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‘I knew I was doing something I shouldn’t’: Karl Ove Knausgård on the fallout from My Struggle and the dark side of ambition

The Norwegian author on his autofictional epic, moving to London, and the psychopath at the heart of his new novel

Fifteen years ago, discussing the success of his six-volume autofictional work My Struggle on Norwegian radio, Karl Ove Knausgård said he felt as if he had “actually sold my soul to the devil”. My Struggle had become a runaway success in Norway – a success that would subsequently be repeated across the world – but the project provoked anger in some quarters for its portrayal of friends and family members. This was a work of art that came at a price. Hence, for its creator, its Faustian aspect.

That experience lies at the root of Knausgård’s latest novel, The School of Night, the fourth volume in his Morning Star sequence, in which his typical character studies and fine-grained attention to the minutiae of daily life are married to a compelling supernatural plot involving a mysterious star appearing in the sky and the dead returning to life. Volumes one and three, The Morning Star and The Third Realm, cycled between the same group of interconnected characters, while the second book, The Wolves of Eternity, moved back to the 1980s and told the story of a young Norwegian man and his discovery of a Russian half-sister. Only towards the end of its 800 pages did the novel intersect with the events of The Morning Star. The School of Night, perhaps frustratingly for some, again moves backwards instead of forwards, this time to 1985 London, and follows the art school career of a young Norwegian, Kristian Hadeland, who is pursuing his dream of fame as a photographer. Kristian, events reveal, is someone who will sacrifice anything, and anyone, to succeed. Charting Kristian’s rise and fall is an addictive and eerie reading experience.

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Sophie Hannah: ‘I gave up on Wuthering Heights three times’

The crime writer on actor Frances Farmer’s life-changing story of survival, her favourite self help and discovering Agatha Christie’s alter ego

My earliest reading memory
I was six, and in the lounge in my first home in Manchester. I was sitting cross-legged on the grey carpet, in 1977, when I finished reading whichever of Enid Blyton’s brilliant Secret Seven mysteries contains the mind-blowing (genuinely, for a six-year-old) twist that “Emma Lane” turns out to be a road and not a person.

My favourite book growing up
Up to the age of 12, Blyton’s Secret Seven and Five Find-Outers mysteries; from 12 onwards, it was Agatha Christie. Growing up, I was certain that no other kind of story could ever hope to be as satisfying as the very best mystery story.

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Things That Disappear by Jenny Erpenbeck review – a kaleidoscopic study of transience

A collection of columns by the German Booker winner reveals a keen eye for details that mark the passing of time

Jenny Erpenbeck wrote the pieces collected in this compact yet kaleidoscopic book for a column in the newspaper Frankfurter Allgemeine Zeitung; published in German in 2009, they now appear in an English translation by Kurt Beals, following the immense success of Erpenbeck’s novel Kairos, which won the 2024 International Booker prize.

It’s interesting and instructive to reflect on what German newspaper readers made of the column in the early years of the new millennium, nearly two decades on from the fall of the Berlin Wall. For while Erpenbeck adopted some of the features of the form – apparently throwaway observations on daily life, such as minor irritation at the difficulty of sourcing proper splitterbrötchen, an unpretentious pastry now pimped for a more elaborate and wealthy clientele – she consistently enlarged and complicated it. Into that recognisable tone of ennui and mild querulousness with which journalists hope to woo a time-pressed but disenchanted or nostalgic readership, Erpenbeck smuggled metaphysics, politics and history.

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Liars by Sarah Manguso audiobook review – livid tale of marriage gone awry

Rebecca Lowman narrates a superb, claustrophobia-inducing plunge into a relationship descending from bad to worse

Halfway through Liars, the story of a new relationship that becomes a marriage, our protagonist, Jane, is asked by a neighbour: “Why are you with him?” It’s a question that has been on the listener’s mind for some time.

Jane’s partner, John, lies about his feelings, his financial status, where he is going and where he has been. He is chaotic, lazy, resentful, entitled and given to getting drunk and spending money he hasn’t got. At the start of their marriage, Jane’s career as a writer and academic is on the up, while John – a visual artist and aspiring film-maker – has hit a professional wall. Time and time again, he insists they move cities for better work opportunities, which soon puts a spanner in his wife’s working life. It comes as no surprise that, after their son is born, Jane is left to do the parenting while her husband absents himself from his responsibilities.

Available via Picador, 6hr 7min

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Jeeves Again review – new Jeeves and Wooster stories by celebrity fans

This collection of new short stories about Bertie and his valet pays homage to the genius of PG Wodehouse – just in time for Christmas

As with most of the giants of late 19th- and early 20th-century English literature, the vast majority of PG Wodehouse’s readers today are non-white. Perhaps it was brutal colonial indoctrination that ensured the modern descendants of the aspirant imperial middle classes from Barbados to Burma, with their tea caddies, gin-stuffed drinks cabinets and yellowing Penguin paperbacks, still devour Maugham, Shaw and Kipling. Perhaps they just have good taste.

Wodehouse’s detractors are many – Stephen Sondheim (“archness … tweeness … flimsiness”), Winston Churchill (“He can live secluded in some place or go to hell as soon as there is a vacant passage”), the Inland Revenue – but for millions around the world he remains the greatest comic writer Britain has ever produced. And he clearly still sells here, as this collection of a dozen new officially sanctioned stories by writers, comedians and celebrity admirers, out in time to be a stocking filler, attests.

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The Dinner Party by Viola van de Sandt review – a formidable debut

An intimate soiree builds to a horrific climax in this visceral novel about a young woman tasked with hosting a meal for her fiance

Literature loves a dinner party. From Virginia Woolf’s Mrs Dalloway to more recent offerings such as Sarah Gilmartin’s The Dinner Party and Teresa Präauer’s Cooking in the Wrong Century, an intimate soiree provides the perfect recipe of claustrophobia and choreography into which a novelist can sink their teeth. The preparations are usually unduly stressful, the guest list dynamic unpredictable, the quantity of alcohol borderline obscene – in short, as a device it has all the ingredients for total, delicious carnage.

The latest entrant to this literary Come Dine With Me is Viola van de Sandt, whose debut The Dinner Party centres on Franca, a shy young woman from the Netherlands tasked with hosting a meal for her English fiance Andrew and his two male colleagues. To make matters more challenging, it is the hottest day of the year, the menu is rabbit (despite Franca’s vegetarianism) and her sous chef is their often violent pet cat.

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The Once and Future Riot by Joe Sacco review – a masterclass in visual reportage

The author of Palestine turns his attention to the legacies of Indian partition in this brilliant portrait of the 2013 Muzaffarnagar riots

Joe Sacco is one of a very small number of graphic novelists who have smashed through into the mainstream. His masterwork is Palestine, a collected volume of single-issue comic books he created in the 1990s, documenting the violence in Gaza. His technique is to embed as a journalist in a war zone and interview people on the street, telling their stories with pictures. Lessons on global politics emerge from ultra-local conflict and depictions of day-to-day life.

Palestine propelled Sacco to fame, drawing comparisons with Maus, Art Spiegelman’s two-volume saga about Polish Jews during the Holocaust with Nazis portrayed as cats, and Jews as mice. These works are sold prominently in bookshops, not in musty basements packed with racks of polyethylene-sheathed superhero comics. Alongside a couple of others, Maus and Palestine signalled that graphic novels, as they became known, could be serious works of fiction, nonfiction and journalism. Palestine itself is as depressingly relevant today as it was in the 1990s. In December 2023, it was reprinted for the first time in a decade, after selling out following the 7 October attacks.

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Seriously Silly: The Life of Terry Jones by Robert Ross review – portrait of a Python

An affectionate biography of the polymath includes details of never-produced gems such as Monty Python’s Third World War

Terry Jones was a Python, a historian, a bestselling children’s author and a very naughty boy. He loved to play women in drag, started a magazine about countryside ecology (Vole), founded his own real-ale brewery and was even once a columnist for this newspaper, beginning one piece in 2011 like this: “In the 14th century there were two pandemics. One was the Black Death, the other was the commercialisation of warfare.” He even used to write jokes for Cliff Richard.

It would be tempting in view of all this to call him a renaissance man, except that Jones rather despised the highfalutin Renaissance, preferring the earthiness of medieval times: his first published book was a scholarly reinterpretation of Chaucer’s Knight’s Tale, arguing that the hero’s fighting and pillaging was being presented satirically by the poet as something deplorable. Later he raided the Norse myth-kitty for the beloved children’s book (and, later, film) The Saga of Erik the Viking. His illustrator told him that Vikings didn’t really wear those massive helmets with horns sticking out at the sides, but Terry insisted on them. Historical accuracy could only get you so far.

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The Wax Child by Olga Ravn review – a visceral tale of witchcraft

The author of The Employees goes back to 17th-century Denmark for an intensely poetic portrait of everyday sorcery and female solidarity

On 26 June 1621, in Copenhagen, a woman was beheaded – which was unusual, but only in the manner of her death. According to one historian, during the years 1617 to 1625, in Denmark a “witch” was burned every five days. The first time this happens in Danish author Olga Ravn’s fourth novel, the condemned woman is “tied to the ladder, and the ladder pushed into the bonfire”. Her daughter watches as she falls, her eye “so strangely orange from within. And then in the heat it explodes.”

The child is watched, in turn, by a wax doll who sees everything: everything in this scene, and everything everywhere, through all space and all the time since it was fashioned. It sees the worms burrowing through the soil in which it is buried; the streets of the world in which it was made. It inhabits the bodies that walked those streets: “And I was in the king’s ear, and I was in the king’s mouth, and I was in the king’s loose tooth and in the quicksilver of his liver, and did hear.”

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Memoirs, myths and Midnight’s Children: Salman Rushdie’s 10 best books – ranked!

As the author publishes a new story collection, we rate the work that made his name – from his dazzling Booker winner to an account of the 2022 attack that nearly killed him

“It makes me want to hide behind the furniture,” Rushdie now says of his debut. It’s a science fiction story, more or less, but also indicative of the sort of writer Rushdie would become: garrulous, playful, energetic. The tale of an immortal Indian who travels to a mysterious island, it’s messy but charming, and the sense of writing as performance is already here. (Rushdie’s first choice of career was acting, and he honed his skill in snappy lines when working in an advertising agency.) Not a great book, but one that shows a great writer finding his voice, and a fascinating beginning to a stellar career.

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