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‘My ideas are a little revolutionary’: ecologist Suzanne Simard on intelligent forests, the climate and her critics

Her research popularised the idea of the wood wide web, but the scientific backlash was brutal. As the author of The Mother Tree returns to the forest in a new book, she discusses her battle to reimagine our relationship with nature

In 2018, the ecologist and writer Suzanne Simard was conducting research in the forested Caribou Mountains of western Canada when a thunderstorm rolled in. She was with her two teenage daughters and her close friend and colleague, Jean Roach. They saw flashes of lightning, heard a loud rumble and then they smelled smoke. They were forced to run the half kilometre back to Simard’s truck as the trees behind them caught alight and the air grew thick. As they ran, animals burst out of the forest: a deer, a rabbit, a grey wolf. They reached the truck with no time to spare, all four of them covered in soot and dirt. Overhead, helicopters began circling the orange-black air, dropping water on the flames below.

Wildfires have become an ever bigger problem in Canada. The 2018 wildfires were the biggest in British Columbia’s history, but this record was broken in 2021, and then again in 2023, when fires consumed an area three times the size of the Canadian province of Nova Scotia and the smoke travelled as far as New York City. The cause is not only global heating, which has brought hotter, dryer summers, but also the changing makeup of the forest. When logging companies clear forest, they replant it with fast-growing conifer species, but these trees are much more flammable than Canada’s diverse, native forest.

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Daisy Johnson: ‘I wasn’t a fan of David Szalay, but Flesh is a masterpiece’

The Booker-shortlisted author on a momentous teenage encounter with The Bone People, getting a buzz from Peter Høeg’s Miss Smilla, and trying to avoid The Lorax

My earliest reading memory
Memories from my childhood are opening up as I read to my own young children at the moment. Something in the pictures of Helen Cooper’s The Bear Under the Stairs or Lane Smith’s The Big Pets takes me back to being four years old and being read to.

My favourite book growing up
I love the Sabriel series by Garth Nix and first read it alongside my father and, later, my younger brother. It was truly a shared joy to be immersed in that world, for a book to give us a new connection to one another.

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Hooked by Asako Yuzuki review – follow-up to global hit Butter

A Tokyo high-flyer tries to befriend her favourite blogger in a novel that wears its aura of black comedy lightly, and its political statements more heavily

Asako Yuzuki’s international bestseller Butter was a taste sensation based on the true story of a Japanese female serial killer and gourmet chef who scammed and poisoned male victims with her culinary offerings. Attempting to get a scoop, a journalist bonds with the convicted prisoner by asking her for recipe tips, and gradually reassesses her own life and values as a result of this peculiar relationship. One review described the book as “the Martha Stewart Show meets The Silence of the Lambs”, but as well as the crime thriller/foodie mashup, a critique of capitalist society and deep-seated misogyny also emerged from the narrative. Yuzuki’s prose style, a mix of the banal and the profound, proved to be catnip for sales.

Hooked is the follow-up for English-language readers, though it was written earlier, in 2015, and like the previous novel is translated with crackling verve by Polly Barton. While a more introspective work, its high-wire plot and uneven trajectory make for a relentlessly dizzying experience. Fans of Butter might even view it as a trial run.

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Official BookTok chart set to launch in the UK

Offering a monthly Top 20 rundown, the ranking will combine retail sales data with social media engagement on TikTok

An official “BookTok” chart is set to launch later this year in the UK, offering a monthly rundown of the the most popular titles on social media platform TikTok.

The ranking will combine verified retail sales data with social media engagement to track which books are resonating most strongly with readers online.

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Strange Beach by Oluwaseun Olayiwola audiobook review – a debut that dances with passion

The dancer and author gives this collection clarity and warmth as he narrates poems about family, queer identity, hedonism and race

The first poetry collection from the Nigerian American dancer and poet Oluwaseun Olayiwola explores themes of race, family, queer identity, hedonism and the body. Strange Beach takes its title from Claudia Rankine’s poem Citizen: An American Lyric which describes “each body is a strange beach, and if you let in the excess emotion, you will recall the Atlantic Ocean breaking on our heads”. The shoreline is a recurring image in Strange Beach’s poems, a threshold where forces collide and the landscape is forever changing shape.

Olayiwola’s verse dances between the abstract and the philosophical, and there are instances when the narrative thread is discarded and meaning is hard to glean. Clarity comes with hearing it read out loud, however. Olayiwola’s narration brims with warmth and passion, allowing us to bask in imagery, atmosphere and the speaker’s rich interior world.

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Why Populists Are Winning and How to Beat Them by Liam Byrne review – a surprisingly original prescription

A former New Labour minister tackles the question of our times with rigour and verve – but blindspots remain

At first glance, the former New Labour minister Liam Byrne is not the ideal person to explain the rise of rightwing populism in Britain and beyond, and how it might be stopped. At the end of Gordon Brown’s government in 2010, Byrne infamously wrote a one-line letter to whoever would succeed him as chief secretary to the Treasury: “I’m afraid there is no money.” Both friendly advice and an inside joke, these words were used for years by the Tories and Lib Dems to justify their austerity policies – and were arguably one of the causes of the modern disillusionment with conventional politicians. This loss of faith, and the damage to society and public services from austerity, have fuelled populism ever since.

Byrne’s short but ambitious book is, in a sense, his attempt to make amends. Yet some of the arguments and evidence he presents, in quick, confident sentences which fit his past reputation as a clever but impatient minister, are unlikely to persuade many people that he is thinking afresh. He often cites and echoes centrist authorities such as the Tony Blair Institute and Keir Starmer’s former advisers Claire Ainsley and Deborah Mattinson, who have all long said that the way to defeat populism is to respect its supporters, however rightwing. Given that Reform UK has surged ahead in the polls, while Labour is regarded by most populist voters with contempt, this deference seems a dead end.

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Do Not Go Gentle by Kathleen Stock review – the case against euthanasia

The philosopher offers a measured and reasonable argument against assisted dying

In this admirably clear and cogent book, the philosopher Kathleen Stock sets out the case against state-sanctioned assisted dying. Her immediate objection is to the end of life bill currently before the House of Lords, but her opposition extends to the principle in general. This is a polemic, but a polite one. Stock says she hopes that by the end of it we will share her objection to the ‘‘institutionalisation of death”.

It is not a popular place to start. Polls over the past few years consistently show that around three-quarters of Britons are in favour of assisted dying for terminally ill people. But Stock has never been afraid of swimming upstream. In 2021, she resigned from the University of Sussex following protests by some staff and students over her views, set out in the book Material Girls, that sex is binary and immutable and that this, rather than gender identity, should be the basis of laws to protect women.

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Kids, Wait Till You Hear This! by Liza Minnelli review – a heady brew of gossip, glamour and defiance

Lady Gaga and David Gest are among those who get ferocious dressings-down in this brutally candid memoir

Liza Minnelli’s father, the film director Vincente Minnelli, used to joke that his daughter’s career in show business was preordained. She was certainly familiar with the dark side of the industry from a young age through her mother Judy Garland, who was on the MGM payroll aged 13, before shooting to fame as Dorothy in The Wizard of Oz. Garland was famously depressive and addicted to prescription drugs and alcohol. When her daughter was six, she shut herself in the bathroom and made the first of many suicide attempts. Minnelli soon learned to monitor her mother and hide her pill bottles when she saw darkness descending. By 13, she was “my mother’s caretaker – a nurse, a doctor, pharmacologist and psychiatrist rolled into one … Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine.”

In her memoir, Minnelli – who turns 80 this month – recounts how she broke free from her dysfunctional family at 16 and moved to New York to make it as a singer and actor. Little surprise, given her parentage, that her ascent was swift. “I was the original nepo baby,” she observes, gleefully. But if show business was in her DNA, so was addiction. In her 20s she became hooked on Valium, diet pills, cocaine and alcohol. Later, as her career faltered and her private life imploded, her sister Lorna staged an intervention and got her into the first of many rehab programmes.

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Look What You Made Me Do by John Lanchester review – a battle between millennials and boomers

There are sharply observed pleasures to be found in this black comedy of infidelity, revenge and intergenerational tension – but the plot is both implausible and predictable

John Lanchester has distinguished between his nonfiction and his novels as the line between “things happening in the world” and “the things that won’t leave you alone”. Over the last decade and a half that gap appears to have narrowed. His 2012 bestseller, Capital, used the global economic crisis (explained with characteristic verve and lucidity in the nonfiction Whoops!) to lend a sharply moral edge to a sprawling Dickensian story about the London property bubble, told through the class cross-section of a newly affluent south London street. His 2019 follow-up, The Wall, was a dystopian near-future tale in which rising sea levels have exacted a catastrophic toll: a heavily guarded sea wall encircles a Britain determined to fortify its vanishing coastline and keep out the refugees desperately seeking asylum. In 2019, global sea levels reached a record high.

Lanchester’s satirical chops are on full display in his latest, Look What You Made Me Do, but this time his focus is more personal than political. Set in a recognisably professional – for which read excruciatingly smug – north London peopled by architects and agents, Lanchester’s sixth novel is billed by its publishers as a black comedy.

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Quiz books are the answer to falling non-fiction sales, data shows

2025 was the best year for quiz book sales since records began in 1998; while Bibles also proved popular

If the question is which genre bucked the prevailing trend in publishing to record a remarkable rise in readership last year, the answer is clear: quiz books.

Spending on the titles increased by nearly a quarter in 2025, data from NielsenIQ BookData suggests. It was the best year for quiz books since records began in 1998, according to the company, which manages the ISBN and SAN agencies for the UK and Ireland.

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