Category Fiction

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Smallie by Eden McKenzie-Goddard review – the stories behind the Windrush scandal

In this warm and tender debut, the family of Barbados-born Lucinda must try to document her decades in Britain after the Home Office threatens her with deportation

There is a particular kind of British cruelty that thrives on politeness. The 2018 Windrush scandal exposed this in full: rather than chaos or spectacle, it revealed a machinery of clinical decisions that stripped Black and brown people of their belonging with bureaucratic precision. It is now part of our national story, often spoken of in the abstract or invoked as a cautionary tale. But what can be obscured, in this telling, is the texture of the harm, the way complicated lives were reduced to paperwork.

Smallie, Eden McKenzie-Goddard’s tender debut, insists on restoring the humanity of those Windrush-generation immigrants who were erased by official language. The story begins decades before, in 1961, when 19-year-old Lucinda Brown leaves Barbados for England, in search of Clarence Braithwaite, the jazz musician who fathered her child (who stays in the care of her family) and then disappeared into the promises of Britain. On the boat crossing she meets Raldo, a magnetic Trinidadian – “the type of man women slap each other to point out” – whose easy charm hints at a freer life.

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John of John by Douglas Stuart review – will a father and son come out to each other?

The Booker winner’s epic tale of gay love and loneliness in the Hebrides charts an uneasy homecoming against a backdrop of repression

There’s a common greeting in the Outer Hebrides: the lineage-establishing “Who do you belong to?” By the time this question is posed to 22-year-old gay Harris islander John-Calum Macleod, or Cal, in Douglas Stuart’s new novel, there is a sense that Cal is his father John’s beyond the ordinary claims of blood – the latter’s sway containing undercurrents of domineering ownership.

The book opens with the two conducting a strange ritual over the phone, performed regularly ever since Cal moved to Edinburgh to study textiles: John, a precentor, reads to Cal in Gaelic from the New Testament and has him sing back “with the full power of his belief”. The verse John recites – which prefigures the novel’s themes of repression and self-denial – urges the faithful to guide the errant and to stay vigilant against temptation. After receiving Cal’s assent, John orders him to return home, ostensibly because Cal’s maternal grandmother, Ella, is sick. Though John lives with Ella in her croft house, she is his ex-wife’s mother and thus not his responsibility.

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Review: Savages of the Bulk by Nathaniel Jungheim

Savages of the Bulk by Nathaniel Jungheim is a sci-fi novel featuring Jake, our emotional center throughout the story, along with space wars, aliens, and great worldbuilding. But what’s cookin?? Let’s find out “Red warning lights flashed across every interface on the commanddeck as the officers frantically carried out their duties. CaptainKatherine Carol had to […]

‘I don’t know what could top that’: debut author Jem Calder on being discovered by Sally Rooney

His first story collection, Reward System, was a cult hit. Now comes a novel that’s a bleakly funny appraisal of millennial relationships, technology and ennui. He talks about love, precarity and being called the ‘voice of a generation’

Jem Calder’s writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he’d submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he’d ever completed. Calder was already “a huge fan” of Rooney’s, so the whole thing was surreal, he tells me. “I can’t really imagine what could top that, to be honest.”

That story ultimately ended up in Reward System, Calder’s 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among “the most talented young writers of fiction at work today”. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. And it’s already got some famous fans: David Szalay has sung its praises, while Andrew O’Hagan says Calder is his “new favourite writer”.

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The rise of the literary nepo baby? The children of famous novelists on following in their parents’ footsteps

From Naomi Ishiguro to Jess Atwood Gibson, more children of high profile writers are becoming authors themselves. Parents and their literary offspring discuss the pressures of measuring up

Martin Amis liked to observe that the unusual position he and Kingsley Amis held – father-and-son novelists – was a historical anomaly, a “literary curiosity”. But it was not unique: Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh had all come before them.

And if Amis’s assertion wasn’t true then, it’s even less true now. In recent years, increasing numbers of children of novelists have become writers themselves, and this year sees a particularly rich batch. Kazuo Ishiguro’s daughter, Naomi, publishes the first in her new fantasy series this month. Margaret Atwood’s daughter Jess Gibson published her fiction debut this spring, and earlier this year Patrick Charnley, son of the poet and novelist Helen Dunmore, published his first novel to wide acclaim.

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Solace House by Will Maclean review – immensely fun gothic horror with a psychedelic twist

A dead poet’s cluttered mansion is the setting for a heady brew of magic, mystery and mushrooms

“Man,” says one of Will Maclean’s characters on catching sight for the first time of the titular Solace House. “Gothic always tries too hard.” Here, perhaps, is a self-deprecating wink in a novel full of them – a novel that throws the (ancient, sinister, rusted taps coughing a disquieting red-brown liquid) kitchen sink at the problem of writing a good old-fashioned piece of gothic-flavoured weird fiction.

The present of the novel – though as things proceed and what David Tennant’s Doctor Who would call “timey-wimey” stuff starts to happen, the phrase gets harder to sustain – is the summer of 1993. Alex Lane stays on alone in his university’s hall of residence after the other students take off for the holidays. He’s broke. He’s lonely. He’s a bit freaked out by a sinister pale boy who seems to be the only other student left on campus. He can’t go home because of an unspecified family trauma involving what he alludes to only as The Last Day and The Annihilator. And now he’s receiving warnings that he’s about to be kicked out and charged for overstaying.

O, uncountable span I now surpass,
Incessant grey hours, turgid.
Noble opportunity wasted. Gone, alas!
In nullity endless deserted.

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The Calamity Club by Kathryn Stockett- Review by Ashley

Is The Calamity Club worth reading? Explore the summary, review, twists, and ending of Kathryn Stockett’s powerful historical drama. Let’s see what this book has to offer.. If you like Historical fiction, and want other similar read, you can checkout The Briar Club. You know those massive bestsellers everyone seems to have read, That’s The […]

The Given World by Melissa Harrison review – a stunning tale of rural life for an era of ecological crisis

Eerie omens haunt this absorbing group portrait set over six months in an English village

Sitting stoned on a hill above his village, a young man muses on his place in the world. Connor is proud to have fenced pastures while his mates have been away at university. But it’s overwhelming to think of all their lives being equally real and urgent. Are they part of the same story or separate ones? A phrase comes to him from a book he hated at school: something about “the roar on the other side of silence”. In this fine, subtle and strange novel from one of the most probing writers of contemporary rural life, Melissa Harrison earns that nod to George Eliot, whose words she gives to an anxious and ecstatic labourer clutching a can of Fanta.

The Given World follows the inhabitants of one village in a river valley, a place “as old as anywhere”, for six months between the equinoxes of a year. The time is now, or an imminent future when the seasons seem to have “ceased their metronome”. At first, the central figure appears to be Clare, who knows each flagstone of the ancient priory that has been the centre of her life. The six months are her dying time, from diagnosis to last thoughts. But, in a way that pays tribute to the solitary Clare’s understanding of interconnectedness, the novel goes out from the priory to trace a web of lives. In the breezeblock bungalow next door, a desperate farmer tunes in at dawn to American evangelists on the radio. Like Saj the postman, we call at addresses where literary fiction rarely bothers to ring the bell.

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‘I wanted it to feel both Shakespearean and like Jay-Z’: debut author Sufiyaan Salam on masculinity, rap and meeting Stormzy

Bringing Manchester’s Curry Mile to vibrant life, the #Merky prize-winning author’s cross-genre work focuses on the lives and language of young British men. He discusses identity and inspiration

On a stretch of Manchester road known for kebabs, shisha smoke and restless energy, three young men drive towards a night that already feels like it’s slipping out of control. The premise of Wimmy Road Boyz, the debut novel by #Merky books new writers’ prize winner Sufiyaan Salam, is deceptively simple: “three boyz drive and dream of an impossible night on an endless street”. What follows is anything but.

Salam’s novel unfolds over a single evening on the Curry Mile, that dense artery of Rusholme nightlife, where a white BMW carries Immy, Khan and Haris through a series of skirmishes, side quests and emotional unravellings. It’s a book about masculinity, violence and love, but also about language – how young British men speak, perform and fail to articulate what’s really going on inside their heads.

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