We Did OK, Kid: A Memoir by Anthony Hopkins review – a legend with a temper
The Oscar-winning actor’s autobiography combines vulnerability with bloody mindedness and belligerence
It’s the greatest entrance in movie history – and he doesn’t move a muscle.
FBI rookie Clarice Starling must walk along the row of cells until she reaches Dr Lecter’s reinforced glass tank, where the man himself is simply standing, his face a living skull of satanic malice, eerily immobile in his form-fitting blue prison jumpsuit – immobile, that is, until such time as he launches himself against the glass, making that extraordinary hissing-slavering sound. A billion true-crime documentaries have since revealed that actual serial killers are very boring, with nothing like Anthony Hopkins’s screen presence.