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How to Save the Internet by Nick Clegg review – spinning Silicon Valley

Instead of recognising that social media harms mental health and democracy, the former deputy PM and Meta executive repeats company talking points

Nick Clegg chooses difficult jobs. He was the UK’s deputy prime minister from 2010 to 2015, a position from which he was surely pulled in multiple directions as he attempted to bridge the divide between David Cameron’s Conservatives and his own Liberal Democrats. A few years later he chose another challenging role, serving as Meta’s vice-president and then president of global affairs from 2018 until January 2025, where he was responsible for bridging the very different worlds of Silicon Valley and Washington DC (as well as other governments). How to Save the Internet is Clegg’s report on how he handled that Herculean task, along with his ideas for how to make the relationships between tech companies and regulators more cooperative and effective in the future.

The main threat that Clegg addresses in the book is not one caused by the internet; it is the threat to the internet from those who would regulate it. As he puts it: “The real purpose of this book is not to defend myself or Meta or big tech. It is to raise the alarm about what I believe are the truly profound stakes for the future of the internet and for who gets to benefit from these revolutionary new technologies.”

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The Loneliness of Sonia and Sunny by Kiran Desai review – a dazzling epic

Longlisted for the Booker, this capacious story of love, work and family set between India and the US is both dizzyingly vast and insistently miniature

On a trip to see his grandparents in the Indian city of Allahabad, journalist Sunny Bhatia flicks through the morning papers, and is immediately at sea: what can the convoluted sentences before him – “TTIM files complaint against MSL at JM Rastra. MP(LTTK) holds GL Mukti strike to blame for Vasudev debacle. BORS reverberates in KLM(U) case” – possibly mean? His bewilderment at an India he cannot decode is, equally problematically, mirrored by the incomprehension he experiences in New York, where he occupies a junior role at the Associated Press.

Fortunately, there are other more readily accessible stories: a woman sold at a cattle fair in Rajasthan, and a retired railway clerk in Mysore who has grown his fingernails so long that they reach across the room and oblige his family to attend to his every physical need. They do not mind, the clerk tells Sunny when he interviews him over the phone, because they understand his determination to do something that nobody else has done: “The point is not about having longer fingernails than anyone; what is important is that I am firing up the younger generation to be ambitious. If I can do it, I tell them, I who used to have no discipline, then you can also reach your dream of fame.”

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Between the Waves by Tom McTague review – the long view on Brexit

An ambitious history of Britain’s volatile relationship with Europe, culminating in the 2016 referendum

Next year marks a decade since Britain voted to leave the EU. A whole 10 years of turmoil, and still the country can’t seem to agree exactly why it happened or what should happen next, with both leavers and remainers increasingly united in frustration about what the referendum has delivered. How did we end up here?

In Between the Waves, New Statesman editor Tom McTague makes an ambitious attempt to answer that question by zooming out and putting Brexit in its broader historical context. The result is a great big entertaining sweep of a book, tracing the roots of Britain’s ambiguous relationship with its neighbours back to the end of the second world war, and will be joyfully inhaled by any reader who loves the kind of podcasts that invariably feature two men talking to each other. It charts the path from a time when membership was seen as an antidote to British decline – the chance for “a nation that lost an empire to gain a continent”, as the Sun put it in 1975 – to a time when it was singled out as the cause of it.

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Bunny author Mona Awad: ‘I’m a dark-minded soul’

The author’s blackly comic breakout novel won her awards and tattooed superfans. As she releases a follow-up, she talks about growing up as an outsider – and the best advice she received from Margaret Atwood

Mona Awad was trying on a forest-green, deer-patterned dress when she realised that the psychotically twee characters from her 2019 novel, Bunny, had burrowed back into her psyche.

“I looked in the mirror and thought: This isn’t a dress for me, this is a dress for Cupcake,” she says, referencing one of the antagonists from her breakout book. “I started thinking about her, and the other bunnies,” says the Canadian author, “and I was like: I have to go back.”

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From a new Thomas Pynchon novel to a memoir by Margaret Atwood: the biggest books of the autumn

Essays from Zadie Smith; Wiki founder Jimmy Wales on how to save the internet; a future-set novel by Ian McEwan; a new case for the Slow Horses - plus memoirs from Kamala Harris and Paul McCartney… all among this season’s highlights

Helm by Sarah Hall
Faber, out now
Hall is best known for her glittering short stories: this is the novel she’s been working on for two decades. Set in Cumbria’s Eden valley, it tells the story of the Helm – the only wind in the UK to be given a name – from its creation at the dawn of time up to the current degradation of the climate. It’s a huge, millennia-spanning achievement, spotlighting characters from neolithic shamans to Victorian meteorologists to present-day pilots.

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Slow Horses author Mick Herron: ‘I love doing things that are against the rules’

As the hit thriller returns to our screens, its creator talks about false starts, surprise inspirations – and why he never looks inside Jackson Lamb’s head

It is hard to imagine anyone less like the slovenly, has-been MI5 agent Jackson Lamb than his creator, Mick Herron. “He must come deep out of my subconscious,” the 62-year-old thriller writer jokes, sipping mineral water at a rooftop bar in his home city of Oxford, a world away from London’s Aldersgate where his bestselling Slough House series is set. In a “blue shirt, white tee” (fans will get the reference), he is softly spoken with a hint of a Geordie accent. Herron is often described as the heir to John le Carré and “the best spy novelist of his generation”, according to the New Yorker. Unlike le Carré, he’s not, and never has been, a spy. Mysteriously, though, Wikipedia has given him “an entirely fictitious” birthday. “I got cards. I got a cake,” he says.

For the uninitiated, the novels and award-winning TV series follow a bunch of misfit spooks exiled to Slough House from MI5 for various mishaps and misdemeanours, so far away from the shiny HQ in Regent’s Park that it may as well be in Slough. The joke is that these hapless underdogs (nicknamed “slow horses”), under the grubby reins of Lamb, always triumph over the slicker agents and “the Dogs” at the Park.

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Domination by Alice Roberts review – a brilliant but cynical history of Christianity

The humanist historian brings objects to life beautifully, but falters when it comes to people and their beliefs

Domination tells the story of how a tiny local cult became one of the greatest cultural and political forces in history. Alice Roberts puts the case that the Roman empire lived on in a different form in the church.

It is not an original idea – after all the foundation prayer of Christianity says “thy Kingdom come” – but Roberts tells the story from the point of view of individual parishes and even buildings. It’s a revelation, like watching those stop-motion films of how a plant grows and blooms. There’s a section about how a Roman villa might transform into a parish, the long barn providing the footprint, the web of relationships providing the social connection, the very tiles and columns providing the building materials. I can’t think of anyone who writes better about the way objects can speak to us. There’s a passage here describing her joy on grasping what it means that an ordinary-looking clay lamp found in Carlisle is purple on the inside; there’s a beautiful afterword about the history of bells.

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Three Days in June by Anne Tyler audiobook review – a masterclass in marital disharmony

A mother reflects on the breakdown of her marriage as she attends her daughter’s wedding, in a novella that brilliantly depicts family dynamics

At the start of Three Days in June, Gail Baines, a 61-year-old teacher, has a meeting with her school head, who informs her she is about to retire. Gail assumes she is next in line for the job, but the head tells her she doesn’t have the people skills and asks if she has considered retirement herself. Affronted, she walks out of the school and from her job without collecting the photo on her desk of her daughter, Debbie, who is about to get married. After Gail gets home, her ex-husband, Max, arrives. He is staying with her for the wedding weekend and tells her he has forgotten to bring a suit – although he has brought a cat. Not for the first time, Gail wonders “why it was that I had so many irritating people in my life”.

Set in Baltimore, Anne Tyler’s novella spans the before, during and after of Debbie’s wedding. Told through Gail’s eyes, the plot is deliberately slim as it explores subtle family dynamics and the mundanity of everyday life. Thus, we accompany Gail as she collects her outfit from the dry cleaners and visits a hair stylist with whom she declines to make small talk. J Smith Cameron, best known for her role as Gerri in Succession, is the narrator, and adeptly captures Gail’s social awkwardness that, unbeknown to her, can come over as chilly and detached. As she ponders the breakdown of her marriage to Max, we see that the headteacher had a point. Although we root for Gail and her future happiness, it is clear her people skills need work.

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Buckeye by Patrick Ryan review – behind the American dream

This luminous and tender 20th-century saga of wounded souls and small-town secrets has a deep melancholy

I am not the kind of reader who naturally gravitates toward slice-of-life Americana. I’m an enthusiast for the sort of American fiction where cowboys make dolent pronouncements while staring into fires, sure – but less the kind where people are generally nice, and go to places called things like “Fink’s Drugstore” to drink “root beer floats”.

So when Buckeye – the new novel from American author Patrick Ryan, whose collections of short fiction have garnered comparisons to William Faulkner and JD Salinger – clunked obstreperously on to my doorstep, I thought “you’ve got to respect a 440-pager”, and somewhat reluctantly pulled my little socks up for some Norman Rockwell-type business. And you know what? I now think slice-of-life Americana is good, actually.

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