Category Books

Queer self-discovery drives this powerful coming-of-age debut set in a bohemian 1970s school

It might sound like a potentially familiar narrative: a queer coming-of-age story, charted across one single heat-crazed summer in the 70s. From its very first paragraphs, however, this debut novel feels different. Madeleine Dunnigan immediately takes us inside the head of her rather scary protagonist, and makes his adventures in teenage lust and self-awareness as involving as they are immediate. The writing is constantly surprising, as unafraid of sensuality as it is of the story’s repeated eruptions of brutality.

We first meet Jean, our eponymous hero, as he is about to take his O-levels. He is sitting them at the unusually late age of 17; later, we will find out that this is because he has a history of violence, and has been excluded from every school he’s ever attended. To the despair of his teachers, Jean seems completely unable to learn. He is also a Jew in a school full of gentiles, the lone child of a single mother, a county-funded scholarship boy whose friendship group is unanimously monied and privileged. This is not, however, the story of a queer outsider battling to find himself in a setting of dreary conformity. Perched high on the Sussex Downs, Jean’s school specialises in colourful nonconformists; known to its pupils as The House of Nutters, its regime mixes high-risk bohemianism with the occasional dash of old-school protocol. Crucially, it is isolated, and its pupils are all male. It is a classic microcosm; a petri dish alive with potentially dangerous experiments in masculinity.

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The follow-up to My Absolute Darling, this tale of best friends who dream of a better life features exquisite sports writing and a lovable heroine – but the plotting is unconvincing

Tamma and Dan are 17-year-old best friends growing up in a California desert town blighted by the strip-mall nihilism of late capitalism. They’re poor. They’re unpopular. Their families are a wasteland. But they have each other and their great shared passion: trad rock climbing. Whenever they can, they head to a climbing route – sometimes a boulder at the edge of a disused parking lot, sometimes a cliff an hour’s hike into a national park – and climb, often with no gear but their bloodied bare hands and tattered shoes.

This is the premise of Crux, the second novel from Gabriel Tallent, the author of the critically acclaimed My Absolute Darling. At its heart, it’s a sports novel, and Tallent’s prose here is precise and often exquisite, inching through a few seconds of movement in a way that reflects the unforgiving nature of climbing. We get a lot of closeups of granite and faint half-moons in rock that suddenly become “the world’s numinous edge”. The language of climbing – a dialect of brainy dirtbags – is a gift to the writer. Tallent’s characters talk about “flashing bouldering problems” and “sending Fingerbang Princess”; a list of routes with “Poodle” in the title includes Poodle Smasher, Astropoodle, Poodle-Oids from the Deep, A Farewell to Poodles, and For Whom the Poodle Tolls. Tallent also has an extraordinary gift for descriptions of landscape; a road is “overhung with stooping desert lilies, tarantulas braving the tarmac in paces, running full out upon their knuckly shadows, the headlights smoking with windblown sand”.

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