Category Sách & Tri thức

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The Body Builders by Albertine Clarke review – a compelling debut of mental meltdown

A young woman’s dissociation from reality and her road to recovery are vividly rendered in this striking novel

Meet Ada, the anguished young narrator of 26-year-old Albertine Clarke’s radically strange and engrossing debut novel. Adrift in London, Ada occupies herself by swimming in her apartment’s basement pool and generally hiding from the world until she finds herself on the verge of a tumultuous mental collapse. If you’re allergic to the kind of novel in which characters exchange lines such as “I’m not real”, “Neither am I”, then it’s a case of diminishing returns. Otherwise, the book bears rich rewards.

The title refers to Ada’s father, an IT technician who is kicked out by Ada’s mother when he becomes obsessed with the gym – and much of the book explores how we create ourselves and others. Ada grows up surrounded by the marshy countryside near Norwich and early on experiences episodes of dissociation and ontological insecurity, including auditory and visual hallucinations. She imagines a voice on the radio saying her parents are getting divorced. The voice is “like a door swung open inside her head. Through it she could see a black tunnel, like a mine shaft, stretching down inside her.”

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‘Extraordinary and original poet’ JH Prynne dies aged 89

The maverick writer and scholar was a pioneer in 60s avant garde circles, and emerged as a cult figure despite an aversion to publicity, and poetry that was hard to parse

Jeremy Halvard Prynne, known as JH Prynne, a maverick figure in British poetry, died on 22 April at the age of 89.

“Jeremy was an extraordinary and original human, which is no surprise because he was an extraordinary and original poet,” said Peter Gizzi, the American poet who introduced a reissue of Prynne’s 1969 collection The White Stones. “The word ‘genius’ gets tossed around, but if anyone was, he certainly was.”

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The Asset Class by Hettie O’Brien review – private equity is coming for us all

A fascinating, infuriating, immaculately researched account of how wealth management giants snap up the services upon which rely to extract eye-watering profits

This is a dark tale. In its opening scene the author is in conversation with a textile artist in her workshop under the arches in Deptford – arguably one of the last neighbourhoods that credibly sustains London’s claim to be a city that supports creativity. Hettie O’Brien listens to her talk about rising rents as the railway’s lands are sold to new, invisible owners. The arches have become assets to be traded, and as a result the artist will soon be forced to ply her own trade elsewhere. Behind this story, and many others, lies the hand of private equity. The vast profits reaped by investors, and the toll on society, are all described here in lucid and highly readable prose.

Private equity partnerships are groups of individual and institutional investors with deep pockets. O’Brien traces their rise following the era of deregulation inaugurated by Reagan and Thatcher, and details how Blackstone, the Qatar Investment Authority, Macquarie, KKR and others have bought undervalued assets using borrowed money to minimise their exposure to risk. What happens next is that costs, wages and investment in the future are frequently cut to the bone in the cause of exceptionally high returns.

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Susan Choi and Lily King shortlisted for Women’s prize for fiction

The US writers join four debut authors in demonstrating ‘the complexity and beauty of the female experience’, said chair of judges Julia Gillard

Acclaimed US novelists Susan Choi and Lily King are among the writers shortlisted for this year’s Women’s prize for fiction, in a lineup dominated by debut authors and independent publishers.

The six titles contending for the £30,000 award range from a US campus love story to a coming of age tale set in 1960s Bradford, but are connected by their consideration of “the complexity and beauty of the female experience”, said the former prime minister of Australia and judging chair Julia Gillard.

To browse all books in the 2026 Women’s prize for fiction shortlist, visit guardianbookshop.com. Delivery charges may apply.

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The Shadow of the Object by Chloe Aridjis review – one of the boldest writers at work in English today

This fable-like novella about technologies of illusion and a life-changing friendship in Mexico City is enchanting

The Shadow of the Object, the new novel from Mexican-American author Chloe Aridjis, opens with an eruption of violence: Flora, a fortysomething woman, is visiting her mother and stepfather in Mexico City for the first time in many years when one evening, as she is bidding them goodnight, Diego – the household’s beloved guard dog – springs up and sinks his teeth into her hand. This unexpected incident is an assault not only on Flora’s body, but also upon those delicate fictions that have, until now, shaped her life and swathed that body in an illusory sense of safety. The ageing alsatian, who had lived until the instant of the attack with “his inner life and ours mysteriously, harmoniously, aligned”, suddenly gazes up at the benevolent limb of his human benefactor and sees “an unsettling sight” indeed: “A hand out of context, unattached to a body … A hand gone rogue, no longer following orders from headquarters.”

Condemned to spend the rest of her vacation confined to the winding corridors of a private hospital in Mexico City, Flora is ambivalent. On the one hand, the environment is hardly stimulating – but on the other, “hospital stays offer a rare occasion to check out … as a patient you are absolved of most responsibility, nothing expected of you except to mend”. The hospital is life’s waiting room, and it is during a languid midnight stroll of its corridors that she meets Wilhelmina Blau, an elderly yet redoubtable German admitted with a bad case of pneumonia.

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Ghost Stories by Siri Hustvedt review – life after Paul Auster

What’s it like to lose your partner of more than 40 years? The novelist and essayist reflects on going from ‘we’ to ‘I’

It wasn’t quite Beatlemania, but, at the height of Paul Auster’s fame in the 1980s and 90s, screaming fans clambered on to the hood of a car after a reading in Buenos Aires. Admirers mobbed him at bookshop events in Paris, the city where he had once eked out a living translating French literature. He was offered big money to make ads promoting American beef to Japan. He was hailed as a rock god, a literary superstar, a postmodernist with leading-man looks.

Little of this is of much consequence or consolation to novelist and essayist Siri Hustvedt who, before he died of cancer in 2024, had been married to Auster for more than 40 years. As she tells it in Ghost Stories, her memoir of their life together, she was a tall blond PhD student in a jumpsuit when she met him – “a beautiful man in a black leather jacket” – at a poetry reading. He was separated from the mother of his child, living alone in a gloomy Brooklyn apartment, yet to publish anything of substance. Literature bound them: he was just 15 when he decided his future was in writing; she had come to the same insight at an even younger age.

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‘Deliciously dark’: how Freida McFadden’s twisty thrillers gripped millions of readers

The author, who recently revealed her real name to be Sara Cohen, began writing to escape from her work as a medic, and now has a huge global fanbase

Some call themselves McFans, others Freida readahs. However Freida McFadden’s loyal fans choose to define themselves, what we know for sure is that their numbers are growing, and fast.

McFadden, the author behind blockbuster psychological thriller The Housemaid, was the UK’s bestselling novelist of 2025, outstripping Richard Osman, Sarah J Maas and Rebecca Yarros, and shifting 2.6m print copies in 12 months.

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From Manifesto to Mr Loverman: Bernardine Evaristo’s best books – ranked!

From the secret gay life of a British-Caribbean man to that controversial shared Booker win, the author has blazed a trail across the literary landscape. Here are seven of her top titles

Even by Evaristo’s experimental standards, this book is a highly ambitious mash-up of forms and stories. It takes a mismatched couple, strait-laced Stanley and ebullient Jessie, on a road trip across Europe where they meet the ghosts of black historical figures, from Alexander Pushkin to Mary Seacole. We learn a lot along the way, but the real engine of the story is Stanley and Jessie’s combative relationship. Told in a blend of prose, poetry, scripts, memos, legal documents, budget spreadsheets … and road signs, Soul Tourists ultimately wobbles under the weight of both its own good intentions and its skittish variety, but it has charm and energy to burn.

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