Category Sách & Tri thức

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The best crime and thrillers of 2025

Mick Herron’s Slow Horses, Belinda Bauer’s obsessive world of bird egg collectors, Uketsu’s innovative Japanese detective mystery – and more

If we get the heroes we deserve, then Jackson Lamb, foul-mouthed and slovenly ringmaster of a circus of failed spies, is truly the man for our times. With Clown Town (Baskerville), the ninth book in Mick Herron’s state-of-the-nation satire/thriller mashup series, hitting the bestseller lists, and the fifth series of the Slow Horses TV adaptation streaming, this has been the author’s year. In the latest outing, Lamb and his stable of “losers, misfits and boozers” are well up to the mark as secrets about an IRA double agent threaten to come to light, exposing the seamier side of state security for a story of loyalty and betrayal.

Complicity and culpability, as well as class and professional ethics, are the subjects of Denise Mina’s The Good Liar (Harvill). When the creator of a revolutionary blood splatter probability scale realises that its flaws may have led to an unsafe conviction, she has to decide what to do about it. Tense and powerful, this is a sobering reminder of how the human element can undermine an apparently objective scientific method. The Confessions by Paul Bradley Carr (Faber) ventures into similar territory to terrifying effect. It takes place in an all-too-plausible future in which the world has become reliant on a decision-making algorithm; things go catastrophically awry when the AI tool begins to feel remorse for some of its decisions, and carnage results.

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What we’re reading: Geoff Dyer, Andrew Michael Hurley, Marcia Hutchinson and Guardian readers on the books they enjoyed in November

Writers and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

I finally got round to Thoreau’s Journal. It is determinedly down-to-earth and soaring, lyrical and belligerent, humane and cantankerous. Walt Whitman thought Thoreau suffered from “a very aggravated case of superciliousness”, but as Walt also said (of himself) the Journal of this brooding, solitary figure is great; it “contains multitudes.”

Homework by Geoff Dyer is published by Canongate (£20). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

The Mercy Step by Marcia Hutchinson is published by Cassava Republic. To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply

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Five of the best translated fiction of 2025

The return of Nobel laureate Han Kang; film-making under the Nazis; stuck in a time loop; Scandinavian thrills; and essential stories from postwar Iraq

We Do Not Part
Han Kang, translated by e yaewon and Paige Aniyah Morris (Hamish Hamilton)
The Korean 2024 Nobel laureate combines the strangeness of The Vegetarian and the political history in Human Acts to extraordinary effect in her latest novel. Kyungha, a writer experiencing a health crisis (“I can sense a migraine coming on like ice cracking in the distance”), agrees to look after a hospitalised friend’s pet bird. The friend, Inseon, makes films that expose historical massacres in Korea. At the centre of the book is a mesmerising sequence “between dream and reality” where Kyungha stumbles toward Inseon’s rural home, blinded by snow, then finds herself in ghostly company. As the pace slows, and physical and psychic pain meet, the story only becomes more involving. This might be Han’s best novel yet.

On the Calculation of Volume I and II
Solvej Balle, translated by Barbara J Haveland (Faber)
“It is the eighteenth of November. I have got used to that thought.” Book dealer Tara Selter is stuck in time, each day a repeat of yesterday. Groundhog Day it ain’t; this is more philosophical than comic – why, she doesn’t even bet on the horses – but it’s equally arresting. Tara slowly begins to understand how she occupies space in the world, and the ways in which we allow our lives to drift. At first she tries to live normally, recreating the sense of seasons passing by travelling to warm and cold cities. By the end of volume two, with five more books to come, we get hints of cracks appearing in the hermetic world – is Balle breaking her own rules? – but it just makes us want to read on further.

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Does ‘laziness’ start in the brain?

Understanding the surprising mechanism behind apathy can help unlock scientific ways to boost your motivation

We all know people with very different levels of motivation. Some will go the extra mile in any endeavour. Others just can’t be bothered to put the effort in. We might think of them as lazy – happiest on the sofa, rather than planning their latest project. What’s behind this variation? Most of us would probably attribute it to a mixture of temperament, circumstances, upbringing or even values.

But research in neuroscience and in patients with brain disorders is challenging these assumptions by revealing the brain mechanisms that underlie motivation. When these systems become dysfunctional, people who were once highly motivated can become pathologically apathetic. Whereas previously they might have been curious, highly engaged and productive – at work, in their social lives and in their creative thinking – they can suddenly seem like the opposite.

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‘I took literary revenge against the people who stole my youth’: Romanian author Mircea Cărtărescu

As the first part of his acclaimed Blinding trilogy is released in the UK, the novelist talks about communism, Vladimir Nabokov – and those Nobel rumours

In 2014, when he was travelling around the US on a book tour, Mircea Cărtărescu was able to fulfil the dream of a lifetime: a tour of Vladimir Nabokov’s butterfly collection. Cărtărescu is a great admirer of the Russian-American author, and shares with him a literary career that bridges the western and eastern cultural spheres – as well as a history of being mooted as the next Nobel literature laureate but never having won it.

Above all, the Romanian poet and novelist shares Nabokov’s fascination with butterflies. As a child, he harboured dreams of becoming a lepidopterist. On a visit to Harvard, Cărtărescu was allowed access to Nabokov’s former office and marvelled at specimens the St Petersburg-born author had collected. “His most important scientific work was about butterflies’ sexual organs, and I saw these very tiny vials with them in,” he whispers in awe. “It’s like an image from a poem or a story. It was absolutely fantastic.”

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‘If I was American, I’d be worried about my country’: Margaret Atwood answers questions from Ai Weiwei, Rebecca Solnit and more

Democracy, birds and hangover cures – famous fans put their questions to the visionary author

After the ­phenomenal global success, not to mention timeliness, of the TV adaptation of The Handmaid’s Tale in 2017, Margaret Atwood has been regarded as “a combination of figurehead, prophet and saint”, the author writes in her new memoir Book of Lives. Over 600 pages this “memoir of sorts” ranges from her childhood growing up in the Canadian backwoods to her grief at the death of her partner of 48 years, the writer Graeme Gibson, in 2019, with many friendships, the occasional spat and more than 50 books (including Cat’s Eye, Alias Grace and the Booker prizewinning The Blind Assassin and The Testaments) in between.

The author, who turned 86 last week, always likes to take the long view, often from a couple of centuries’ distance. As Rebecca Solnit notes below, she now has a long view of our times. Age and the freedom of being a writer (as she says, she can’t get sacked) make her fearless in speaking out.

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From Dylan Thomas’ shopping list to a note from Sylvia Plath’s doctor: newly uncovered case files reveal the hidden lives of famous writers

Exclusive: Hardship grant applications to the Royal Literary Fund, including unseen letters by Doris Lessing and a note from James Joyce saying that he ‘gets nothing in the way of royalties’, show authors at their most vulnerable

Tobacco, swiss roll, Irish whiskey, Guinness and monkey nuts: that’s the diet followed by one of the foremost poets of the 20th century.

Dylan Thomas’ grocery bill is among a trove of famous writers’ personal documents and letters – many of which are as yet unseen by the public, and have been exclusively shown to the Guardian – discovered in the case files of a literary charity.

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Tessa Hadley: ‘Uneasy books are good in uneasy times’

The author on Anna Karenina, the brilliance of Anita Brookner and finally getting Nabokov

My earliest reading memory
I acquired from somewhere, in my more or less atheistic family, a Ladybird Book of the Lord’s Prayer, whose every page I can recover in all its lurid 1960s naturalism. “As they forgive us our trespasses against them …” The horrified boy leaves a hand mark on the wall his father has just painted.

My favourite book growing up
One of my favourites was E Nesbit’s The Wouldbegoods. The lives of those Edwardian children seemed as rich as a plum pudding, with their knickerbockers and their ironies, their cook and their sophisticated vocabulary. I didn’t understand, in my childhood, that they were separated from me by a gulf of time and change. Because of books, the past seemed to be happening in the next room, as if I could step into it effortlessly.

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Bog People: A Working-Class Anthology of Folk Horror review – dark tales with a sting

This collection of macabre stories set across England explores class, hierarchy and the enduring nature of inequality

Folk horror may have had a dramatic resurgence in recent years, but it has always been the backbone of much of our national storytelling. A new anthology of 10 stories set across England, Bog People, brings together some of the most accomplished names in the genre.

In her introduction, editor Hollie Starling describes an ancient ritual in a Devon village: the rich throw heated pennies from their windows, watching those in need burn their fingers. Folk horror by its nature is inherently connected to class and hierarchy. Reverence for tradition is a double-edged sword – or a burning-hot coin.

The rain stops, the sun shows, another night comes dark and flowing with energy. I don’t sleep; I feel my way through the landscape, the trees that reach and catch my shirt sleeves, holding on to me, saving me from slipping on mossy roots, the unfriendly gorse keeping me at a distance, saying don’t step here, stopping me from tearing my feet on its throne of thorns. Stars alive, alight, I wish you could see them…

First light fattened like a dying star and formed the signature of an industrial town already at toil predawn, its factory stacks belching the new day black, the mills dyeing the forked-tongue river sterile inside that Hellmouth north of Halifax where paternal cotton kings had housed their workers in spoked rows of blind back-to-backs quick to tilt and rot.

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Sally Rooney says she will be unable to publish books in UK while Palestine Action banned

Author tells high court her public support for group means her books could disappear from UK stores altogether

The Irish author Sally Rooney has told the high court she is highly unlikely to be able to publish new work in the UK while the ban on Palestine Action remains in effect because of her public support for the group.

On the second day of the legal challenge to Palestine Action’s proscription, the effect on Rooney, who said her books could disappear from UK stores altogether, was held up as an example of its impact on freedom of expression.

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