Category Sách & Tri thức

Unfaithful lovers escape to an uncanny alternate world, in this compelling allegory for infidelity and desire

Sophie Mackintosh has established a reputation for speculative literary fiction about young women’s desires and suffering at the hands of men. Her new novel, Permanence, is less plainly political than earlier work, concerned more with allegories of desire than oppression.

The novel begins in an uncanny hotel, where Clara wakes beside her lover, Francis. Clara works desultorily in an art gallery and shares a flat with a friend. Francis is an academic, an art historian married to a lawyer, the father of a toddler, but on this day he and Clara find themselves in a parallel world in which adulterous couples live in what seems at first to be a permanent holiday. The realised fantasy is bourgeois, north European: a cobbled old city where the sun always shines and there are many restaurants with clean tablecloths and good wine. There are parks full of perpetually blooming flowers, old stone fountains; markets offering ripe tomatoes, olive oil and bread; scented soap in clean bathrooms, and nothing for Clara and Francis to do but make love, bathe, eat, drink and stroll the charming streets. Clara finds pretty dresses, girlish pale blue silk and yellow cotton, awaiting her in the wardrobe, her favourite books beside the bed.

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Drawing on a real-life 1960s experiment, this story of an out-of-work actor paid to cover himself in a black leather bag fizzes with wit and invention

The unnamed narrator of Black Bag, an out-of-work actor living in London, has finally landed himself a role, and it’s a doozy. Advertised on the “admirably candid” website strange-acting-jobs.org, the role demands that he sit silent and unmoving at the back of a university lecture theatre for one whole term, dressed in nothing but a black leather bag. He will be paid in cash. He cannot believe his luck. “This is my big chance to do absolutely nothing, as thoroughly as possible.”

Black Bag is the hilarious new novel from Luke Kennard, a poet whose second collection made him the youngest ever nominee for the Forward prize in 2007, and whose debut novel was the similarly surreal and equally enjoyable The Transition. Both works operate as Black Mirror-style satires of late-capitalist, technocratic societies, where discontented thirtysomethings find themselves embroiled in bizarre social experiments.

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