Category Fiction

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‘My parents got me out of Soviet Russia at the right time. Should my family now leave the US?’

When he left the Soviet Union for a new life in America, the novelist never imagined he would live under another authoritarian regime. Then Trump got back into power ... Is it time to move again?

Oh, to have been born in a small, stylish country with good food and favourable sea breezes. No empire, no holy faith, no condescension, no fatal ideologies. The fish is grilled, the extended family roll in on their scooters, the wine looks amber in its glass as the socially democratic sun begins its plunge into the sparkling waters below.

This was not my fortune. I was born to one dying superpower and am now living in another. I was born to an ideology pasted all over enormous granite buildings in enormous Slavic letters and now live in one where the same happens in bold caps on what was once Twitter and what purports to be Truth (Pravda?) Social. America, Russia. Russia, America. Together they were kind enough to give me the material from which I made a decent living as a writer, but they took away any sense of normality, any faith that societies can provide lives without bold-faced slogans, bald-faced lies, leaders with steely set jaws, and crusades against phantom menaces, whether Venezuelan or Ukrainian.

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Death and the Gardener by Georgi Gospodinov review – how it feels to lose a father

The International Booker winner explores Bulgarian family life under communism in this moving depiction of a son’s bereavement

The Bulgarian writer Georgi Gospodinov was published quietly in the Anglophone world for years before he won the 2023 International Booker prize with Time Shelter, about an Alzheimer’s clinic that recreates the past so successfully, it beguiles the wider world.

He is perhaps now Bulgaria’s biggest export. Ever playful, never linear, his new novel Death and the Gardener consists of vignettes of a beloved dying and dead father, told by a narrator who, like Gospodinov, is an author. Gospodinov has spoken publicly about losing his own father recently, and the novel feels autobiographical in tone. When we read “My father was a gardener. Now he is a garden,” it is not the beginning of an Archimboldiesque surrealist tale, but rather a more direct exploration of how we express and where we put our love.

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Woody Allen to publish his first novel

The controversial film-maker has previously written short stories and essays but this story about a middle-aged Jewish author whose marriage is on the rocks is his first published novel

The first novel by the film-maker Woody Allen is due to be released later this year by independent publisher Swift Press.

The book, titled What’s With Baum?, is about a middle-aged Jewish journalist turned novelist “consumed with anxiety about everything under the sun”, according to a description from the publisher. Baum’s “turgid philosophical books receive tepid reviews and his prestigious New York publisher has dropped him”.

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Pan by Michael Clune review – a stunning debut of teen psychosis

This wild ride of a novel is remarkable for the honesty of its treatment of both mental illness and adolescence

The narrator of American nonfiction author Michael Clune’s first novel is the 15-year-old Nicholas, who lives with his father in a housing development so cheap and deracinated it inspires existential terror. It’s a place exposed to “the raw death of the endless future, which at night in the midwest in winter is sometimes bare inches above the roofs”. Just as frightening is Nicholas’s sense that “anything can come in”. One day in January, what comes into Nicholas is the god Pan – a possessing, deranging, life-threatening spirit. Or that, anyhow, is how Nicholas comes to interpret his increasingly disabling anxiety.

Pan is remarkable for the honesty of its treatment of both mental illness and adolescence. It shows more successfully than any other book I’ve read how these can be experienced as black magic – indeed, it allows that they might be black magic. Nicholas successfully prophesies trivial events (the wind rising, someone saying the word “diabetes”) and is haunted by a dead mouse’s squeak. Another boy finds a means of divination in a schlock fantasy novel. Even the pop anthem More Than a Feeling is a path to the uncanny; it’s a song with “a door in the middle of it … like the door on a UFO”. Nicholas becomes convinced that he is perpetually at risk of leaving his body – specifically, that his “looking/thinking could pour or leap out” of his head – and his friends, also being 15 years old, are ready to believe it, too. They are easy prey for Ian, a college-age man who sets himself up as a small-time cult leader among these high-school kids. Ian particularly targets Nicholas, telling him that only they are capable of real thoughts; the others in the group are “Hollows” who have “Solid Mind”, a deterministic mentality with no animating self. “The sound of words from a Hollow mouth,” says Ian, “contains an abyss.” Soon the group is staging rituals incorporating sex, drugs and animal sacrifice.

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Brooklyn and beyond: Colm Tóibín’s best books – ranked!

As the Irish author turns 70, we rate his best works of fiction – from his latest, Long Island, to his emotionally wrenching ‘masterpiece’

This dispatch from what we might call the extended Colm Tóibín universe is set near the same time and in the same place as his earlier novel Brooklyn (one character appears in both books). It’s the story of a widowed woman who struggles to cope with life after love. If it lacks the drama of some of Tóibín’s other novels, the style is impeccable as ever, with irresistibly clean prose that reports emotional turmoil masked by restraint. There is no ornate showing off. “People used to tease me for it, saying: ‘Could you write a longer sentence?’” Tóibín has said. “But there’s nothing I can do about it.”

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Men in Love by Irvine Welsh review – the Trainspotting boys grow up

Three decades on from the author’s breakthrough debut, why are we still trapped in the Trainspotting moment?

It has been more than 30 years since Irvine Welsh published Trainspotting. To put that in perspective, it’s as distant to readers today as Catch-22 or To Kill a Mockingbird would have been in 1993. If you are anything like me, that doesn’t feel quite right. Because even at such a historical remove, there remains something undeniably resonant, something curiously current, about Welsh’s wiry, demotic, scabrous debut.

In part, this is explained by the sheer scale of Trainspotting’s success. It was one of those genuinely rare literary events, wherein a critically acclaimed, stylistically adventurous book catches the cultural zeitgeist to such a degree that it also becomes a commercial sensation, going on to sell over a million copies. Its cultural salience was further compounded by Danny Boyle’s cinematic adaptation, one of the highest-grossing UK films of all time, a visual intervention that seemed to crystallise the aesthetics of Britpop – high velocity, high audacity, high nostalgia.

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Where authors gossip, geek out and let off steam: 15 of the best literary Substacks

More and more writers are publishing newsletters – but which are worth your time? From Margaret Atwood to Hanif Kureishi, George Saunders to Miranda July, here’s our guide to the best

A peculiar aspect of the dawning of the digital age is that it has, in some respects, returned literary life to the 18th century. A hullabaloo of pamphleteers, the effective abolition of copyright – and a return to patronage networks and serial publication. In this context, then, the way in which literary writers are now turning to Substack – a platform that allows authors to send emails to a list of subscribers, and allows those subscribers to interact in comment forums – seems entirely natural.

Literary Substacks don’t follow a single pattern. For some, it’s a way of getting new work into the world, whether publishing a novel in serial form or hot-off-the-keyboard short stories; for others, it’s a way of interacting directly with readers (while building a handy marketing list); for still others, it’s a home for criticism, journalism, personal blowing off of steam, self-promotion, or a more direct version of the traditional writerly side hustle, teaching creative writing to aspiring authors.

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Where to start with: Elizabeth Strout

A guide to the Pulitzer-winning novelist’s tales of small-town life, family secrets, and fraught relationships

American author Elizabeth Strout has captured millions of readers’ imaginations with her small-town stories of ordinary people with rich inner lives. Her novels – often set in Maine, where she grew up – have won her a Pulitzer and got her shortlisted for the Booker and, this year, the Women’s prize for fiction. Joe Stone gives us a tour of her interconnected oeuvre.

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Clare Chambers: ‘Iris Murdoch taught me that a novel could be about absolutely anything’

The author on Anthony Trollope, Andrew Miller, and why she sided with 19th-century coal miners

My earliest reading memory
I have the fuzziest memory of an illustrated Grimms’ fairy tale called Jorinde and Joringel from the time before I could read. I made my mum take it out of the library over and over again. It was about a quest for a flower with some special powers. I wish I could remember why it had such a hold over me.

My favourite book growing up
I think a sense of humour is forged in childhood and I remember crying with laughter as my older sister read me the Jennings books by Anthony Buckeridge. It didn’t bother me that they were all about prep school boys – it was the comedy of embarrassment that really spoke to me.

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Orbital by Samantha Harvey audiobook review – lyrical, hypnotic reading of otherworldly tale

Sarah Naudi reads the Booker-prize-winning novel about the daily lives of astronauts on the International Space Station

Tracking the movements of six astronauts on the International Space Station, Samantha Harvey’s Orbital – the winner of last year’s Booker prize – imagines the day-to-day lives of those who have chosen to be “shot into the sky on a kerosene bomb and then through the atmosphere in a burning capsule with the equivalent weight of two black bears upon them”.

Only basic information is provided about the crew, who are from Russia, the United States, Japan, Italy and the UK. Harvey is more interested in the tasks undertaken to keep themselves healthy and their lodgings shipshape. Simultaneously expansive and intimate, Orbital reveals how the usual routines of eating, sleeping and exercising are fraught with challenges when you are weightless: toothpaste foam must be swallowed rather than spat out and cutlery adhered to the table using magnets.

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