Category Essays

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Things That Disappear by Jenny Erpenbeck review – a kaleidoscopic study of transience

A collection of columns by the German Booker winner reveals a keen eye for details that mark the passing of time

Jenny Erpenbeck wrote the pieces collected in this compact yet kaleidoscopic book for a column in the newspaper Frankfurter Allgemeine Zeitung; published in German in 2009, they now appear in an English translation by Kurt Beals, following the immense success of Erpenbeck’s novel Kairos, which won the 2024 International Booker prize.

It’s interesting and instructive to reflect on what German newspaper readers made of the column in the early years of the new millennium, nearly two decades on from the fall of the Berlin Wall. For while Erpenbeck adopted some of the features of the form – apparently throwaway observations on daily life, such as minor irritation at the difficulty of sourcing proper splitterbrötchen, an unpretentious pastry now pimped for a more elaborate and wealthy clientele – she consistently enlarged and complicated it. Into that recognisable tone of ennui and mild querulousness with which journalists hope to woo a time-pressed but disenchanted or nostalgic readership, Erpenbeck smuggled metaphysics, politics and history.

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‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation

What do Swift and Plath have in common, and should Kamala Harris have spoken out about her political ambitions? The Argonauts author turns her lens on poetry, pop and patriarchy

Maggie Nelson is an unapologetic Taylor Swift fan. She knows the discography, drops song lyrics into conversation and tells me she took her family to the Vancouver leg of the Eras tour. So she’s a dyed-in-the-wool Swiftie? Nelson seems not entirely comfortable with the breathless connotations of that term but yes, the love is real. So much so, she has written a book about the billionaire singer-songwriter, or rather, a joint analysis of Swift and Sylvia Plath, who recurs in much of Nelson’s oeuvre.

The notion of uniting these two cultural titans, who are seemingly poles apart in sensibility – one a melancholic American poet, the other an all-American poster girl – came to her when she heard Swift’s 2024 album, The Tortured Poets Department. Alongside its literary references to F Scott Fitzgerald, Dylan Thomas and Shakespeare, there are heavy resonances of Plath in its introspection and emotional tumult. But the book only started to take shape after a chat with her 13-year-old son’s friend, Alba. “We were making bracelets and she said ‘Have you ever heard of Sylvia Plath?’ I thought that was funny because I’d written my undergraduate thesis on Plath and I was [almost] 40 years older than her. So I said: ‘I have heard of Sylvia Plath.’ As I sat there, I thought, these kids don’t want to hear me talk on this topic but I have a lot to say because I’ve been thinking of it all.”

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Attention by Anne Enright review – sparkling reflections on life and literature

Unabashed and morally generous, the Booker winner writes like a sharp, funny, fallen angel

In addition to producing eight novels over the past 30 years, Anne Enright has always written nonfiction around the edges. This has mostly taken the form of essays for the literary pages of the NYRB, the LRB and, indeed, the Guardian. Attention is a collection of 24 of the best, each with a new brief introduction by Enright herself. The work is culled mostly from the past 10 years, with the latest dated “Autumn 2025”, which suggests that she was still blowing on the ink as it went to press.

A decade ago most of these pieces would probably have been called “personal essays”, but that now seems redundant. Everything is personal with Enright, which is what makes you want to read her even on subjects that don’t initially appeal. The cocaine trade in Honduras, say, or the production of Samuel Beckett’s Happy Days in a sodden field in the Aran Islands. And just when you worry that things might, actually, be getting a bit too fine-grained, such as the revelation that on holiday her husband likes to study menus carefully before choosing a restaurant, while she is more likely to dive in and scream for chips, Enright lobs in a line that explodes her text. Leaving her beloved Venice after a holiday with said husband, she is struck by the thought that the next time she visits, “I do not know if the disaster will have happened or not, because one day it will happen. One of us will die; the other will remain.” And just like that we are taken to the deepest, darkest mystery not just of Enright’s marriage, but of the kind of relationship that we might long for ourselves.

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Dead and Alive by Zadie Smith review – essays for an age of anxiety

From cultural appropriation to gender, Smith nails the politics of creativity. But on actual politics, she is less assured

Accepting a literary prize in Ohio last year, the novelist Zadie Smith described “feeling somewhat alienated from myself, experiencing myself as a posthumous entity”. Smith is only 50, but there is indeed something of the afterlife about the material gathered in her new book, which bundles various odds and ends from the past nine years: speeches, opinion pieces, criticism and eulogies for departed literary heroes – Philip Roth, Martin Amis, Hilary Mantel.

In Some Notes on Mediated Time – one of three completely new essays in the collection – Smith recalls how the “dreamy, slo-mo world” of her 1980s childhood gave way, within a generation, to the “anxious, permanent now” of social media. If you lived through that transition, you don’t have to be very old to feel ancient. When this estrangement is compounded by the ordinary anxieties of ageing, cultural commentary becomes inflected with self-pity. Smith’s identification with the protagonist of Todd Field’s Tár, a once revered conductor who finds herself shunned by the younger cohort, takes on existential proportions: “Our backs hurt, the kids don’t like Bach any more – and the seas are rising!”

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The Land of Sweet Forever by Harper Lee review – newly discovered stories from an American great

If we regard this book as literature, it is an unqualified failure. But these juvenile stories and essays shed fascinating light on the repression of Lee’s early life

When a new book is published by a writer dead for a decade, there is always some suspicion that the bottom of the barrel is being scraped. When the writer is Harper Lee, there is also the unpleasant aftertaste of the release of her second novel, 2015’s Go Set a Watchman, which was promoted as a sequel to To Kill a Mockingbird, when in fact it was a formless early draft. The publication was also surrounded by controversy over whether the aged Lee, by then seriously disabled, had really consented to its publication.

This new book, The Land of Sweet Forever, is a much more conventional enterprise: a collection of Lee’s unpublished short stories and previously uncollected essays. No deception is being practised here, and if people want to read the lesser scribblings of a favourite author, it is surely a victimless crime. However, like most such books, it has little to offer to those who aren’t diehard fans.

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