Category Frank Cottrell-Boyce

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The rise of the literary nepo baby? The children of famous novelists on following in their parents’ footsteps

From Naomi Ishiguro to Jess Atwood Gibson, more children of high profile writers are becoming authors themselves. Parents and their literary offspring discuss the pressures of measuring up

Martin Amis liked to observe that the unusual position he and Kingsley Amis held – father-and-son novelists – was a historical anomaly, a “literary curiosity”. But it was not unique: Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh had all come before them.

And if Amis’s assertion wasn’t true then, it’s even less true now. In recent years, increasing numbers of children of novelists have become writers themselves, and this year sees a particularly rich batch. Kazuo Ishiguro’s daughter, Naomi, publishes the first in her new fantasy series this month. Margaret Atwood’s daughter Jess Gibson published her fiction debut this spring, and earlier this year Patrick Charnley, son of the poet and novelist Helen Dunmore, published his first novel to wide acclaim.

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The Children’s Booker prize will tell kids that they matter

As the number of children reading for pleasure hits a record low, the new award highlights its importance for wellbeing, and will give away thousands of books

At the end of the movie Ratatouille, the food reviewer Anton Ego, voiced by Peter O’Toole, makes this beautiful defence of the art of the critic: “There are times when a critic truly risks something. That is in the discovery and defence of the new. The world is often unkind to new talent, new creations. The new needs friends.” The Booker prize has been a friend to the new – new voices, new names, new ways of telling a story – for 56 years. It has made household names of writers whose work might otherwise only have been enjoyed by a few. More importantly – especially since the launch of the International Booker in 2005 – it has helped broaden the horizons of readers.

Now there’s going to be a Booker prize for children’s books aimed at readers aged eight to 12, and I am going to be the first chair of judges. Despite my vast vocabulary, I can’t begin to tell you how hopeful this makes me. Because if the Children’s Booker brings the same energy and boldness to the world of children’s books, it’s going to make a real difference to the lives of thousands of children. It comes at a crucial moment. Everyone knows that children who read for pleasure do better educationally and emotionally. Yet – as we approach the government’s Year of Reading – we find ourselves in a situation where the number of children who read daily has dropped to a 20-year low. We risk losing a whole generation.

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