Category Music

Auto Added by WPeMatico

Everything We Do Is Music by Elizabeth Alker review – how the classics shaped pop

From Stravinsky to Donna Summer, the story of connections that enriched music – in both directions

One of many things I did not expect to learn in this book is that the BBC benefited from Nazi technology. Its standard tape recorder, in use till the 1970s, was called the BTR-2: EMI’s original model, the BTR-1, had been copied from a captured example of the German “magnetophon”, as used by Hitler to record a radio broadcast.

Musicians who liked fiddling with machines, too, benefited from this legacy. Delia Derbyshire, the BBC Radiophonic Workshop pioneer who produced the original Doctor Who theme tune and otherwise particularly enjoyed playing an enamel green lampshade, influenced Paul McCartney’s experiments with tape loops, while Steve Reich hit upon his compositional technique of “phasing” phrases in and out of sync with one another on tape recorders, before training live musicians to do the same.

Continue reading...

Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all

A picaresque story of massive success and deep despair that Rowland narrates with an impressive lack of self-pity

In the summer of 1979, Dexys Midnight Runners were a band you would have been hard-pushed to describe as anything other than unique. Their sound was a pugilistic update of classic 60s soul, topped with frontman Kevin Rowland’s extraordinary vocals, impassioned to the point that he permanently sounded on the verge of tears. It was fervent and a little retro, perfect for a musical climate in which mod and ska revivals were already bubbling. But Dexys’ image threw a spanner in the works. “I wore a white 1930s shirt and big baggy light-grey trousers tucked into white football socks just below the knee to give the effect of ‘plus fours’,” writes Rowland of a typical outfit. “I wore pink Mary Jane ballet shoes and my hair swept back, Valentino style.”

Other members appear on stage clad in jodhpurs and satin harem pants. The disparity between how they sound and how they look is so disconcerting, even their manager seems baffled. After a gig supporting the Specials, at which their appearance so enrages the crowd that the band have to be locked in a dressing room (“for our own safety”), they tone things down completely and begin taking to the stage in donkey jackets and mariner-style beanie hats.

Continue reading...

Can I tame my 4am terrors? Arifa Akbar on a lifetime of insomnia – and a possible cure

From Van Gogh’s starry skies to the nocturnal workings of Louise Bourgeois and Patricia Highsmith, sleepless nights have long inspired heightened creativity. Could those artistic impulses actually help us to sleep?

I can’t remember when I first stopped sleeping soundly. Maybe as a child, in the bedroom I initially shared with my brother, Tariq. I would wait for his breathing to quieten, then strain to listen beyond our room in the hope of being the last one awake, and feel myself expanding into the liberating space and solitude. By my early 20s, that childhood game of holding on to wakefulness while others slept began playing out against my will. Sound seemed to be the trigger. It was as if the silence I had tuned into as a child was now a requirement for sleep. Any sound was noise: the burr of the TV from next door, the ticking of a clock in another room. When one layer of sound reduced its volume, another rose from beneath it, each intrusive and underscored by my own unending thoughts. Noise blaring from without and within, until I felt too tired to sleep.

The artist Louise Bourgeois suffered a bad bout of insomnia in the 1990s, during which she created a series of drawings. Among them is an image that features musical notes in red ink, zigzagging across a sheet of paper. They look like the jagged score of an ECG graph that has recorded an alarmingly arrhythmic heartbeat. It sums up the torment of my insomnia: there is a raised heartbeat in every sound.

Continue reading...