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From a new Thomas Pynchon novel to a memoir by Margaret Atwood: the biggest books of the autumn

Essays from Zadie Smith; Wiki founder Jimmy Wales on how to save the internet; a future-set novel by Ian McEwan; a new case for the Slow Horses - plus memoirs from Kamala Harris and Paul McCartney… all among this season’s highlights

Helm by Sarah Hall
Faber, out now
Hall is best known for her glittering short stories: this is the novel she’s been working on for two decades. Set in Cumbria’s Eden valley, it tells the story of the Helm – the only wind in the UK to be given a name – from its creation at the dawn of time up to the current degradation of the climate. It’s a huge, millennia-spanning achievement, spotlighting characters from neolithic shamans to Victorian meteorologists to present-day pilots.

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Everything We Do Is Music by Elizabeth Alker review – how the classics shaped pop

From Stravinsky to Donna Summer, the story of connections that enriched music – in both directions

One of many things I did not expect to learn in this book is that the BBC benefited from Nazi technology. Its standard tape recorder, in use till the 1970s, was called the BTR-2: EMI’s original model, the BTR-1, had been copied from a captured example of the German “magnetophon”, as used by Hitler to record a radio broadcast.

Musicians who liked fiddling with machines, too, benefited from this legacy. Delia Derbyshire, the BBC Radiophonic Workshop pioneer who produced the original Doctor Who theme tune and otherwise particularly enjoyed playing an enamel green lampshade, influenced Paul McCartney’s experiments with tape loops, while Steve Reich hit upon his compositional technique of “phasing” phrases in and out of sync with one another on tape recorders, before training live musicians to do the same.

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Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all

A picaresque story of massive success and deep despair that Rowland narrates with an impressive lack of self-pity

In the summer of 1979, Dexys Midnight Runners were a band you would have been hard-pushed to describe as anything other than unique. Their sound was a pugilistic update of classic 60s soul, topped with frontman Kevin Rowland’s extraordinary vocals, impassioned to the point that he permanently sounded on the verge of tears. It was fervent and a little retro, perfect for a musical climate in which mod and ska revivals were already bubbling. But Dexys’ image threw a spanner in the works. “I wore a white 1930s shirt and big baggy light-grey trousers tucked into white football socks just below the knee to give the effect of ‘plus fours’,” writes Rowland of a typical outfit. “I wore pink Mary Jane ballet shoes and my hair swept back, Valentino style.”

Other members appear on stage clad in jodhpurs and satin harem pants. The disparity between how they sound and how they look is so disconcerting, even their manager seems baffled. After a gig supporting the Specials, at which their appearance so enrages the crowd that the band have to be locked in a dressing room (“for our own safety”), they tone things down completely and begin taking to the stage in donkey jackets and mariner-style beanie hats.

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Street-Level Superstar: A Year With Lawrence by Will Hodgkinson audiobook review – indie pop’s ultimate underdog

This warm, funny account of a mercurial talent gone to waste teems with love for its subject

When the music journalist Will Hodgkinson proposed writing a book on Lawrence, ex-frontman of the post-punk band Felt and latterly of Go-Kart Mozart (recently re-christened Mozart Estate), he was told there would be conditions. Lawrence – who goes by his first name only – said he couldn’t speak to any old bandmates. Furthermore, there could be no anecdotes or use of the word “just”. Asked what is wrong with “just”, Lawrence tells him: “I just don’t like it.”

A simultaneously entertaining and melancholic account of an overlooked musician, Street-Level Superstar depicts the sixtysomething Lawrence as a pallid eccentric who passes his time walking around London, who lives on liquorice and milky tea and is fearful of cheese – “We know that in nature if something smells, it is dangerous to eat.” We learn that Lawrence hasn’t had a girlfriend for years. Reflecting on sex, he says: “I was a two-minute wonder. They’re not missing much.”

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