Category Sách & Tri thức

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Venetian Vespers by John Banville review – a haunting honeymoon

This brooding tale of an Englishman’s downfall in fin-de-siècle Venice is memorably eerie – but it’s hard to care about such a pompous protagonist

Many years ago, a sober-minded friend warned me off going to Venice for the first time with my then partner. He muttered ominous things about the Venice wobble and the Venice curse. I went anyway and I have to say he had a point. It was autumn and there was something deeply uncanny about the city: fog-bound canals, labyrinthine alleyways, a general sense of decay. If my minibreak had belonged to a literary genre, it wouldn’t have been romance so much as cosmic horror.

Fiction, of course, should have prepared me. Couples have been coming unstuck in Venice since Othello and Desdemona. There are the Baxters in Daphne du Maurier’s short story Don’t Look Now, the basis for Nicolas Roeg’s unforgettably creepy film; Mary and Colin in The Comfort of Strangers by Ian McEwan – the city’s not named in the novel, but it’s clearly the setting. And while the love affair in Thomas Mann’s Death in Venice exists only in Von Aschenbach’s mind, the city is still his undoing. To Von Aschenbach and the others, we can now add the name of the unfortunate Evelyn Dolman, the protagonist of John Banville’s new novel, Venetian Vespers. Evelyn is a hack writer from England who has recently married an American heiress called Laura Rensselaer. Their plans to honeymoon in Venice have been delayed by the unexpected death of Laura’s father, the industrialist T Willard Rensselaer. In the wintry early months of 1900, they finally arrive and take up residence in the sinister Palazzo Dioscuri, a stone’s throw from St Mark’s. Dioscuri means the Twins – Castor and Pollux – and it will be a pair of twins who set in motion Evelyn’s inexorable but unforeseeable downfall.

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Slow Horses author Mick Herron says he knows how Jackson Lamb dies

The writer knows ‘how, why, when and where’ Gary Oldman’s cantankerous intelligence officer meets his end – a fate he figured out ‘relatively recently’

Slow Horses author Mick Herron has revealed that he knows how Jackson Lamb dies.

The irascible, unkempt cold war-era spy heads up Slough House, the crumbling office for failed MI5 agents at the centre of Herron’s bestselling series.

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On Antisemitism: A Word in History by Mark Mazower review – the politics of prejudice

This nuanced analysis of what ‘antisemitism’ means explores the evolution of anti-Jewish discrimination, and how it became a driver for political activism

Adolf Hitler’s defeat didn’t end prejudice against Jews in Germany or any other country. But the Third Reich did, in Mark Mazower’s judgment, “discredit antisemitism as a positive programme for decades to come”.

It is an arresting turn of phrase that makes reckoning with the Holocaust after the second world war sound more like a trend in public policy than a moral imperative. But that is the point. Mazower, a professor of history at Columbia University, is talking about a particular manifestation of anti-Jewish sentiment that rose and fell in a relatively short time frame.

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As a Booker prize judge I helped whittle 153 books down to a shortlist of six. Here’s why you should read them | Chris Power

Ben Markovits, David Szalay, Kiran Desai, Andrew Miller, Susan Choi and Katie Kitamura’s books will all take you on enthralling journeys

The Booker prize is both a serious and celebratory undertaking. It should be, anyway, for those who care about literature, and I’ve certainly found it to be so since I began reading this year’s submissions on a stormy Devon beach on New Year’s Eve (fun, but subsequently I relied on the books, not ambient conditions, to provide the drama).

Now the shortlist is decided, I and my fellow judges – our chair, Roddy Doyle, who won the prize in 1993, the novelists Ayòbámi Adébáyò and Kiley Reid (both previous longlistees), and the actor, producer and publisher Sarah Jessica Parker – struggle to believe 153 books have become just six, and that our monthly meetings to discuss form, content and font size are at an end.

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‘Brilliantly human’: Kiran Desai and David Szalay make Booker prize shortlist

No debut novels are among the six finalists, with established authors including Ben Markovits and previously shortlisted Andrew Miller in the running

No debuts appear on this year’s Booker prize shortlist, which is dominated by established authors including previous winner Kiran Desai and previously shortlisted writers David Szalay and Andrew Miller.

Ben Markovits, Susan Choi and Katie Kitamura are also on the list, which was announced at an event at the Southbank Centre in central London on Tuesday evening.

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Review: The Primal of Blood and Bone by Jennifer L. Armentrout- Spoilers

The Primal of Blood and Bone by Jennifer L. Armentrout kicks the door open right where we left off—with Casteel and Kieran waiting (and panicking) for Poppy to wake from her Ascension. But something is cooking..? Let’s find out.. ✨Join 250+ readers getting Power-packed book reviews, release updates, and bookish news—every week. ✨ 🚫 No […]

Will There Ever Be Another You by Patricia Lockwood review – long Covid from the inside

The cult author’s autofictional follow-up to No One Is Talking About This is the story of a breakdown

It sounds like the setup to a joke: a viral author and a global virus walk into a novel. The punchline is long Covid, an illness that defies narrative – dissolves it. Patricia Lockwood’s new autofiction, Will There Ever Be Another You, is the product of that cruel dissolution. “I wrote it insane, and edited it sane,” she explained in a recent interview. The madness is the method. But must you know the mind before you can know the madness?

Lockwood is the literary Frankenchild of Dorothy Parker and Flannery O’Connor: a heretical wit fused with gothic strangeness, vintage quippery rewired for the digital age. She’s the kind of writer who inspires parasocial devotion and copycat haircuts. Even her cats are internet-famous. The sacred text of Lockwood lore is Priestdaddy, her glorious 2017 memoir, which introduced readers to the American author’s trouser-resistant father, an ordained Catholic priest who blew his daughter’s college fund on a vintage guitar.

“What are you working on?” people kept asking me. Little stories, I would evade, and leave it at that, because if to write about being ill was self-indulgent, what followed was that the most self-indulgent thing of all was to be ill. But I was determined to do it. I was going to write a masterpiece about being confused.

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‘A resistance to AI’: The author inviting readers to contribute to a mass memoir

Richard Beard says he’s got ‘better at telling the truth’ by arranging his life story on a grid – and invites others to do the same

Richard Beard, award-winning author of The Day That Went Missing and Sad Little Men, thought he was writing his next book, a whole life memoir. In the event, he has written his way off the page and into an entirely new publishing model. The Universal Turing Machine is the title both of Beard’s memoir and the mass memoir project he hopes others will help him to build.

Organised as a chessboard, each of the 64 squares narrates one year of Beard’s life, in 1,000 words per year. (He’s 58, so the last five years are fictionalised.) The reader moves around the “board” as if they were a knight, picking the next year to read from options limited by the knight’s L-shaped ambulation.

Contributions to The Universal Turing Machine can be made at universalturingmachine.co.uk

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107 Days by Kamala Harris review – no closure, no hope

The former presidential candidate sticks to the script in a memoir that will only cause further bad blood

Almost a year after the 2024 election there are still some houses with “Harris” signs in their windows dotted around my liberal Philadelphia neighbourhood. The result left many people in a state of shock and denial, unable to process exactly what went wrong.

No one was more shocked than Kamala Harris, whose inner circle had been confident on election night that they’d eked out a win during the whirlwind campaign. Cupcakes with “Madam President” toppings were ready to go; champagne on ice. “It says a lot about how traumatized we both were by what happened that night that [my husband] Doug and I never discussed it with each other until I sat down to write this book,” Harris reveals in her new memoir, which functions as a political postmortem.

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