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Transcendence for Beginners by Clare Carlisle review – a philosopher’s guide to enlightenment

Can we experience something bigger than ourselves in the midst of busy, humdrum lives?

Some philosophers find inspiration in mountains, such as Nietzsche, and some in caves, like Plato. Clare Carlisle found hers in a cave halfway up a mountain.

It happened 20 years ago: walking on a Himalayan path, she met a holy man who lived in a cave nearby. Not your stereotypical sadhu, he didn’t have matted hair and wasn’t semi-naked but wore nice trousers and an acrylic pullover. Nor did he have any obvious wisdom to impart; at the last of their three meetings, he and Carlisle mainly got stoned and giggled about the chicken-like patterns on a cushion she had brought him as a gift. Yet, after leaving, she felt a “yearning” for something that they had shared: a sense that there could be a more “noble” way of living, or that we could experience “transcendence”, a higher perspective on life.

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Gunk by Saba Sams audiobook review – messy nights and motherhood

The first novel from the Send Nudes author moves from a Brighton club to baby feeding

Gunk opens with new divorcee Jules sitting at home cradling a baby who is 24 hours and 17 minutes old, feeding him colostrum from a syringe. After being fed, the baby cries, which Jules interprets as a howl of rejection: “He has no language to tell me I’m not right for him.” We learn that Jules isn’t the child’s biological parent; the birth mother is Nim who, shortly after being stitched up, left the hospital ward and seemingly vanished. Concerned for her wellbeing, the hospital called the police who questioned Jules. “Nim has run away before,” she told them. “And she’s good at hiding.”

Set in Brighton, this is Saba Sams’s first novel, the follow-up to her much-admired short story collection Send Nudes. Where that book examined the lives of girls coming of age, Gunk has an older heroine in Jules, who is desperate to have a child. Her alcoholic ex-husband, Leon, who ran a student nightclub and with whom she tried and failed to conceive, cheated on her multiple times with his young staff. When one of the bartenders he slept with, Nim, discovered she was pregnant, she and Jules came to an arrangement and moved in together.

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Seascraper by Benjamin Wood review – a story that sings on the page

A young shrimp fisher’s horizons are broadened by the arrival of a stranger in this atmospheric Booker-listed tale

You don’t think you need a novella about a folk-singing shrimp fisher living with his mother on a fictional stretch of isolated coast until you read Benjamin Wood’s Booker-longlisted fifth novel, Seascraper. Wood conjures wonders from this unlikely material in a tale so richly atmospheric you can almost taste the tang of brine and inhale the sea fog.

As unexpected as his previous four books – which range from a campus intrigue (The Bellwether Revivals) to a sensitive study of a Glaswegian painter (The Ecliptic) – Seascraper follows the daily trials of Tom Flett, a “shanker” who scrapes the sand for its yield at low tide with his trusty horse and wagon, risking his life in a job that is simultaneously boring and dangerous. Tom is clearly in the Hardyesque tradition of unworldly young men who tend the land or work with their hands (Gabriel Oak, Jude Fawley), and it’s this that alerts us to his vulnerability to charmers and chancers.

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A Truce That Is Not Peace by Miriam Toews review – a memoir of great scope and intimacy

A meditation on loss, literature and the unspoken, from one of Canada’s most admired writers

Asking himself “Why I write”, George Orwell gave four reasons: aesthetic enthusiasm, historical impulse, political purpose and sheer egoism. Asked the same question ahead of a literary conference in Mexico City, Miriam Toews mentions the teenage letters she sent from Europe to her sister Marjorie (Marj or M as she calls her) as the reason she became a writer. Sorry, that won’t do for an answer, she’s told. Try again.

In a frenetic household set-up in Toronto, keeping an eye on her mother one moment, entertaining her grandchildren the next and warding off angry neighbours in between, she struggles to get her act together and makes a to-do list: “Wind Museum. Deranged skunk. North-west quadrant with ex. Conversación in Mexico City.” The skunk has distemper and keeps getting trapped in the window well. The Wind Museum is the collection she’d love to create, commemorating winds from all over the world (Harmattan, Calima, Mistral, Sirocco etc), if she can find a way to exhibit them. The ex is the father of her second child, who despite years of separation is still taking the royalties on her work – it’s time to meet him and end that arrangement.

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False War by Carlos Manuel Álvarez review – a new vision of migration

A novel of interlocking stories captures the ordinary lives and interior worlds of Cuban exiles seeking sanctuary in Miami

Carlos Manuel Álvarez’s second novel is a hugely rewarding, polyphonic narrative of migration from Cuba. Through its characters’ rich and eccentric interior worlds, it gives articulation to people whose lives are often reduced to stereotypes and offers a new vision of migration.

False War is comprised mostly of 13 interconnected storylines, which alternate irregularly in short episodes. The stories have different timelines and vary significantly in their portrayals of an array of characters, many from Havana, “a city of many stray sadnesses”.

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Everything We Do Is Music by Elizabeth Alker review – how the classics shaped pop

From Stravinsky to Donna Summer, the story of connections that enriched music – in both directions

One of many things I did not expect to learn in this book is that the BBC benefited from Nazi technology. Its standard tape recorder, in use till the 1970s, was called the BTR-2: EMI’s original model, the BTR-1, had been copied from a captured example of the German “magnetophon”, as used by Hitler to record a radio broadcast.

Musicians who liked fiddling with machines, too, benefited from this legacy. Delia Derbyshire, the BBC Radiophonic Workshop pioneer who produced the original Doctor Who theme tune and otherwise particularly enjoyed playing an enamel green lampshade, influenced Paul McCartney’s experiments with tape loops, while Steve Reich hit upon his compositional technique of “phasing” phrases in and out of sync with one another on tape recorders, before training live musicians to do the same.

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Good and Evil and Other Stories by Samanta Schweblin review – grasping the essence of horror

The Argentinian writer maps a journey through fear, healing and the terrifying permeability of our boundaries

Horror, in essence, is about porousness. Our terrors take varied forms but horror probes their single, existential source: the terrifying permeability of our boundaries. If spirits can swim back from the world of the dead, if the living body can degrade to the point where it becomes malleable or parasitically possessed, what hope can there be for our fantasy of security and selfhood?

Argentinian writer Samanta Schweblin’s most recent collection of stories, her third in English, may not be categorisable as “horror” in the traditional sense, but it shares with the genre its spiritual core. In Schweblin’s vision, the barriers that separate one thing from another – the wanted from the unwanted, the environmental from the bodily, the unthreatening from the violent and chaotic – are so porous as to be nonexistent. True horror, she reminds us, is neither otherworldly or supernatural, it is simply the acknowledgment of life’s fundamental conditions.

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The best recent translated fiction – review roundup

Discontent by Beatriz Serrano; Hunter by Shuang Xuetao; Blurred by Iris Wolff; Cooking in the Wrong Century by Teresa Präauer

Discontent by Beatriz Serrano, translated by Mara Faye Lethem (Harvill Secker, £14.99)
Ambivalence towards working life is the subject of this tremendously entertaining debut novel. “I only come into the office to lower my air-conditioning bill,” says 32-year-old Marisa. She’s “head of creative strategy” in a Madrid ad agency. “That’s a big deal,” says a friend. “No,” Marisa replies, “it just sounds like one.” She kills time between projects by posting trolling comments on dismal YouTube videos. Eventually she faces the worst horror of all: a team-building retreat, which she ends up dealing with in a masterfully perverse way. There’s pain underlying her quips (“No one knows who I really am”), but her story is peppered with pithy insights into the modern workplace, and plenty of vivid characters, such as the friend who’s “had work done”. “I’m filled with plastic,” she tells Marisa. “I’m the Atlantic Ocean.”

Hunter by Shuang Xuetao, translated by Jeremy Tiang (Granta, £12.99)
Set largely in the Chinese cities of Beijing and Shenyang, these diverse stories share a blend of urban grittiness and surreal strangeness. In one, a man accompanies his father in an ambulance to hospital, but finds everyone else – including the driver – is asleep. In another, a man goes from stalking women to shooting squirrels; elsewhere, we encounter a remake of The Tempest, and a man who claims to be the last survivor from another planet. Motifs recur – actors, parents, people needing urgently to pee – bringing a sense of unity, however warped. The frequent surprises in these stories, which are darkly charming and hard to shake off, suggest Xuetao may have followed the advice of one of his own characters on writing: “Just sit there, smack your head and let the words flow out.”

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Love’s Labour by Stephen Grosz review – the truth about relationships

In a series of revelatory case studies, a psychoanalyst lays bare the messy reality of romantic love

A maths lecturer, convinced his wife is cheating, will not check the CCTV footage that might confirm his fears but instead keeps a private tally of the number of pubic hairs she sheds in her underwear. One hair is “OK, acceptable”, more is evidence that she has been “having it off”, he says, unaware that he uses these delusions of her infidelity to protect himself from the dangers of intimacy. A high-flying Fulbright scholar becomes a sex worker to avenge the father she hates. An ex-nun discovers that her decades of religious seclusion were driven by an unconscious fear of pregnancy. A troubled young woman, seeking redress for her psychological losses, steals large sums of money that she will never spend.

In Love’s Labour, the London-based, American-born psychoanalyst Stephen Grosz offers an antidote to the pat, sanitised love stories we absorb through romcoms, reality TV shows and other popular culture. Often, he writes, “easy stories obscure the hard ones”, and the hard ones are most true. “I like older guys”, the kleptomaniac tells him, an explanation that conceals: “I want a man to be the mother I never had.” In Grosz’s telling, psychoanalysis resembles a painstaking, collaborative act of excavation, removing layers of self-deception and motivated reasoning to discover the conflicting fears and desires that lie beneath.

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Don’t like joining in? Why it could be your superpower

Some people spend their lives feeling out of place in groups – but it comes with unique opportunities

‘I can’t explain it. He is a sweetheart. A beautiful boy inside and out, and so brilliant.” This was how a session with N, a longtime patient of mine, began some years ago. Her son, A, was a young teenager, and in spite of coming from a warm, loving family with attentive parents, he had started having social  difficulties.

He wasn’t being bullied or left out at school. He wasn’t depressed, moody or anxious. In fact, he was popular, well liked and constantly being invited to parties, to basketball games, and to hang out with groups of young people. The problem was, he turned all these invitations down, and N couldn’t understand why.

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