America with news. My friend Daniel Medin had recommended two books to me, both by the Hungarian novelist László Krasznahorkai, one called War and War and the other The Melancholy of Resistance. We had also watched some Béla Tarr films, whose screenplays had been written by Krasznahorkai. The sense of slow, seething menace in the film Werckmeister Harmonies, based on The Melancholy of Resistance, and the lack of easy psychology and obvious motive in the film, the camera moving like a cat, made it exciting, but not as exciting as the two novels.

Krasznahorkai, I noticed, loved the snaking sentence, the high-wire act, mild panic steering towards a shivering fear felt by his characters, followed, in clause after clause, by fitful realisations and further reasons for gloom or alarm, and then, with just a comma in between, ironic (and even comic) responses to what comes next into the mind. These extraordinary sentences had been translated by the poet George Szirtes with considerable rhythmic energy.

Continue reading...

The best recent science fiction, fantasy and horror – review roundup

All That We See Or Seem by Ken Liu; When There Are Wolves Again by EJ Swift; The White Octopus Hotel by Alexandra Bell; Darker Days by Thomas Olde Heuvelt; Remain by Nicholas Sparks with M Night Shyamalan

All That We See Or Seem by Ken Liu (Head of Zeus, £20)
In this thriller from award-winning author Liu, Julia Z wants to leave behind the notoriety she gained as a teenage hacker. But she’s drawn into danger when she agrees to help a man whose wife, an artist skilled in the new art of “vivid dreaming” – using AI and virtual reality to allow her live audience into her stories – has disappeared. He has seen a video from someone claiming to have kidnapped her and hopes Julia can tell him who sent it. The near-future setting is convincing, and the story is rich in interesting ideas about potential developments in the use of AI and social media. Julia is a strong, complex character, and there’s a suggestion there could be a series of novels about her. Action-packed as well as thought-provoking, this is one of the best science-fiction books of the year.

When There Are Wolves Again by EJ Swift (Arcadia, £20)
Like Swift’s previous novel, The Coral Bones, this book is powered by a passionate love of nature and deep concern for the planet’s future. Beginning with the character-forming effects of major events during the childhoods of the two main characters – Covid lockdowns for Lucy, the Chornobyl disaster for Hester – the novel tracks their separate journeys in climate activism and documentary film-making as both make their own contribution towards a better world, until 2070, when they meet at last. Evocative and beautifully written, this character-driven novel also inspires as an argument for rewilding in Britain.

Continue reading...

‘A sparkle that extends beyond fiction’: readers on what Jilly Cooper meant to them

Fans pay tribute to the author’s escapist tales, her real-life largesse and her unexpected passions

I was the manager of Books Etc in Oxford Street, where Jilly Cooper’s novel Polo was launched in 1991, with polo-dressed senior publishers posing in the window. Jilly visited our shop several times for signings and she was our favourite author visitor. She always spoke to all the staff, brought a gift for staff with her and always wrote us a note of thanks afterwards. Lovely with customers and just an absolute delight. Judith Denwood, retired bookseller, Hastings

Continue reading...

Ican Klíma obituary

Czech novelist and playwright whose work was banned under communism

Ivan Klíma, who has died aged 94, carried into the third decade of the 21st century his memories of four years in a Nazi concentration camp. That childhood, from 10 to 14, was spent in the “model” camp at Terezín, where Jews died from malnutrition rather than extermination.

It left an indelible stamp on the Czech writer’s mind and work as it taught him that “life can be snapped like a piece of string”. As did his four decades of struggle with the repressive communist regime that blighted Czech culture until the Velvet Revolution of 1989, led by his friend and fellow-dissident Vaclav Havel.

Continue reading...

The Devil Book by Asta Olivia Nordenhof review – a Danish series that burns with purpose

This incandescent novel takes in lockdown, the devil, bad investments, erotic thrills and the deadly fire on the Scandinavian Star ferry

At about 2am on the night of 7 April 1990, a fire broke out on board the MS Scandinavian Star, a car and passenger ferry operating between Oslo and Frederikshavn. Inadequate staff training coupled with jammed fire doors aiding the spread of the fire and the subsequent release of deadly hydrogen cyanide gas from burning laminates resulted in the deaths of 159 people. The disaster was initially blamed on one of the passengers – a lorry driver and convicted arsonist. The fact that this suspect was also one of the fire’s casualties and thus unable to refute the charges against him was almost certainly part of the reason why the truth about the tragedy took so long to come to light. In 2020, a six-hour documentary revealed that the fire had most likely been started deliberately as part of an insurance fraud.

In the first volume of Asta Olivia Nordenhof’s Scandinavian Star sequence, Money to Burn, an unnamed narrator is travelling on a bus through Copenhagen when she finds her attention drawn to an elderly man on the street outside. As the bus moves away, she has the “eerie sense” that she is carrying a part of him with her. Compelled to travel the same route again in search of him, the narrator finds herself in a landscape that is at once alien and deeply familiar. She introduces us to Maggie and Kurt, a couple whose feelings for each other are struggling to survive the pressures of their conflicted pasts. In that book’s final pages, we learn that the root of Kurt’s disaffection might possibly be found in the shattering effects of a bad investment made on his behalf by a man known as T.

Continue reading...

‘Jilly Cooper was the absolute queen’: writers pay tribute to the beloved author

The writer was an astute observer of English class – and a champion of complicated female heroines

• Jilly Cooper, author of Rivals and Riders, dies aged 88
• Share your memories of Jilly Cooper

Jilly Cooper was a genuinely merry soul, with a gimlet eye and a determination to see the best in absolutely everything; even when her life was difficult, she brightened every room with her spaniel hair. What fun she had and shared with us, and what a wonderful legacy she left.

Continue reading...