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Iris Murdoch’s poems on bisexuality to be published – read one exclusively here

Drawn mostly from notebooks discovered in the attic of the late novelist and philosopher’s Oxford home, a new collection spans 60 years and touches on deeply personal themes

A previously unpublished series of poems by the late novelist and philosopher Iris Murdoch is to be printed, shedding new light on her life and relationships, and marking the first time the writer’s bisexuality has been explored in her published works of fiction or poetry.

Poems from an Attic: Selected Poems, 1936–1995, to be published on 6 November, brings together decades of work that Murdoch largely kept private, stored for years in a chest in her Oxford home.

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The Revolutionists by Jason Burke review – from hijackings to holy war

A colourful study of the evolution of extremism in the tumultuous 1970s

No one knew what to call them. For some they were “skyjackers”, for others “air bandits”. Neither name stuck, but by 1970, these figures were fixtures of the western political landscape. It helped that hijacking planes was easy. Bag checks, metal detectors and frisking at airports were proposed, only to be dismissed as overkill.

The result was a lethal carnival of transnational terrorism that peaked in the 70s, when commandeering a plane was as much a rite of passage as backpacking to Kathmandu for some countercultural types. Spanning four continents and drawing on sources in a dozen languages, Jason Burke’s survey of this set combines a flair for period detail – sideburns and aviator shades, berets and Beretta pistols – with impressive digests of Arab and Iranian history.

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The Land of Sweet Forever by Harper Lee review – newly discovered stories from an American great

If we regard this book as literature, it is an unqualified failure. But these juvenile stories and essays shed fascinating light on the repression of Lee’s early life

When a new book is published by a writer dead for a decade, there is always some suspicion that the bottom of the barrel is being scraped. When the writer is Harper Lee, there is also the unpleasant aftertaste of the release of her second novel, 2015’s Go Set a Watchman, which was promoted as a sequel to To Kill a Mockingbird, when in fact it was a formless early draft. The publication was also surrounded by controversy over whether the aged Lee, by then seriously disabled, had really consented to its publication.

This new book, The Land of Sweet Forever, is a much more conventional enterprise: a collection of Lee’s unpublished short stories and previously uncollected essays. No deception is being practised here, and if people want to read the lesser scribblings of a favourite author, it is surely a victimless crime. However, like most such books, it has little to offer to those who aren’t diehard fans.

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Nobody’s Girl by Virginia Roberts Giuffre review – a devastating exposé of power, corruption and abuse

Giuffre’s posthumously published memoir lays bare the life-wrecking impact of Jeffrey Epstein’s crimes – but it is also the story of how a young woman becomes a hero

There is a strand running through Nobody’s Girl – a memoir by Virginia Roberts Giuffre, who died by suicide in April this year – in which the activist and survivor of Jeffrey Epstein grapples with something more insidious than abuse. “I know it is a lot to take in,” she writes after a gruelling early passage detailing how she was sexually abused as a child. “But please don’t stop reading.” After recounting the first time Epstein allegedly forced her to have sex with one of his billionaire friends, she writes, “I need a breather. I bet you do too.”

Throughout the book, Giuffre beguiles, apologises and cheerfully breaks the fourth wall in an effort to soften the distaste she assumes her story will trigger. Make no mistake: this is a book about power, corruption, industrial-scale sex abuse and the way in which institutions sided with the perpetrator over his victims. Epstein hanged himself in prison while awaiting trial in 2019 and Ghislaine Maxwell, his co-conspirator, is serving a 20-year sentence for sex trafficking, outcomes largely enabled by Giuffre’s testimony. But it is also a book about how a young woman becomes a hero. And yet here she is, having to charm us out of shrinking from her in horror.

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The Uncool by Cameron Crowe review – inside rock’s wildest decade

From shadowing a cocaine-addled David Bowie to winning over Joni Mitchell, deliciously readable tales from the director of Almost Famous

Cameron Crowe spent his youth being in the right place at the right time. In 1964, aged seven, he was taken by his mother to see “a kid named Bob Dylan” play a local college gym. By the age of 14, living in San Diego, he was writing record reviews for a local underground magazine whose main aim was to bring down Richard Nixon. Shortly after that, he started interviewing the bands of the day as they came through California – first Humble Pie for Creem, and then the Eagles, the Allman Brothers Band and Led Zeppelin for Rolling Stone.

Crowe previously fictionalised his story in the 2000 film Almost Famous, which he wrote and directed. His lyrical and compulsively readable memoir The Uncool is bookended by the opening of a musical version, which coincides with the death of Crowe’s mother Alice whose aphorisms, including “Put some goodness in the world before it blows up”, are scattered throughout the book. Alice insisted that Crowe skip two school grades, driving his precocity; she was also dead against rock’n’roll on account of its unbridled hedonism. When Crowe asks her what Elvis did on The Ed Sullivan Show that was so subversive he had to be filmed from the waist up, she “clinically” replies: “He had an erection”.

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Lily King: ‘What is life without love?’

The American author discusses our need for fiction in an age of disconnection, the challenges of growing up with 14 step-siblings, and why she’s going ‘all in’ on romance

The cover of Lily King’s new novel, Heart the Lover, features an abstracted face sobbing white tears on a tangerine background. It is an appropriate image, given that so many early readers – from BookTokkers to fellow authors – have reported weeping uncontrollably during the book’s final third.

For King, the reaction was unexpected. “I certainly felt a lot of emotion while I was writing. Not sobbing, more a deeper grief,” she says. But she describes the writing of her sixth novel, which begins with a 1980s college love story then revisits the same characters in middle age, as a joyful experience. “It was really great to just go back to the 1980s and college. It was a relief.”

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‘A glimpse of genius’: what do unpublished stories found in Harper Lee’s apartment tell us about the To Kill a Mockingbird author?

When she died, the writer left behind a cache of notebooks and manuscripts. Her biographer reveals what they tell us about her unlikely rise to literary stardom

When To Kill a Mockingbird was published in the summer of 1960, it seemed to have sprung from nowhere, like an Alabamian Athena: a perfectly formed novel from an unknown southern writer without any evident precedent or antecedent. The book somehow managed to be both urgently of its time and instantly timeless, addressing the era’s most turbulent issues, from the civil rights movement to the sexual revolution, while also speaking in the register of the eternal, from the moral awakening of children and the abiding love of families to the frictions between the self and society.

But no writer is without influences and aspirations: Harper Lee had, of course, come from somewhere and worked tremendously hard to become someone. It was only because she did not like talking about herself that her origins seemed so mysterious, and inevitably, the better To Kill a Mockingbird did – becoming a bestseller and then winning a Pulitzer prize, selling 1m copies and then 10m and then 40m – the more theories and rumours rushed in to fill her silence. In the years after the book came out, the public image of Lee swung between two of her beloved characters: she was either the living incarnation of her feisty, tomboyish heroine Jean Louise “Scout” Finch or, in her seeming reclusiveness, a version of that shy shadow figure, Arthur “Boo” Radley.

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Baek Se-hee, author of I Want to Die But I Want to Eat Tteokbokki, dies aged 35

The Korean author’s hit self-help memoir, which follows her conversations with her psychiatrist, sold more than a million copies worldwide

Baek Se-hee, the author of the hit self-help memoir I Want to Die But I Want to Eat Tteokbokki, has died at the age of 35.

According to the Korean organ donation agency, Baek saved five lives through the donation of her heart, lungs, liver and both kidneys.

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‘One of the oldest urban centres on the planet’: Gaza’s rich history in ruins

The territory’s ancient heritage has too often been ignored. As we mourn incalculable human losses, learning about its past can help us better understand the present

As a ceasefire brings a measure of peace to the Dresden-like hellscape that Gaza has become, it is time to take stock of all that has been lost. The human cost of what the UN commission of inquiry recognises as a genocide is of course incalculable, but fewer are aware of how much rich history and archaeology has also been destroyed in these horrific months. This is bolstered by the widespread assumption that Gaza was little more than a huge refugee camp built on a recently settled portion of desert. That is quite wrong. In reality Gaza it is one of the oldest urban centres on the planet.

Golda Meir famously declared that “there was no such thing as Palestinians”, but the reality is very different. Palestine is actually one of humanity’s oldest toponyms, and records of a people named after it are as old as literacy itself. Palestine was an established name for the coast between Egypt and Phoenicia since at least the second millennium BCE: the ancient Egyptian texts refer to “Peleset” from about 1450BCE, Assyrians inscriptions to the “Palashtu” c800BCE, and Herodotus c480BCE to “Παλαιστίνη” (Palaistinē). This was all brought home to me as I worked, with my co-presenter Anita Anand, on a 12-part series on Gaza’s history for the Empire podcast.

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Joelle Taylor: ‘I picked up The Weirdstone of Brisingamen in a swoon of nine-year-old despair’

The poet and playwright on queer classics, cinematic TS Eliot and the comforts of a ghost story

My earliest reading memory
I was around five when my mum first pulled out Clement C Moore’s The Night Before Christmas, a bumper blue book with vivid illustrations. There was such suspense in the poem, such inexorable music, the sonic possibilities matching the mystery.

My favourite book growing up
The Weirdstone of Brisingamen by Alan Garner. I used to spend every spare moment in Bacup library, Lancashire, bag of sweets to the right and a book open before me. I had read all of Enid Blyton’s Secret Seven books, thought Famous Five were all a bit dry, and picked up Weirdstone in a swoon of nine-year-old despair. The darkness was delicious, exciting because many of the landmarks in the story were from my local area.

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