Category History books

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Domination by Alice Roberts review – a brilliant but cynical history of Christianity

The humanist historian brings objects to life beautifully, but falters when it comes to people and their beliefs

Domination tells the story of how a tiny local cult became one of the greatest cultural and political forces in history. Alice Roberts puts the case that the Roman empire lived on in a different form in the church.

It is not an original idea – after all the foundation prayer of Christianity says “thy Kingdom come” – but Roberts tells the story from the point of view of individual parishes and even buildings. It’s a revelation, like watching those stop-motion films of how a plant grows and blooms. There’s a section about how a Roman villa might transform into a parish, the long barn providing the footprint, the web of relationships providing the social connection, the very tiles and columns providing the building materials. I can’t think of anyone who writes better about the way objects can speak to us. There’s a passage here describing her joy on grasping what it means that an ordinary-looking clay lamp found in Carlisle is purple on the inside; there’s a beautiful afterword about the history of bells.

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Indignity: A Life Reimagined by Lea Ypi review – love, war and betrayal

Troubled by a photo of her grandmother living it up in Mussolini’s Italy, the author of Free delves into archive and memory to uncover the truth

It starts with a photo. A black-and-white image of a couple relaxing on a pair of sun loungers in front of a luxury ski hotel: him, squinting against the sun; her, smiling at the camera, wrapped in a white fur coat. It is their honeymoon in Cortina, up in the Italian Alps.

The year is 1941, and the woman is Lea Ypi’s grandmother. Ypi saw the picture after it had been posted online by a stranger, gone viral across Albania, and attracted a stream of abuse. “Morally degenerate” was one comment. “Fascist collaborator” another.

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A Short History of Stupidity by Stuart Jeffries review – comfortably dumb?

From Shakespeare’s fools to Donald Trump, this exhilarating read considers stupidity in its many forms

Stupidity, no question, can be just as rich and subtle as its opposite. Three and a half decades on, I still sometimes meditate on what a school friend of mine said in a here’s-a-profound-thought tone of voice: “I’d rather be stupid than happy”.

In this clever book, Stuart Jeffries starts out at a double disadvantage, though. First: he has an excellently snappy title but it’s open to question whether stupidity can be said to have a history in any meaningful sense. The quality of stupidity is just, sort of, there; and there’s lots of it. Could you write a history of happiness, or bad luck, or knees? You’d be on firmer ground, as he recognises, historicising the concept of stupidity: a short history, in other words, of “stupidity” – how successive societies and thinkers have defined and responded to reason’s derr-brained secret sharer. As an intellectual historian who has written smart and chewy popular books about the Frankfurt School (Grand Hotel Abyss) and postmodernism (Everything, All the Time, Everywhere), he certainly has the chops for it.

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What we’re reading: writers and readers on the books they enjoyed in August

Writers and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

One of my favourite reads recently has been Childish Literature by Chilean author Alejandro Zambra, translated by Megan McDowell. It’s a mixed-genre book of memoir, short fiction and poetry on the theme of parenting and new fatherhood, with lots of lucidity, humour and humility throughout.

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Plot Twist: I am related to the real-life Oliver

Oliver Twist is one of the author’s best known creations. But for Nicholas Blincoe, the story is much closer to home. He reveals an astonishing family history

For almost my entire life, I’ve known there’s a connection between my family and Oliver Twist. There’s little chance I could forget it. Charles Dickens’s story has exploded into an Oliver multimedia universe, with as many as a hundred screen adaptations, the brilliant Lionel Bart musical, two current TV shows based on the frenmity of Fagin and the Artful Dodger, and an Audible dramatisation starring Brian Cox and Daniel Kaluuya.

I remember one Easter Sunday we were watching Oliver! on TV when my father snapped out of his post-lunch stupor to announce: “Oliver Twist was a Blincoe. He’s my great-great-grandfather.” The original Robert Blincoe was a foundling, abandoned in London’s St Pancras district in around 1792. He spent his early years in the care of the parish, entering the workhouse at four years old. By seven, he was one of 30 “parish apprentices” contracted to work in a Nottinghamshire cotton mill without pay until the age of 21. London’s parish councils shipped thousands of pauper children north between the 1790s and 1830s, but little was known of their lives until Robert’s memoir. His account of brutality, sadism, sexual abuse and starvation became a national sensation, running to five editions between 1828 and 1833.

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Decolonizing Language by Ngũgĩ wa Thiong’o review – final words of literary giant

An exhilarating collection distills the late writer’s thinking on power, exile and the importance of the mother tongue

On 17 July 1979, the great Kenyan novelist Ngũgĩ wa Thiong’o gave a speech in Nairobi in which he questioned the logic of an African literature in European languages. He had recently been released from prison, where he had been held after his critiques of corruption and inequality had touched a nerve among leaders of the recently independent nation. But his address provoked strong reactions for another reason: up until that moment, Ngũgĩ had been closely associated with the emergence of an African tradition of writing in English and acknowledged as a key figure in the rise of the novel as a major genre on the continent; his fictional work was often cited as an example of how English was being remade in formerly colonised societies. His early novels, from 1964’s Weep Not, Child onward, struck a chord with a global Anglophone audience partly because they echoed the English novelists he had read as a student at Makerere University College, the Ugandan branch of the University of London, and Leeds University, the seat of “Commonwealth” literary studies in the 1960s.

By the time of his speech, Ngũgĩ was a member of the literary establishment in Africa, a leading figure in world literature, and a leader in postcolonial thought. And while it is true that he had challenged what he saw as the hegemony of English in a 1968 manifesto, On the Abolition of the English Department, co-written with two of his colleagues at the University of Nairobi, Ngũgĩ assumed that the abolition of English did not mean dispensing with the colonial language. In fact, for most of the 1960s and 1970s he shared a belief, common among the postcolonial elite, that a literature in the ex-coloniser’s language could indeed be revolutionary. But now the novelist had decided to break away from English, to depart, as he put it, “from Anglo-Saxon literature in order to reconnect to the patriotic traditions of a national and culture literature rooted among the people”. He would henceforth write in his mother tongue, Gĩkũyũ (known to Swahili and English-speakers as Kikuyu).

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The Benson Diary by AC Benson review – musings of an Edwardian elitist

At four million words he beats Pepys, but the daily jottings of a judgmental don fail to transcend his rather stuffy millieu

AC Benson is remembered today, if at all, for having edited three volumes of Queen Victoria’s letters and for writing Land of Hope and Glory to accompany Elgar’s first Pomp and Circumstance march – though, like Elgar, he came to dislike the vainglorious imperial sentiments that the words express – “vulgar stuff and not my manner at all”. Born in 1862, he began his working life as a school master at Eton, before moving on in 1904 to Magdalene College, Cambridge, where he was first a fellow and then master.

Notably, he left voluminous diaries – over four million words, filling 180 bound volumes – four times the length of the diaries of Samuel Pepys, who had been an undergraduate at Magdalene. Benson was well connected and knew most of the political and literary elite of late Victorian and Edwardian Britain, so one might have expected him to offer a similarly unrivalled portrait of the age. Many believe that he did: one review of these two edited volumes declares that because of them, he has entered “the diarists’ pantheon”.

Zsa Zsa Gabor once remarked that Britain was a country of boys and old boys: this is a book for the old boys

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The Confessions of Samuel Pepys by Guy de la Bédoyère review – sex and the city

Newly decoded extracts from his diaries expose the celebrated 17th-century diarist and naval administrator as a rapacious sexual predator

Samuel Pepys’s diary, which covers 1660 to 1669, is regarded as one of the great classic texts in the English language. Words spill out of Pepys – 1.25m of them – as he bustles around London, building a successful career as a naval administrator while navigating the double trauma of the plague and the Great Fire of London. Historians have long gone to the diary for details of middle-class life during the mid‑17th century: the seamy streets, the watermen, the taverns and, as Pepys moves up the greasy pole, the court and the king. Best of all is his eye for the picturesque detail: the way, for instance, on the morning of 4 September 1666, as fire licks around his house, Pepys buries a choice parmesan cheese in the garden with the intention of keeping it safe.

Not all of the diary is in English, though. Quite a lot of it is in French (or rather Franglais), Latin, Spanish and a curious mashup of all three. Pepys increasingly resorted to this home-brewed polyglot whenever the subject of sex came up, which was often. Indeed, sex – chasing it, having it, worrying about getting it again – dominated Pepys’s waking life and haunted his dreams, many of them nightmares. Putting these anguished passages in a garbled form not only lessened the chance of servants snooping, but also served to protect him from his own abiding sense of shame. As an extra layer of concealment, Pepys wrote “my Journall” using tachygraphy, an early form of shorthand.

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King of Kings by Scott Anderson review – how the last shah of Iran sealed his own fate

A clear-eyed account of a difficult, complex man and his self-inflicted fall from grace

The last shah of Iran was a figure from Shakespearean tragedy: outwardly haughty and magnificent, inwardly insecure and indecisive, a Persian Richard II, self-regarding even in his own downfall. When he stood at the foot of his aircraft steps as he left Iran for the last time in January 1979, tears streaming down his cheeks and killer cancer working away inside him, surely even the stoniest heart must have felt some pity for this fallen autocrat?

Not so. The stony heart of Ayatollah Ruhollah Khomeini contained only rage and a desire for vengeance towards the King of Kings (the Iranian monarch’s official designation). “This man has no place in Iran, and no place on Earth,” Khomeini told me in a chilling television interview before leaving Paris for Tehran. On the plane bringing him back from a 15-year exile a few days later to overthrow the shah’s regime, Khomeini muttered that he felt nothing – hichi – on returning home.

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The Sisterhood of Ravensbrück by Lynne Olson review – surviving an all-female concentration camp

The extraordinary story of the women who fought to bring their Nazi persecutors to justice

Shortly after her release from Ravensbrück in 1945, Comtesse Germaine de Renty attended a dinner party in Paris with old friends. One guest complimented her on how well she was looking, concluding that “life in Ravensbrück was not nearly as terrible as we’ve been told”. De Renty stared at the woman for a moment, before explaining icily that a typical day in the camp began by stepping over the corpses of friends who had died in the night. They would probably have no eyes, she added, since the rats had already eaten them. And with that, the comtesse stood up and swept out.

Ravensbrück always had a credibility issue, explains Lynne Olson in this consistently thoughtful book. The camp, although only 50 miles north of Berlin, had been liberated late, which gave the SS plenty of time to burn incriminating records. There was limited visual evidence, too, since no cameramen accompanied the Soviet army when it knocked down the gates on 30 April 1945. While images from Auschwitz and Dachau of starving prisoners and rotting corpses were flashed before a horrified world, Ravensbrück left little trace in the moral imagination.

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