Category Culture

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Stay Alive: Berlin 1939-45 by Ian Buruma – how Berliners defied their Nazi masters

An immersive account of how the inhabitants of a liberal city – including the author’s father – survived fascism

In December 1941, the Nazi authorities received a letter from a soldier complaining that, on his recent leave in Berlin, he had been thoroughly disgusted by what he saw. While his comrades were dying at the front, plenty of young men appeared to have dodged military duty and were now to be found carousing in Berlin’s packed bars. The women were no better: husbandless but flush with ration coupons purloined from soldiers on leave, they were busy gorging themselves. “If Berlin were Germany,” huffed the complainant, “we would have lost this war years ago.”

Berlin had always been a case apart. The legacy of the wild Weimar years – all that artistic and political radicalism, not to mention louche living – had continued under the Third Reich. The city remained defiantly itself and, despite the efforts of high command, mulish about being told what to do. That, at least, had been the situation in 1941.

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Your Life Without Me by James Meek review – angel of destruction haunts a domestic drama

A plot to blow up St Paul’s Cathedral is seen through the lens of family tragedy

A great demolition is also an act of creation, so long as its execution is bold and impressive enough, so long as it clears out the dead wood and opens up the terrain. It’s the ethos that links Pablo Picasso to 1970s punk, Shiva the Destroyer to the anarchist hero of Joseph Conrad’s The Secret Agent. Rip it up and start again. Or rip it up for the pure thrill of the ripping. In Graham Greene’s short story The Destructors, the schoolboy vandals of the Wormsley Common Gang systematically unpick a Christopher Wren-designed London house, working from the inside out so that it dissolves into rubble the moment a supporting post is pulled down. The crime’s one adult witness, a lorry driver, guffaws at the sight. “I’m sorry, I can’t help it,” he tells the home’s distraught owner. “There’s nothing personal, but you got to admit it’s funny.”

Raf, the angel of destruction who haunts the wings of James Meek’s graceful, death-haunted domestic drama, is likewise drawn to the work of Wren – although his project is conceived on a much grander scale. Raf is a professional demolition man, a gifted young engineer and natural born radical, easily moved to laughter or tears and effortlessly dazzling everyone in his orbit. For his PhD project, he has been granted free run of St Paul’s Cathedral in order to test the old building’s resistance to modern traffic vibration. He drills discreet holes in the masonry to install movement censors. But he also packs the cavities with Semtex.

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Poem of the week: To Wordsworth by Percy Bysshe Shelley

The radical young poet’s backhanded tribute to the older writer is a stern judgment on his lapsed political idealism

To Wordsworth

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love’s first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel’st, yet I alone deplore.
Thou wert as a lone star whose light did shine
On some frail bark in winter’s midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honoured poverty thy voice did weave
Songs consecrate to truth and liberty, —
Deserting these, thou leavest me to grieve,
Thus having been, that thou should cease to be.

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‘I’m the psychedelic confessor’: the man who turned a generation on to hallucinogens returns with a head-spinning book about consciousness

With the Omnivore’s Dilemma and How to Change Your Mind, Michael Pollan transformed our understanding of food and drugs. Can he do the same for our sense of self?

Several years ago, Michael Pollan had a disturbing encounter. The relentlessly curious journalist and author was at a conference on plant behaviour in Vancouver. There, he’d learned that when plants are damaged, they produce an anaesthetising chemical, ethylene. Was this a form of self-soothing, like the release of endorphins after an injury in humans? He asked František Baluška, a cell biologist, if it meant that plants might feel pain. Baluška paused, before answering: “Yes, they should feel pain. If you don’t feel pain, you ignore danger and you don’t survive.”

I imagine that Pollan gulped at that point. I certainly did when I read his account of the meeting in his latest book, A World Appears. Where does it leave our efforts at ethical consumption, if literally everybody hurts – including vegetables?

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Never mind the lit-bros: Infinite Jest is a true classic at 30

Forget its reputation as a performative read for a certain breed of intense young man, thirty years after its publication, David Foster Wallace’s epic novel still delivers, says the Crying in H Mart author

I’m not what you might consider Infinite Jest’s target demographic. The novel’s reputation precedes it as a book infamously few ever finish, and those who do tend to belong to a particular breed of college-age guys who talk over you, a sect of pedantic, misunderstood young men for whom, over the course of 30 years, Infinite Jest has become a rite of passage, much as Little Women or Pride and Prejudice might function for aspiring literary young women.

Most readers come to the novel in their formative years, but I was a late bloomer. It wasn’t until the winter of 2023 that, at the age of 34, smoking outside a party in Brooklyn, I found myself suddenly motivated to embark on the two-pound tome. A boy I knew from high school brought it up, and as I happened at the time to have developed a casual interest in those works one might attribute to the “lit-bro” canon (Bret Easton Ellis, Hemingway, etc), it seemed the appropriate time to take it on.

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‘Gruffalo Granny is coming to stay’: new story to be released in September

Macmillan announces latest instalment of popular Julia Donaldson tale featuring illustrations by Axel Scheffler

The Gruffalo family is to expand after the publisher of the popular children’s stories announced a long-awaited third book about the beloved monster.

The new tale, Gruffalo Granny, will be published on 10 September, Macmillan announced.

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Nussaibah Younis: ‘The Bell Jar helped me through my own mental illness’

The author on taking solace in Joan Didion, discovering Donna Tartt and being cheered up by David Sedaris

My earliest reading memory
The first books I became obsessed with were Enid Blyton’s boarding school stories Malory Towers and St Clare’s. When I was eight, I’d hide them under my pillow and read by the hallway light when I was supposed to be asleep.

My favourite book growing up
Roald Dahl’s Matilda. I felt woefully misunderstood by the world and longed to be adopted by a very pretty teacher with only cardboard for furniture. I spent a lot of time trying to make a pen move by concentration alone. Sometimes I still try.

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Jean by Madeleine Dunnigan review – sex and teenage secrets

Queer self-discovery drives this powerful coming-of-age debut set in a bohemian 1970s school

It might sound like a potentially familiar narrative: a queer coming-of-age story, charted across one single heat-crazed summer in the 70s. From its very first paragraphs, however, this debut novel feels different. Madeleine Dunnigan immediately takes us inside the head of her rather scary protagonist, and makes his adventures in teenage lust and self-awareness as involving as they are immediate. The writing is constantly surprising, as unafraid of sensuality as it is of the story’s repeated eruptions of brutality.

We first meet Jean, our eponymous hero, as he is about to take his O-levels. He is sitting them at the unusually late age of 17; later, we will find out that this is because he has a history of violence, and has been excluded from every school he’s ever attended. To the despair of his teachers, Jean seems completely unable to learn. He is also a Jew in a school full of gentiles, the lone child of a single mother, a county-funded scholarship boy whose friendship group is unanimously monied and privileged. This is not, however, the story of a queer outsider battling to find himself in a setting of dreary conformity. Perched high on the Sussex Downs, Jean’s school specialises in colourful nonconformists; known to its pupils as The House of Nutters, its regime mixes high-risk bohemianism with the occasional dash of old-school protocol. Crucially, it is isolated, and its pupils are all male. It is a classic microcosm; a petri dish alive with potentially dangerous experiments in masculinity.

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The Colour of Home by Sajid Javid review – from one hostile environment to another

The ex-Home Secretary’s memoir of childhood racism is intimate and moving but raises difficult political questions

Sajid Javid’s memoir traces his journey from being a frightened child in racist 1970s Rochdale to becoming a leading member of a political party that attacks and marginalises people like him. However, it is an intimate, and sometimes moving, family portrait as well as a social history of race, class and aspiration in late 20th‑century Britain.

The opening chapters, with their ubiquitous skinheads and “Run, Paki, run” taunts, contain the book’s most arresting scenes. Racism is continuous and targeted: from graffiti on his father’s shop windows to the everyday humiliations at school, and on the buses where his father had bravely fought an informal colour bar to become a bus driver.

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Leaving Home by Mark Haddon review – blistering memoir of a loveless childhood

The Curious Incident author describes the upbringing that shaped him – and for which he can’t help feeling nostalgia

Attempting a psychological analysis of a literary work is a fool’s errand, for obvious reasons: you’re trying to assess the inside of the writer’s head from the inside of your own, using the inherently treacherous medium of make-believe. And the aim on their part, of course, is always to beguile, and often to deceive.

And yet the temptation is sometimes too great to resist. Mark Haddon, whose blistering memoir details a mainly miserable and loveless childhood and an adulthood studded with significant hurdles, hit the literary jackpot with The Curious Incident of the Dog in the Night-Time in 2003. In it, a teenage protagonist who struggles to communicate with the world around him uncovers a world of lying adults – most egregiously, he has been told his mother has died, rather than absconded with the nextdoor neighbour – and runs away from home. A more recent novel, The Porpoise, opens with a fatal air crash before morphing into a reworking of Pericles; in Leaving Home, we discover that Haddon is terrified of flying. We also learn that he borrowed heavily from childhood holidays in Brighton to create the atmosphere and texture for his story The Pier Falls, a merciless, documentary-style narration of a cataclysmic seaside disaster.

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