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Do Not Go Gentle by Kathleen Stock review – the case against euthanasia

The philosopher offers a measured and reasonable argument against assisted dying

In this admirably clear and cogent book, the philosopher Kathleen Stock sets out the case against state-sanctioned assisted dying. Her immediate objection is to the end of life bill currently before the House of Lords, but her opposition extends to the principle in general. This is a polemic, but a polite one. Stock says she hopes that by the end of it we will share her objection to the ‘‘institutionalisation of death”.

It is not a popular place to start. Polls over the past few years consistently show that around three-quarters of Britons are in favour of assisted dying for terminally ill people. But Stock has never been afraid of swimming upstream. In 2021, she resigned from the University of Sussex following protests by some staff and students over her views, set out in the book Material Girls, that sex is binary and immutable and that this, rather than gender identity, should be the basis of laws to protect women.

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Kids, Wait Till You Hear This! by Liza Minnelli review – a heady brew of gossip, glamour and defiance

Lady Gaga and David Gest are among those who get ferocious dressings-down in this brutally candid memoir

Liza Minnelli’s father, the film director Vincente Minnelli, used to joke that his daughter’s career in show business was preordained. She was certainly familiar with the dark side of the industry from a young age through her mother Judy Garland, who was on the MGM payroll aged 13, before shooting to fame as Dorothy in The Wizard of Oz. Garland was famously depressive and addicted to prescription drugs and alcohol. When her daughter was six, she shut herself in the bathroom and made the first of many suicide attempts. Minnelli soon learned to monitor her mother and hide her pill bottles when she saw darkness descending. By 13, she was “my mother’s caretaker – a nurse, a doctor, pharmacologist and psychiatrist rolled into one … Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine.”

In her memoir, Minnelli – who turns 80 this month – recounts how she broke free from her dysfunctional family at 16 and moved to New York to make it as a singer and actor. Little surprise, given her parentage, that her ascent was swift. “I was the original nepo baby,” she observes, gleefully. But if show business was in her DNA, so was addiction. In her 20s she became hooked on Valium, diet pills, cocaine and alcohol. Later, as her career faltered and her private life imploded, her sister Lorna staged an intervention and got her into the first of many rehab programmes.

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Look What You Made Me Do by John Lanchester review – a battle between millennials and boomers

There are sharply observed pleasures to be found in this black comedy of infidelity, revenge and intergenerational tension – but the plot is both implausible and predictable

John Lanchester has distinguished between his nonfiction and his novels as the line between “things happening in the world” and “the things that won’t leave you alone”. Over the last decade and a half that gap appears to have narrowed. His 2012 bestseller, Capital, used the global economic crisis (explained with characteristic verve and lucidity in the nonfiction Whoops!) to lend a sharply moral edge to a sprawling Dickensian story about the London property bubble, told through the class cross-section of a newly affluent south London street. His 2019 follow-up, The Wall, was a dystopian near-future tale in which rising sea levels have exacted a catastrophic toll: a heavily guarded sea wall encircles a Britain determined to fortify its vanishing coastline and keep out the refugees desperately seeking asylum. In 2019, global sea levels reached a record high.

Lanchester’s satirical chops are on full display in his latest, Look What You Made Me Do, but this time his focus is more personal than political. Set in a recognisably professional – for which read excruciatingly smug – north London peopled by architects and agents, Lanchester’s sixth novel is billed by its publishers as a black comedy.

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Quiz books are the answer to falling non-fiction sales, data shows

2025 was the best year for quiz book sales since records began in 1998; while Bibles also proved popular

If the question is which genre bucked the prevailing trend in publishing to record a remarkable rise in readership last year, the answer is clear: quiz books.

Spending on the titles increased by nearly a quarter in 2025, data from NielsenIQ BookData suggests. It was the best year for quiz books since records began in 1998, according to the company, which manages the ISBN and SAN agencies for the UK and Ireland.

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How can we really protect Britain’s environment?

Well-intentioned laws designed to safeguard nature frequently have the opposite effect

The importance of protecting nature is not up for debate. One in six species in Britain is threatened with extinction. Since 1970, more than half our flowering plants have decreased in areas where they once thrived. In the 1950s, Britain’s hedgehog population was 30m strong. Now, it is believed to be under a million.

All this demands action. The problem is that a lot of the action we’ve taken – mainly in the form of legislation – fails to target the biggest drivers of nature loss. Instead, it bites when we try to build: wind turbines, solar farms, railways or nuclear power plants, making their construction lengthier, more expensive or, in some cases, impossible.

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Vladimir author Julia May Jonas: ‘We’re imprisoned by our obsessions’

As her debut novel becomes a Netflix series starring Rachel Weisz and Leo Woodall, the American author talks about comparisons with Lolita, moving on from #MeToo and problematic authors

When we meet in a cafe near her Brooklyn apartment, three weeks before the TV adaptation of her debut novel Vladimir hits Netflix, Julia May Jonas is feeling an anticipatory “mix of terror, excitement and dread”. The series stars Rachel Weisz as a professor in her 50s obsessed with a younger colleague, Vladimir, played by Leo Woodall, with Sharon Horgan executive producing. Combining hot sex and complex issues, it is bound to spark the kind of online discourse a novelist must avoid lest they be derailed from their next project.

“I do have to be cautious with putting myself too far out there,” says Jonas, who was active, and very funny, on Twitter until mid-2022, soon after her book came out, at which point she realised that engaging with the reception to her work wasn’t wise. “It’s not like I’m so enlightened. It’s just that I know it’s never enough. If someone tells me they love my book, I’m going to ask: ‘What part? Did it change your life? Is it the best book you’ve ever read?’” she says, laughing. “The ego can never be fulfilled!”

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Malorie Blackman on Noughts & Crosses at 25: ‘It’s even more relevant today’

Her YA classic was inspired by racism in 1990s Britain. A quarter of a century later, she talks about success, death threats and getting shoutouts from Tinie Tempah and Stormzy

‘I’m useless at this bit,” Malorie Blackman laughs, shifting awkwardly in a plum-coloured jacket and smart black trousers. It is a gloomy February evening in the back room of a theatre in west London, and she is having her photograph taken, the rain pummelling the brick outside.

Blackman is, by any reasonable metric, one of the most significant writers Britain has produced in the past quarter of a century – the closest thing my generation, who were raised on her books, has to a literary rockstar. And yet, she seems faintly baffled by the notion that the spotlight should rest on her for long. “I hate being in front of the camera!”

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A Beautiful Loan by Mary Costello review – a profound exploration of the inner life

How are we to account for things that lie outside ordinary language? A woman’s emotions are precisely observed in a novel that brilliantly captures what it means to be human

In each of her previous novels and story collections, the Irish author Mary Costello has revealed the inner vastness hidden within even the quietest lives. Her latest book, A Beautiful Loan, goes further, with a faithful, poetic exploration of the multitudes we contain and what it means to be human.

From the outset, in the novel’s prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with “actual events”, “evidence-based” or relying on “historical data”. No, Anna is interested in the “climate of the psyche” and “the vibrations of the soul”. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?

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António Lobo Antunes, Portuguese novelist who chronicled dictatorship and war, dies aged 83

Author of more than 30 novels, including Fado Alexandrino and The Inquisitors’ Manual, was widely seen as one of the most important voices in modern Portuguese literature

António Lobo Antunes, the Portuguese novelist whose dark, polyphonic fiction confronted the traumas of dictatorship, war and Portuguese society, has died aged 83.

Widely regarded as one of the most important Portuguese writers of the late 20th and early 21st centuries, he produced more than 30 novels that reshaped Portuguese writing and made him a perennial contender for the Nobel prize for literature. He received numerous honours, including the Camões prize, the most prestigious award in the Portuguese language, and several major European literary prizes. His death was confirmed by the publisher Dom Quixote.

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From luxury ‘dupes’ to literary doubles: why doppelgangers are everywhere right now

AI ‘twins’, Mar-a-Lago lookalikes, Melania impersonator conspiracies … doubles proliferate in today’s culture – and nowhere more so than in a series of unsettling new novels that draw on a rich gothic tradition to tap into our paranoid times

‘He was after me. Always had been. Why else would he target me months ago? Infiltrate my flat, my supposed safe space? Question was, what did he want from me. Who, for that matter, did I mean by me?” Isabel Waidner’s fifth novel, As If, opens with the meeting of two bedraggled strangers, Aubrey and Lindsey. Lindsey has materialised on Aubrey’s doorstep and Aubrey has asked him in, noting with pained curiosity how alike they look. “He had dark brown hair not unlike mine,” Aubrey tells us. “My unremarkable eyes they were looking back at me.” With this unsettling opener, the tone is set for a disquieting read, one that I found all the more uncanny as it overlaps so unnervingly with my own new book, Lean Cat, Savage Cat.

Both books draw their protagonists from the lower rungs of showbiz, both utilise the language of fashion in deliberately off-putting ways, both bring the sybaritic myths of artistic life into direct conflict with the realities of housing insecurity and wage instability. Both novels look at how unprocessed grief can fracture the psyche, and – crucially – they both centre on a mysterious pair of doubles. They were also published on the same day. All of which prompts me to ask: does my book have its own doppelganger?

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