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Beastly Britain by Karen R Jones review – how animals shaped British identity

A revelatory cultural history of our relationship with native wildlife, from newts doing handstands to Mrs Tiggy-Winkle

When newts go a-wooing, sometime in the spring, their signature move is the handstand. Girl newts cluster round to watch, while the boy newts flip on to their creepily human hands and shake their tails in the air. The waggiest newt is the winner, although the actual act of love is a strictly no-contact sport. The male deposits a packet of sperm on an underwater leaf for the female to collect and insert into her own reproductive tract. The whole business is best thought of, says Karen R Jones, as a “sexually charged game of pass-the-parcel”.

This kind of anthropomorphising often strikes naturalists as unscientific or even downright distasteful. But Jones is an environmental historian and her methodology allows, indeed impels, her to start from the principle that Britain’s human and animal populations are culturally entwined. Consequently, we cannot “see” a fox, hedgehog or newt without bringing to it a rich stew of presumptions and fantasy, drawn from childhood picturebooks, out-of-date encyclopedias and, in my case, the 1970s TV classic Tales of the Riverbank, in which small critters say funny things in the West Country burr of .

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The Blind Assassin by Margaret Atwood audiobook review – a puzzle waiting to be decoded

Romance, sci-fi and family drama are thrillingly combined in this Booker-winning novel, shared between three narrators

It’s 25 years since the publication of The Blind Assassin, Margaret Atwood’s intricately plotted, multi-narrative novel which led to her first Booker prize win. Blending romance, pulpy sci-fi and family drama, it opens with octogenarian Iris Chase Griffen recalling the moment she was told her sister, Laura, had driven off a bridge. The police inform her that two people witnessed Laura deliberately swerve off the road. Though Iris believes this to be true, she insists to the officers that it was an accident.

We go on to hear about Iris’s privileged upbringing and marriage of convenience to Richard Griffen, the wealthy owner of a button factory, and her estrangement from her granddaughter with whom she hopes to reconcile. The book also contains excerpts from Laura’s posthumously published novel which features clandestine romantic encounters between an unnamed man – seemingly a fugitive – and a wealthy woman. During their trysts, they concoct a wild fable about life on a distant planet. All this is interspersed with newspaper items reporting on the lives of the Chases and Griffins over 60 years.

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I Gave You Eyes and You Looked Toward Darkness by Irene Solà review – makes most fiction feel timid

This Catalonian tale of a botched pact with the devil has the demonic excess of a Hieronymus Bosch painting

Margarida is trapped in Mas Clavell, a farmhouse in the Catalonian mountains, with Bernadeta. Bernadeta is dying in an annoying way, with “deep, raspy snores”. Margarida herself has been dead for some time. Rather than ascend to heaven, she has been “dragged downstairs by the ghastly, insufferable women of the house”. Irene Solà’s teeming third novel, I Gave You Eyes and You Looked Toward Darkness, follows these women, both dead and alive, as they prepare for a party. They cook and scrub, tell stories and make fart jokes. The novel begins at dawn and ends at night, but the historical era jumps around without warning. Now the viceroy’s men are arriving on horseback. Now a teenager is calling everyone a “dumbass”. Now local women are fleeing from Nazi soldiers. Characters shape-shift as much as the timeline. A he-goat becomes a bull, then a cat, then “an unusually long, skinny man with the toes of a rooster”. Now the viceroy’s men are demons, dragging Margarida into a “sea of blood”.

I Gave You Eyes and You Looked Toward Darkness references Mrs Dalloway, and shares the modernist interest in formal experimentation and action that unfolds over a single day. Instead of tracking interior sensation, Solà presents a seemingly inexhaustible slew of bodily description, held together by the opaque, vindictive logic of a folk tale. There are wonderful lists: of the different kinds of shit on the mountain, of cheese-making equipment, of body parts fondled by hands in the dark. I read the book twice in quick succession and every time I opened it, I found something to savour. The prose has the demonic excess of a Hieronymus Bosch painting.

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Three Revolutions by Simon Hall review – how Russia, China and Cuba changed forever

A historian explores eyewitness accounts of the most dramatic political unpheavals of the 20th century

If the word “revolution implies, etymologically, a world turned around, then what unfolded in Russia in 1917 was just that. Everything changed. Old-school deference was dead; the proletariat was in power.

The communist American journalist John Reed witnessed a contretemps that captured the suddenness of the change. In simpler times, sailors would have yielded to senior ministers, but on the day of the storming of the Winter Palace in St Petersburg, they weren’t having it. When, in a last-ditch effort to save the Provisional Government, two liberal grandees demanded that they be let in, one of the sailors replied, “We will spank you! And if necessary we will shoot you too. Go home now, and leave us in peace!”

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‘Intense’ novel about robot abused by her boyfriend/owner wins Arthur C Clarke science fiction award

Annie Bot by Sierra Greer wins £2,025 for ‘compelling tale that, like all good stories about robots, is ultimately about the human condition’

A novel told from the perspective of a robot girlfriend has been named winner of the Arthur C Clarke award for science fiction.

Annie Bot by Sierra Greer is “a tightly focused first-person account of a robot designed to be the perfect companion, who struggles to become free,” said chair of judges, the academic Andrew M Butler. The speculative novel follows Annie, the narrator, programmed to cater to the needs of her boyfriend/owner Doug, who treats her in a way that would be abusive if she were human.

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Orwell prize for political writing awarded to novelist killed in Ukraine war

Victoria Amelina wins with her unfinished book Looking at Women Looking at War while Donal Ryan takes the award for political fiction with an intimate portrait of an Irish town

A novelist killed in the Ukraine war has won the Orwell prize for political writing.

Victoria Amelina, who died in July 2023 from injuries sustained in a Russian bombing of a restaurant in Kramatorsk, won the prize with her unfinished book Looking at Women Looking at War.

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