Category Science fiction books

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Mass surveillance, the metaverse, making America ‘great again’: the novelists who predicted our present

From Jorge Luis Borges to George Orwell and Margaret Atwood, novelists have foreseen some of the major developments of our age. What can we learn from their prophecies?

This year marks 100 years since the first demonstration of television in London. Elizabeth II sent the first royal email in 1976. The first meeting of the Lancashire Association of Change Ringers took place in 1876. All notable anniversaries. But I’m going with 2026 as the 85th anniversary of a great short story: Jorge Luis Borges’s The Garden of Forking Paths (1941). It’s about chance, labyrinths and an impossible novel. Ts’ui Pên, an ancestor of the narrator, sets himself the task of writing a novel with a cast of thousands: “an enormous guessing game, or parable, in which the subject is time”. In most novels, when a character reaches a fork in the path, they must choose: this way, or that way. Yet in Ts’ui Pên’s novel, all possible paths are chosen. This creates “a growing, dizzying web of divergent, convergent, and parallel times”. The garden of forking paths is infinite.

It’s often said that Borges’s story foreshadows the multiverse hypothesis in quantum physics – first proposed by Hugh Everett in 1957, then popularised by Bryce DeWitt in the 1970s as the “many worlds interpretation” of quantum mechanics. In a 2005 essay, The Garden of the Forking Worlds, the physicist Alberto Rojo investigated this claim. Did the physicists read Borges? Or did Borges read the universe? It turned out that Bryce DeWitt hadn’t known about Borges’s garden. When Rojo questioned Borges, he also denied everything: “This is really curious,” he said, “because the only thing I know about physics comes from my father, who once showed me how a barometer works.” He added: “Physicists are so imaginative!”

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Ice by Jacek Dukaj review – a dazzling journey to an alternate Siberia

The 1908 Tunguska comet changes the direction of history and gives rise to a weird new reality in this acclaimed epic from the Polish author

The opening sentence of this remarkable novel announces that the reader is in for an intriguing experience. “On the fourteenth day of July 1924, when the tchinovniks of the Ministry of Winter came for me, on the evening of that day, on the eve of my Siberian Odyssey, only then did I begin to suspect that I did not exist.” It may hint at Kafka in the ominous arrival of officials, or Borges in its metaphysical conundrum, but stranger things are afoot. In 1924 there was no tsar, let alone his bureaucrats, the tchinovniks. The date is significant, but I don’t mind admitting I had to find out why online. The time, as Hamlet says, is out of joint.

The rudely awakened sleeper is Benedykt Gierosławski, a Polish philosopher, logician, mathematician and gambler whose debts will be erased if he undertakes a special mission for the Ministry. He is to travel to Siberia, “the wild east”, and find his father, Filip, who was exiled there for anti-government activities. This is not clemency. Filip is now known as Father Frost, and as a geologist, radical and mystic, he might have a connection with what has occurred. The reader is drip-fed the details. A comet fell into Tunguska in Siberia in 1908, as it did in our universe. But here the event has caused the emergence of an inexplicable, expanding, possibly sentient coldness called the “gleiss”. Ice, which won the European Union prize for literature, came out in Poland in 2007, well before the Game of Thrones TV adaptation made “winter is coming” a meme; but in this novel, it certainly is.

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Freezing Point by Anders Bodelsen review – a prescient classic of cryogenics

This resurrected Danish novel about a man who is ‘frozen down’, awaking in an Orwellian dystopia two decades later, is inventive, funny and all too timely

In the Danish author’s uncannily prescient novel, first published in 1969, the year is 1973 and Bruno works as a fiction editor for a popular weekly magazine; his talent for generating story ideas makes him indispensable to his authors. Invited for dinner at the home of one of them, Bruno finds himself seated next to a woman named Jenny, a struggling ballet dancer with a gloomy aspect and no sense of humour. Bruno is drawn to her nonetheless, and finds himself inventing stories about her. The following day, he is admitted to hospital to undergo tests: a small lump on the side of his neck has raised some concerns. Bruno cannot help feeling the two events are somehow connected.

It comes as little surprise to Bruno when he learns he has cancer. The doctor in charge of his case, Josef Ackerman, offers a choice: he can either undergo the gruelling and fallible radiotherapy currently prescribed for his disease, or he can become a pioneer in a new, radically experimental treatment programme in which patients are “frozen down”, remaining in a state of suspended animation until such time as medical science has advanced sufficiently to offer a cure.

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Five of the best science fiction books of 2025

An eco-masterpiece, icy intrigue, cyberpunkish cyborgs, memory-eating aliens and super-fast travel sends the world spinning out of control

Circular Motion
Alex Foster (Grove)
Alex Foster’s novel treats climate catastrophe through high-concept satire. A new technology of super-fast pods revolutionises travel: launched into low orbit from spring-loaded podiums, they fly west and land again in minutes, regardless of distance. Since every action has an equal and opposite reaction, our globe starts to spin faster. Days contract, first by seconds, then minutes, and eventually hours. It’s a gonzo conceit, and Foster spells out the consequences, his richly rendered characters caught up in their own lives as the world spirals out of control. As days become six hours long, circadian rhythms go out of the window and oceans start to bulge at the equator. The increasing whirligig of the many strands of storytelling converge on their inevitable conclusion, with Foster’s sparky writing, clever plotting and biting wit spinning an excellent tale.

When There Are Wolves Again
EJ Swift (Arcadia)
There are few more pressing issues with which fiction can engage than the climate crisis, and SF, with its capacity to extrapolate into possible futures and dramatise the realities, is particularly well placed to do so. Swift’s superb novel is an eco-masterpiece. Its near-future narrative of collapse and recovery takes us from the rewilding of Chornobyl and the return of wolves to Europe, through setback and challenge, to 2070, a story by turns tragic, alarming, uplifting, poetic and ultimately hopeful. Swift’s accomplished prose and vivid characterisation connect large questions of the planet’s destiny with human intimacy and experience, and she avoids either a too-easy doomsterism or a facile techno-optimism. We can bring the world back from the brink, but it will require honesty, commitment, hard work and a proper sense of stewardship.

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The best recent science fiction, fantasy and horror – review roundup

All That We See Or Seem by Ken Liu; When There Are Wolves Again by EJ Swift; The White Octopus Hotel by Alexandra Bell; Darker Days by Thomas Olde Heuvelt; Remain by Nicholas Sparks with M Night Shyamalan

All That We See Or Seem by Ken Liu (Head of Zeus, £20)
In this thriller from award-winning author Liu, Julia Z wants to leave behind the notoriety she gained as a teenage hacker. But she’s drawn into danger when she agrees to help a man whose wife, an artist skilled in the new art of “vivid dreaming” – using AI and virtual reality to allow her live audience into her stories – has disappeared. He has seen a video from someone claiming to have kidnapped her and hopes Julia can tell him who sent it. The near-future setting is convincing, and the story is rich in interesting ideas about potential developments in the use of AI and social media. Julia is a strong, complex character, and there’s a suggestion there could be a series of novels about her. Action-packed as well as thought-provoking, this is one of the best science-fiction books of the year.

When There Are Wolves Again by EJ Swift (Arcadia, £20)
Like Swift’s previous novel, The Coral Bones, this book is powered by a passionate love of nature and deep concern for the planet’s future. Beginning with the character-forming effects of major events during the childhoods of the two main characters – Covid lockdowns for Lucy, the Chornobyl disaster for Hester – the novel tracks their separate journeys in climate activism and documentary film-making as both make their own contribution towards a better world, until 2070, when they meet at last. Evocative and beautifully written, this character-driven novel also inspires as an argument for rewilding in Britain.

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Rebecca F Kuang: ‘A Tale of Two Cities is deeply silly camp – I love it!’

The US writer on being switched on to romance by Sally Rooney, the magic of David Mitchell and the joy of Jean-Paul Sartre

My favourite book growing up
Brian Jacques’s Redwall (and all its sequels). All I wanted was to be a squirrel in the Mossflower Woods!

The books that changed me as a teenager
I read China Miéville’s Perdido Street Station and The City & the City when I was in college. I had been falling out of love with fantasy – I felt too old for Redwall, and I thought I’d outgrown the genre – but Miéville’s work opened the door to the enormous world of adult fantasy literature that grappled with the problems I was now interested in.

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‘Intense’ novel about robot abused by her boyfriend/owner wins Arthur C Clarke science fiction award

Annie Bot by Sierra Greer wins £2,025 for ‘compelling tale that, like all good stories about robots, is ultimately about the human condition’

A novel told from the perspective of a robot girlfriend has been named winner of the Arthur C Clarke award for science fiction.

Annie Bot by Sierra Greer is “a tightly focused first-person account of a robot designed to be the perfect companion, who struggles to become free,” said chair of judges, the academic Andrew M Butler. The speculative novel follows Annie, the narrator, programmed to cater to the needs of her boyfriend/owner Doug, who treats her in a way that would be abusive if she were human.

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