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£15,000 prize launched for writers from refugee and migrant backgrounds

The Footnote x Counterpoints prize is intended to uncover new literary voices whose work reflects the experiences of migration

Footnote Press and Counterpoints Arts have announced a new fiction award celebrating writers from refugee and migrant backgrounds, offering a £15,000 prize and a publishing deal for the winner.

The Footnote x Counterpoints prize for fiction, launching on Thursday, marks the second time the two organisations have collaborated on a prize. In 2023, writers were invited to submit narrative nonfiction, but now the prize will focus on fiction for the first time.

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The Artist by Lucy Steeds wins Waterstones book of the year

The debut novel took the top prize while The Café at the Edge of the Woods by Mikey Please was named children’s book of the year

The Artist by Lucy Steeds has been named this year’s Waterstones book of the year.

The novel, which is set in 1920s Provence and blends mystery with a love story, also took home the Waterstones debut fiction prize earlier this year, and was longlisted for the Women’s prize for fiction.

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Slow Poison by Mahmood Mamdani review – can you really rehabilitate Idi Amin?

The anthropologist and father of New York’s mayor-elect offers a revisionist view of modern Ugandan history

Children of Ugandan Indians are having a bit of a moment. Electropop boasts Charlie XCX; statecraft, the Patels: Priti the shadow foreign secretary, Kash the FBI boss. And while the ones who go into politics have tended to be conservative, we now have a counterexample in Zohran Mamdani, the democratic socialist who clinched the New York mayoralty at the beginning of this month.

The anomaly is best explained by the politics of his father, Mahmood Mamdani. The apple, it seems, did not roll especially far down the postcolonial hillside. Mahmood, professor of government and anthropology at Columbia University, has long styled himself as the left’s answer to VS Naipaul. Where the Nobel-winning curmudgeon surveyed postcolonial Africa with disdain, revelling in the wreckage of independence, Mamdani presents a more forgiving view: pathos instead of pity, paradox instead of despair. If independence didn’t live up to the promise, he argues, it was because the colonised had been dealt a losing hand.

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The School of Night by Karl Ove Knausgård review – can this sprawling epic deliver on its promise?

In the fourth volume of the occult Morning Star cycle, a Faustian pact haunts a misanthropic artist who finds miraculous success

Karl Ove Knausgård’s Morning Star cycle may turn out to be even larger in scope than his six-volume autofictional bestseller, My Struggle. Four books deep, this gargantuan work of supernatural existentialism is an unsettling account of the occult phenomena that attend the appearance in the sky of a bright new star. Mysteries from the first three volumes include: who killed the musicians in the forest? What’s going on with the local wildlife? Why does no one seem to be dying any more? By the end of The School of Night, the most burning question may sound comparatively mundane: who is Kristian Hadeland?

Scattered references appeared in the saga’s first 2,000 pages. Kristian Hadeland was the 67-year-old man buried without mourners by doubting priest Kathrine Reinhardsen in The Morning Star (2021). In The Third Realm (2024), he was the sinister chap hitching a lift with Kathrine’s husband after the unloved man she buried is supposed to have died.

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Crick: A Mind in Motion by Matthew Cobb review – the charismatic philanderer who changed science

Genius and arrogance play leading roles in a new biography of the man who helped uncover the structure of DNA

Most people could tell you that Francis Crick, together with James Watson, discovered the double helix structure of DNA, and shaped our understanding of how genes work. Fewer know that Crick also played a key role in modern neuroscience and inspired our continuing efforts to understand the biological basis of consciousness.

Crick once said the two questions that interested him most were “the borderline between the living and the non-living, and the workings of the brain”, questions that were usually discussed in religious or mystical terms but that he believed could be answered by science. In his new biography of the Nobel prize-winning scientist, Matthew Cobb, emeritus professor of zoology at the University of Manchester, does an admirable job of capturing the rare thinker who not only set himself such ambitious goals but made remarkable progress in achieving them, radically remaking two scientific disciplines in the process.

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Ncuti Gatwa leads star winners at first Speakies awards for audio storytelling

The actor won best performance for BBC drama Gatsby in Harlem at the inaugural British Audio awards, while Nicola Coughlan’s narration of Juno Dawson’s Queen B clinched best sci-fi audiobook

Audiobooks narrated by Ncuti Gatwa, Nicola Coughlan and David Tennant were among those recognised at the inaugural British Audio awards, the “Speakies”.

Gatwa’s performance in the lead role of Gatsby in Harlem helped it emerge as one of Monday evening’s biggest winners: it took three major prizes including audio of the year. The reimagining of Fitzgerald’s The Great Gatsby also won best audio drama adaptation, while Gatwa took home the best performance award for what organisers described as his “remarkable poise and flair” in capturing Gatsby’s character.

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Holbein: Renaissance Master by Elizabeth Goldring review – a magnificent portrait of the artist

The first scholarly biography in more than 100 years of the man who immortalised the Tudor court does not disappoint

Much of what we know, or think we know, about the court of Henry VIII comes directly from the paintings of Hans Holbein. There’s the famous portrait of the king himself – puffy, phallic and cruel, looking more like a murderer than a monarch. But there is also ascetic Thomas More, hiding his cruel streak behind fine bones, and sly yet thuggish Thomas Cromwell, with those shifty eyes and the beginnings of a double chin. “Hans the Painter” did the wives too – an appropriately sketchy drawing of Anne Boleyn, a saintly portrait of Jane Seymour who died after giving birth to Henry’s heir, and a pin-up version of Anne of Cleves.

It was this last portrait that caused an international incident in 1539 when Holbein was sent by Henry to the Low Countries to check whether Anne was pretty enough to be his next wife. Based on Holbein’s portrait, Henry committed to the marriage in absentia, only to be horrified when the actual Anne arrived on the Kentish coast, looking “nothing so fair as she hath been reported”. The union lasted six months.

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Has Britain become an economic colony?

The UK could’ve been a true tech leader – but it has cheerfully submitted to US dominance in a way that may cost it dear

Two and a half centuries ago, the American colonies launched a violent protest against British rule, triggered by parliament’s imposition of a monopoly on the sale of tea and the antics of a vainglorious king. Today, the tables have turned: it is Great Britain that finds itself at the mercy of major US tech firms – so huge and dominant that they constitute monopolies in their fields – as well as the whims of an erratic president. Yet, to the outside observer, Britain seems curiously at ease with this arrangement – at times even eager to subsidise its own economic dependence. Britain is hardly alone in submitting to the power of American firms, but it offers a clear case study in why nations need to develop a coordinated response to the rise of these hegemonic companies.

The current age of American tech monopoly began in the 2000s, when the UK, like many other countries, became almost entirely dependent on a small number of US platforms – Google, Facebook, Amazon and a handful of others. It was a time of optimism about the internet as a democratising force, characterised by the belief that these platforms would make everyone rich. The dream of the 1990s – naive but appealing – was that anyone with a hobby or talent could go online and make a living from it.

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‘He was just trying to earn a few kopecks’: how newly translated stories reveal Chekhov’s silly side

With daft jokes and experimental wordplay, the first comprehensive translations of his lesser-known stories show Anton Chekhov in a new light

Few writers are as universally admired as Chekhov. As Booker winner George Saunders puts it, “Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.” Novelists from Ann Patchett to Zadie Smith cite him as an inspiration. His plays The Seagull, Three Sisters, Uncle Vanya and The Cherry Orchard still pack out theatres internationally. In the past year alone, Andrew Scott wowed audiences in his one-man Vanya for London’s National Theatre and Cate Blanchett took on the role of Arkadina in The Seagull at the Barbican. But how much did you know about his silly side?

Anton Chekhov: Earliest Stories offers the first comprehensive translation in English of the stories, novellas and humoresques that the Russian author wrote in the early 1880s. And it is supremely juvenile in the best way. The reason many of these stories are now appearing in translation for the first time is because, explains editor Rosamund Bartlett, they have never been regarded by commercial publishers as “worthy” of Chekhov’s reputation. They are too childishly comical. During the translation process, she says, “we would just collapse in fits of giggles”.

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