Category Biography books

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Slow Poison by Mahmood Mamdani review – can you really rehabilitate Idi Amin?

The anthropologist and father of New York’s mayor-elect offers a revisionist view of modern Ugandan history

Children of Ugandan Indians are having a bit of a moment. Electropop boasts Charlie XCX; statecraft, the Patels: Priti the shadow foreign secretary, Kash the FBI boss. And while the ones who go into politics have tended to be conservative, we now have a counterexample in Zohran Mamdani, the democratic socialist who clinched the New York mayoralty at the beginning of this month.

The anomaly is best explained by the politics of his father, Mahmood Mamdani. The apple, it seems, did not roll especially far down the postcolonial hillside. Mahmood, professor of government and anthropology at Columbia University, has long styled himself as the left’s answer to VS Naipaul. Where the Nobel-winning curmudgeon surveyed postcolonial Africa with disdain, revelling in the wreckage of independence, Mamdani presents a more forgiving view: pathos instead of pity, paradox instead of despair. If independence didn’t live up to the promise, he argues, it was because the colonised had been dealt a losing hand.

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Crick: A Mind in Motion by Matthew Cobb review – the charismatic philanderer who changed science

Genius and arrogance play leading roles in a new biography of the man who helped uncover the structure of DNA

Most people could tell you that Francis Crick, together with James Watson, discovered the double helix structure of DNA, and shaped our understanding of how genes work. Fewer know that Crick also played a key role in modern neuroscience and inspired our continuing efforts to understand the biological basis of consciousness.

Crick once said the two questions that interested him most were “the borderline between the living and the non-living, and the workings of the brain”, questions that were usually discussed in religious or mystical terms but that he believed could be answered by science. In his new biography of the Nobel prize-winning scientist, Matthew Cobb, emeritus professor of zoology at the University of Manchester, does an admirable job of capturing the rare thinker who not only set himself such ambitious goals but made remarkable progress in achieving them, radically remaking two scientific disciplines in the process.

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Holbein: Renaissance Master by Elizabeth Goldring review – a magnificent portrait of the artist

The first scholarly biography in more than 100 years of the man who immortalised the Tudor court does not disappoint

Much of what we know, or think we know, about the court of Henry VIII comes directly from the paintings of Hans Holbein. There’s the famous portrait of the king himself – puffy, phallic and cruel, looking more like a murderer than a monarch. But there is also ascetic Thomas More, hiding his cruel streak behind fine bones, and sly yet thuggish Thomas Cromwell, with those shifty eyes and the beginnings of a double chin. “Hans the Painter” did the wives too – an appropriately sketchy drawing of Anne Boleyn, a saintly portrait of Jane Seymour who died after giving birth to Henry’s heir, and a pin-up version of Anne of Cleves.

It was this last portrait that caused an international incident in 1539 when Holbein was sent by Henry to the Low Countries to check whether Anne was pretty enough to be his next wife. Based on Holbein’s portrait, Henry committed to the marriage in absentia, only to be horrified when the actual Anne arrived on the Kentish coast, looking “nothing so fair as she hath been reported”. The union lasted six months.

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Seriously Silly: The Life of Terry Jones by Robert Ross review – portrait of a Python

An affectionate biography of the polymath includes details of never-produced gems such as Monty Python’s Third World War

Terry Jones was a Python, a historian, a bestselling children’s author and a very naughty boy. He loved to play women in drag, started a magazine about countryside ecology (Vole), founded his own real-ale brewery and was even once a columnist for this newspaper, beginning one piece in 2011 like this: “In the 14th century there were two pandemics. One was the Black Death, the other was the commercialisation of warfare.” He even used to write jokes for Cliff Richard.

It would be tempting in view of all this to call him a renaissance man, except that Jones rather despised the highfalutin Renaissance, preferring the earthiness of medieval times: his first published book was a scholarly reinterpretation of Chaucer’s Knight’s Tale, arguing that the hero’s fighting and pillaging was being presented satirically by the poet as something deplorable. Later he raided the Norse myth-kitty for the beloved children’s book (and, later, film) The Saga of Erik the Viking. His illustrator told him that Vikings didn’t really wear those massive helmets with horns sticking out at the sides, but Terry insisted on them. Historical accuracy could only get you so far.

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John Updike: A Life in Letters review – the man incapable of writing a bad sentence

Friends, enemies and lovers animate more than 60 years of the author’s remarkable correspondence

John Updike had the mind of a middling middle-class postwar American male, and the prose style of a literary genius. Such a lord of language was he that even the notoriously grudging Vladimir Nabokov afforded him a meed of praise. A reviewer, musing on the disproportion between the style and content of Updike’s fiction, likened him to a lobster with one hugely overgrown claw. It was a comparison Updike was to remember – for all his bland urbanity, on display from start to finish in this mighty volume of his letters, he could be prickly, and did not take slights lightly.

As a novelist he aimed, as he once put it, to “give the mundane its beautiful due”. Apart from a few rare and in some cases ill-advised ventures into the exotic – the court at Elsinore, Africa, the future – his abiding subject was the quotidian life of “ordinary” Americans in the decades between the end of the second world war and the coming of a new technological age in the closing years of the 20th century.

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Future Boy by Michael J Fox review – secrets from the set of a definitive 80s movie

The actor’s account of his big Hollywood break – and how it almost never happened

Michael J Fox has already eked out four books of Hollywood memoir, so the justification for a fifth – written with longtime collaborator Nelle Fortenberry – ought to be good. It is: the subject of these 176 pages is a three-month period in 1985 when Fox was simultaneously shooting his breakout sitcom role in Family Ties and the career-defining American classic, Back to the Future.

That’s two more-than-full-time jobs for one little guy, necessitating that the then 23-year-old actor work 20-hour days, six days a week. This schedule was only possible because the mid-1980s was a time before showbiz labour laws caught up with basic human decency. These days, we’re told, a standard contract “demands two weeks of buffer time on either side of a job”, while Fox didn’t even get an hour.

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Feminist History for Every Day of the Year by Kate Mosse review – the women who helped change the world

The bestselling author champions female trailblazers in an enjoyable anthology for all ages

Women make up roughly 50% of the population but only feature in about 0.5% of recorded history. In Feminist History for Every Day of the Year, Kate Mosse, the bestselling author of Labyrinth, celebrates can-do women and gives history’s trailblazers their due. Aimed at teenage readers but just as enjoyable for adults, this anthology comprises bite-sized stories of female achievement and the centuries-old fight for equality. As Mosse notes in the introduction, it is about women “who refused to accept the limitations put on them, who campaigned and marched, battled and challenged the status quo to change the world for the better”.

The book features a mixture of famous and lesser-known figures: artists, writers, scientists, academics, sportswomen, educators and politicians. There’s primatologist Dian Fossey; avant garde painter Amrita Sher-Gil; Britain’s first black headteacher Beryl Gilroy; Pakistani activist Malala Yousafzai; Ethiopian politician and humanitarian Senedu Gebru; racehorse trainer Florence Nagle; computer programmers Ada Lovelace and Dorothy Vaughan; and actor and music hall star Josephine Baker, who was also a pilot and agent in the French resistance during the second world war. Not all the assembled achievers are straightforwardly heroic – Marie Stopes may have founded Britain’s first ever birth control clinic in 1921, but she also believed in eugenics.

Available via Pan Macmillan, 10hr 16min

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We Did OK, Kid: A Memoir by Anthony Hopkins review – a legend with a temper

The Oscar-winning actor’s autobiography combines vulnerability with bloody mindedness and belligerence

It’s the greatest entrance in movie history – and he doesn’t move a muscle.

FBI rookie Clarice Starling must walk along the row of cells until she reaches Dr Lecter’s reinforced glass tank, where the man himself is simply standing, his face a living skull of satanic malice, eerily immobile in his form-fitting blue prison jumpsuit – immobile, that is, until such time as he launches himself against the glass, making that extraordinary hissing-slavering sound. A billion true-crime documentaries have since revealed that actual serial killers are very boring, with nothing like Anthony Hopkins’s screen presence.

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Bread of Angels: A Memoir, by Patti Smith review – a wild ride with the poet of punk

Smith’s incantatory voice shines through in this surprisingly revelatory follow up to Just Kids and M Train

The post-pandemic flood of artist memoirs continues, but Patti Smith stands apart. The poet who wrote punk into existence before pivoting to pop stardom then ghosting fans to raise a family has, in the 21st century, leaned into literature and music with such vitality it has become hard to say which medium suits her better. It hardly matters. At 78 years old, Smith lives and breathes both.

Her latest memoir follows the tightly focused coming-of-age story Just Kids, published to great acclaim in 2010, and 2015’s more ruminative M Train. Bread of Angels splits the difference to create a more conventional autobiography. It could be described as Just Kids’ prequel and sequel, moving from Smith’s hardscrabble childhood to the near-present, where a striking twist takes the narrative back to her literal conception. It’s one of a number of revelations about an artist whose story would otherwise seem, by now, well-chiseled into the tablets of rock history.

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‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation

What do Swift and Plath have in common, and should Kamala Harris have spoken out about her political ambitions? The Argonauts author turns her lens on poetry, pop and patriarchy

Maggie Nelson is an unapologetic Taylor Swift fan. She knows the discography, drops song lyrics into conversation and tells me she took her family to the Vancouver leg of the Eras tour. So she’s a dyed-in-the-wool Swiftie? Nelson seems not entirely comfortable with the breathless connotations of that term but yes, the love is real. So much so, she has written a book about the billionaire singer-songwriter, or rather, a joint analysis of Swift and Sylvia Plath, who recurs in much of Nelson’s oeuvre.

The notion of uniting these two cultural titans, who are seemingly poles apart in sensibility – one a melancholic American poet, the other an all-American poster girl – came to her when she heard Swift’s 2024 album, The Tortured Poets Department. Alongside its literary references to F Scott Fitzgerald, Dylan Thomas and Shakespeare, there are heavy resonances of Plath in its introspection and emotional tumult. But the book only started to take shape after a chat with her 13-year-old son’s friend, Alba. “We were making bracelets and she said ‘Have you ever heard of Sylvia Plath?’ I thought that was funny because I’d written my undergraduate thesis on Plath and I was [almost] 40 years older than her. So I said: ‘I have heard of Sylvia Plath.’ As I sat there, I thought, these kids don’t want to hear me talk on this topic but I have a lot to say because I’ve been thinking of it all.”

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