Category History books

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Tales of the Suburbs by John Grindrod review – an entertaining alternative history of queer Britain

From London’s commuter belt to the country village gay club, these portraits of LGBTQ+ life are filled with humour, compassion and observational flair

Generations of readers have loved Armistead Maupin’s Tales of the City novels. His chronicle of queer life began in 1976 in the eclectic glamour of San Francisco’s Barbary Lane, where queer people learned who they were and how to live their lives. But even Maupin relocated in the end. The most recent instalment, Mona of the Manor, saw one of its key characters move to the Cotswolds to navigate a very different kind of village.

The social historian John Grindrod nods to Maupin in this fantastically entertaining alternative history of queer life in Britain, which departs from the usual tales of city-based freedom and discovery to tell the stories of people who grew up in the suburbs. “The suburbs” resist easy definition, and Grindrod handles this lightly. Sometimes they’re marked out by social class, sometimes by geography, each facet blurring into the other. His locations range from London’s commuter belt to hamlets, farms and towns, from the edges of Portsmouth and Hull to pockets of Glasgow and Wilmslow and a tiny village in Lincolnshire, where a gay builder is protected from homophobic abuse in the pub by the local darts team.

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Scholar, seductress, alchemist: who was the real Cleopatra?

The Egyptian queen has fascinated me from childhood, but following the archives led only to ancient gossip and Roman propaganda. Fiction was the way to liberate her from misogynist myth

Witch, whore, villain – there are few women who have been as vilified through history as Cleopatra VII. The disdain of ancient sources that sought to dismiss her as exotic and seductive has corrupted her legacy. But I take pleasure in knowing that her name has permeated through time with far more recognition than the men who wrote about her. Ask a 10-year-old child who Plutarch is and they’ll scrunch up their brows – but Cleopatra? Their eyes light up with glee.

Mine did when I was tasked by my schoolteacher to draw Cleopatra. My small hands searched through the box of crayons. I picked up the brown, its tip pristine from lack of use. It was the loneliest colour in the box, used only to draw mud or bark. The face I drew reflected my own in features and colour.

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Ancient by Luke Barley review – the secret history of Britain’s woodlands

A former ranger tells the story of how the UK’s forests intimately shaped – and were shaped by – its people

It may not sit well with the politicians who now seek to govern it, but Britain has always been a land of immigrants – our “native” fauna and flora among them. More than 10,000 years ago, in the wake of retreating ice sheets, trees from the warmer south began to re-colonise this chilly north-western fringe of Europe: first birch, then hazel, elm, oak and alder. By the time rising sea levels submerged the marshy lowlands connecting it to the rest of the continent, the new British mainland was covered in a luxuriant tangle of forest. In this primeval wildwood, a squirrel could leap tree-to-tree from north coast to south, east coast to west.

Or so one story goes. In Ancient, woodland expert Luke Barley sets out to tell a more complex and fascinating tale of our forests and the people that have lived with and made use of them. His title points back to the post-ice age woodland and its forerunners in sweltering or wintry deep prehistory, but it also holds a more specific meaning. Under classifications drawn up in the 1970s, a UK wood is considered “ancient” if it was already in existence by 1600 (in Scotland, by 1750), as shown on the earliest accurate maps. These are our last links to the wildwood, places where the undisturbed soil still supports a rich and intricate ecosystem that no human ingenuity can recreate.

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Stay Alive: Berlin 1939-45 by Ian Buruma – how Berliners defied their Nazi masters

An immersive account of how the inhabitants of a liberal city – including the author’s father – survived fascism

In December 1941, the Nazi authorities received a letter from a soldier complaining that, on his recent leave in Berlin, he had been thoroughly disgusted by what he saw. While his comrades were dying at the front, plenty of young men appeared to have dodged military duty and were now to be found carousing in Berlin’s packed bars. The women were no better: husbandless but flush with ration coupons purloined from soldiers on leave, they were busy gorging themselves. “If Berlin were Germany,” huffed the complainant, “we would have lost this war years ago.”

Berlin had always been a case apart. The legacy of the wild Weimar years – all that artistic and political radicalism, not to mention louche living – had continued under the Third Reich. The city remained defiantly itself and, despite the efforts of high command, mulish about being told what to do. That, at least, had been the situation in 1941.

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Gordon Brown by James Macintyre review – a very different kind of politician

A new biography reveals Brown to be a man of exceptional vision and probity – what a contrast with today’s politics

For a while, during the 13 years when Gordon Brown was at the apex of British politics, it became fashionable, and then a cliche, to depict him as a Shakespearean protagonist. He was the Scot who would be king, consumed by vaulting ambition for the throne, or else the powerful man of action, devoured by envy of his onetime friend. But in an illuminating new biography by the political journalist James Macintyre, Brown emerges as something closer to the hero of a Victorian novel: a man who leads an epic life shaped by early misfortune and later tragedy, driven onward by a moral purpose that burns to the very end.

His is a compelling story. Bill Clinton was once described as the most psychologically complex occupant of the Oval Office since Richard Nixon; the same is surely true if you substitute Brown, Downing Street and Winston Churchill. Macintyre hails him as a “titan”, brimming with both intellectual firepower and the urge, rooted in Christian faith, to do good. (When the former archbishop of Canterbury Rowan Williams was asked to identify who in the current era most closely incarnates the values of the pastor and legendary anti-Nazi dissident Dietrich Bonhoeffer, he answered: “Gordon Brown.”) But Macintyre also describes his subject as “famously flawed”, with a volcanic temper, a talent for grudges – he stops speaking to Robin Cook and can barely remember why – a tendency towards “needless suspicion towards his perceived opponents” and a willingness to rely on a phalanx of “sometimes thuggish spin doctors”, expert in the blackest arts.

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On Censorship by Ai Weiwei review – are we losing the battle for free speech?

China isn’t the only country imposing limits on creative expression, argues the provocative artist

‘Chinese culture is the opposite of provocation,” Ai Weiwei once told an interviewer. “It tries to seek harmony in human nature and society.” Harmony has never been his bag. Provocation though? In spades. As a student at the Beijing Film Academy in the late 1970s, he joined an artist group called Stars that had a slogan: “We Demand Political Democracy and Artistic Freedom”. In the 1990s, returning to Beijing after a decade in downtown New York, he and a couple of friends published and distributed samizdat-style books devoted to off-piste, often-political art of the kind that government censors tend to fear.

Ai’s own work was bolshie and anathema to custodians of good taste. His Study of Perspective series showed him raising a middle finger at global sites – among them Tiananmen Square, the Eiffel Tower, the White House – that are expected to produce awe, delight, reverence. In the self-explanatory photographic sequence Dropping a Han Dynasty Urn (1995), itself the follow-up to Han Jar Overpainted with Coca-Cola Logo (1994), he asked viewers to decide who was the bigger cultural vandal: himself, a mere artist – or a Chinese state for whom iconoclasm was a defining feature of its modernising project. A 2000 exhibition in Shanghai that he helped to stage bore the name Fuck Off. (Its Chinese subtitle was “Ways to Not Cooperate’”.)

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Made in America by Edward Stourton review – why the ‘Trump doctrine’ is no aberration

From territorial overreach to deportations, the current president is not as much of an anomaly as he might seem

‘Almost everyone is a little bit in love with the USA,” declares Edward Stourton in his introduction to Made in America. And why not? It is the land of razzle-dazzle and high ideals, of jazz music, Bogart and Bacall, Harriet Tubman and Hamilton, a nation that was anti-colonialist and pro-liberty from its conception, whose Declaration of Independence states that “all men are created equal”. Why, then, does this same country so often produce clown-show politics, racism at home and abroad, and imperial ambitions, latterly in Greenland and Canada? Why does it regularly show contempt for the world order it helped create? Why did it once again elect Donald Trump?

These contradictions have kept an army of journalists, White House-watchers and soothsayers in business for generations. Alistair Cooke, perhaps the greatest British exponent of the genre, interpreted the country via the minutiae of everyday life, observing people at the beach, say, or riding the subway. Stourton, another BBC veteran, who first reported from Washington in the Reagan years, takes almost the opposite approach. He looks at Trump and Trumpism through the run of history, arguing in a series of insightful essays that the 47th Potus is not an American aberration but a continuation, an echo of dark and often neglected aspects of the country’s past. Trump, he concludes, is “as American as apple pie”.

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The Zorg by Siddharth Kara review – scarcely imaginable horrors at sea

A vivid and chilling account of the deadly voyage that triggered the abolition of the Atlantic slave trade

Over the nearly four centuries during which the transatlantic slave trade operated, 12.5 million Africans were trafficked by Europeans to the Americas. 1.8 million of them perished on the voyage under scarcely imaginable conditions of overcrowding, filth and disease. Some threw themselves overboard. And others were thrown into the sea.

In The Zorg, Siddharth Kara tells two stories. The first is of a harrowing incident aboard the eponymous slave ship – the murder of 132 Africans by the British crew. The second relates how that event came to play a role in the abolition of the Atlantic slave trade in 1807, in large part through the work of a dazzling array of committed campaigners. One of these was Olaudah Equiano, author of one of the few surviving accounts of the Middle Passage from the perspective of an enslaved person, in which he described it as “a scene of horror almost inconceivable”.

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Books to look out for in 2026 – nonfiction

Memoirs from Liza Minnelli and Lena Dunham, essays by David Sedaris and Alan Bennett’s diaries are among the highlights of the year ahead

Over the past year we’ve been spoiled for memoirs from high-wattage stars – Cher, Patti Smith and Anthony Hopkins among them. But 2026 begins with a very different true story, from someone who never chose the spotlight, but now wants some good to come of her appalling experiences. After the trial that resulted in her husband and 50 others being convicted of rape or sexual assault, Gisèle Pelicot’s aim is to nurture “strength and courage” in other survivors. In A Hymn to Life (Bodley Head, February) she insists that “shame has to change sides”. Another trial – of the men accused of carrying out the Bataclan massacre – was the subject of Emmanuel Carrère’s most recent book, V13. For his next, Kolkhoze (Fern, September), the French master of autofiction turns his unsparing lens back on himself, focusing on his relationship with his mother Hélène, and using it to weave a complex personal history of France, Russia and Ukraine. Family also comes under the microscope in Ghost Stories (Sceptre, May) by Siri Hustvedt, a memoir of her final years with husband Paul Auster, who died of cancer in 2024.

Hollywood isn’t totally out of the picture, though: The Steps (Seven Dials, May), Sylvester Stallone’s first autobiography, follows the star from homelessness in early 70s New York to Rocky’s triumph at the Oscars later that decade. Does achieving your creative dreams come at a price, though? Lena Dunham suggests as much in Famesick (4th Estate, April), billed as a typically frank memoir of how how her dramatic early success gave way to debilitating chronic illness. Frankness of a different kind is promised in More (Bloomsbury, September), actor Gillian Anderson’s follow-up to her bestselling 2024 anthology of women’s sexual fantasies, Want.

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Killing the Dead by John Blair review – a gloriously gruesome history of vampires

Shroud-chewers, lip-smackers and suckers populate this fascinating study of ‘the unquiet dead’ across the centuries

The word “vampire” first appears in English in sensational accounts of a revenant panic in Serbia in the early 18th century. One case in 1725 concerned a recently deceased peasant farmer, Peter Blagojević, who rose from the grave, visited his wife to demand his shoes, and then murdered nine people in the night. When his body was disinterred, his mouth was found full of fresh blood. The villagers staked the corpse and then burned it. In 1745, the clergyman John Swinton published an anonymous pamphlet, The Travels of Three English Gentlemen, from Venice to Hamburgh, in which it is written: “These Vampyres are supposed to be the Bodies of deceased Persons, animated by evil Spirits, which come out of the Graves, in the Night-time, suck the Blood of many of the Living, and thereby destroy them.” And so a modern myth was born.

But it is not so modern, or exclusively European, as this extraordinary survey shows. Instead, the author, a historian and archeologist, argues that belief in the unquiet dead is found in many cultures and periods, where it can lay dormant for centuries before erupting in an “epidemic”, as in Serbia. Where there is no written source, John Blair makes persuasive use of archeological finds in which bodies are found to have been decapitated or nailed down. In 16th-century Poland, a buried woman “had a sickle placed upright across her throat and a padlock on the big toe of her left foot”. Someone, our author infers reasonably, wanted to keep these people in their coffins.

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