Category Biography books

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Books to look out for in 2026 – nonfiction

Memoirs from Liza Minnelli and Lena Dunham, essays by David Sedaris and Alan Bennett’s diaries are among the highlights of the year ahead

Over the past year we’ve been spoiled for memoirs from high-wattage stars – Cher, Patti Smith and Anthony Hopkins among them. But 2026 begins with a very different true story, from someone who never chose the spotlight, but now wants some good to come of her appalling experiences. After the trial that resulted in her husband and 50 others being convicted of rape or sexual assault, Gisèle Pelicot’s aim is to nurture “strength and courage” in other survivors. In A Hymn to Life (Bodley Head, February) she insists that “shame has to change sides”. Another trial – of the men accused of carrying out the Bataclan massacre – was the subject of Emmanuel Carrère’s most recent book, V13. For his next, Kolkhoze (Fern, September), the French master of autofiction turns his unsparing lens back on himself, focusing on his relationship with his mother Hélène, and using it to weave a complex personal history of France, Russia and Ukraine. Family also comes under the microscope in Ghost Stories (Sceptre, May) by Siri Hustvedt, a memoir of her final years with husband Paul Auster, who died of cancer in 2024.

Hollywood isn’t totally out of the picture, though: The Steps (Seven Dials, May), Sylvester Stallone’s first autobiography, follows the star from homelessness in early 70s New York to Rocky’s triumph at the Oscars later that decade. Does achieving your creative dreams come at a price, though? Lena Dunham suggests as much in Famesick (4th Estate, April), billed as a typically frank memoir of how how her dramatic early success gave way to debilitating chronic illness. Frankness of a different kind is promised in More (Bloomsbury, September), actor Gillian Anderson’s follow-up to her bestselling 2024 anthology of women’s sexual fantasies, Want.

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Are we falling out of love with nonfiction?

In the early 2020s, readers flocked to books to explain political turbulence. But is the world now too grim to read about – and are podcasters taking the place of authors?

In the decade leading up to the pandemic, nonfiction seemed unstoppable. Readers flocked to books that explained a world upended by Brexit, Trump, #MeToo and climate upheaval. Titles such as Timothy Snyder’s On Tyranny, Caroline Criado-Perez’s Invisible Women, and Robin D’Angelo’s White Fragility soared up the charts. It felt as though reading itself was part of the civic response, a way to understand what was happening, and perhaps influence what might happen next.

Fast forward to the present day, and the picture is starting to look different: a recent report from NielsenIQ found that trade nonfiction sales have slipped sharply. In volume terms, the category is down 8.4% between last summer and the same period this year – nearly double the decline in paperback fiction – and down 4.7% in value. Though there have been some exceptions, such Chloe Dalton’s Raising Hare and Want by Gillian Anderson, 14 out of 18 nonfiction subcategories have contracted.

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The Curious Case of Mike Lynch by Katie Prescott review – the extraordinary story behind the Bayesian tragedy

A meticulously researched account of the controversial businessman’s rise and shocking demise

At least two terrible ironies surround the death of Mike Lynch. One lies in the name of his superyacht, which sank off the coast of Sicily in the early hours of 19 August 2024. He had named the boat Bayesian to honour Bayes’s theorem, a mathematical rule that helps you weigh up the probability of something given the available evidence, which served as Lynch’s guiding light over the course of a tempestuous career. The theorem was “a beautiful key to our minds”, Lynch believed. But it was entirely incapable of predicting the outcome that morning, when the yacht capsized during a storm, killing seven people, including Lynch, his 18-year-old daughter Hannah and his US lawyer, Chris Morvillo.

A second irony lies in the fact that Lynch had just come through the trial of his life, one he felt was bound to end in jail, where he thought he could die. Somehow, to everyone’s astonishment, an American jury had acquitted him and his co-defendant on all 15 counts of fraud.

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The best music books of 2025

From an enraging indictment of Spotify to Del Amitri frontman Justin Currie’s account of Parkinson’s and a compelling biography of Tupac Shakur, here are five titles that strike a chord

Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist
Liz Pelly (Hodder & Stoughton)
Enraging, thoroughly depressing, but entirely necessary, Mood Music offers a timely, forensically researched demolition of Spotify. In Pelly’s account, the music streaming giant views music as a kind of nondescript sonic wallpaper, artists as an unnecessary encumbrance to the business of making more money and its target market not as music fans, but mindless drones who don’t really care what they’re listening to, ripe for manipulation by its algorithm. Sharp business practices and evidence of its deleterious effect on the quality and variety of new music abound: the worst thing is that Pelly can’t really come up with a viable alternative in a world where convenience trumps all.

Men of a Certain Age: My Encounters With Rock Royalty
Kate Mossman (Bonnier)
There’s no doubt that Men of a Certain Age is a hard sell, a semi-autobiographical book in which the New Statesman’s arts editor traces her obsession with often wildly unfashionable, ageing male artists – Queen’s Roger Taylor, Bruce Hornsby, Steve Perry of Journey, Jon Bon Jovi among them – through a series of interviews variously absurd, insightful, hair-raising and weirdly touching. But it’s elevated to unmissable status by Mossman’s writing, which is so sparkling, witty and shrewd that your personal feelings about her subjects are rendered irrelevant amid the cocktail of self-awareness, affection and sharp analysis she brings to every encounter. In a world of music books retelling tired legends, Men of a Certain Age offers that rare thing: an entirely original take on rock history.

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The best memoirs and biographies of 2025

Anthony Hopkins and Kathy Burke on acting, Jacinda Ardern and Nicola Sturgeon on politics, plus Margaret Atwood on a life well lived

Not all memoirists are keen to share their life stories. For Margaret Atwood, an author who has sold more than 40m books, the idea of writing about herself seemed “Dead boring. Who wants to read about someone sitting at a desk messing up blank sheets of paper?” Happily, she did it anyway. Book of Lives: A Memoir of Sorts (Chatto & Windus) is a 624-page doorstopper chronicling Atwood’s life and work, and a tremendous showcase for her wisdom and wit. Helen Garner’s similarly chunky, Baillie Gifford prize-winning How to End a Story (Weidenfeld & Nicolson) is a diary collection spanning 20 years and provides piquant and puckish snapshots of the author’s life, work and her unravelling marriages. Mixing everyday observation and gossipy asides with profound self-examination, it is spare in style and utterly moreish.

In Arundhati Roy’s Mother Mary Comes to Me (Hamish Hamilton) and Jung Chang’s Fly, Wild Swans (William Collins), formidable mothers get top billing. In the former, The God of Small Things author reveals how her mother, whose own father was a violent drunk, stood up to the patriarchy and campaigned for women’s rights, but was cruel to her daughter. Describing her as “my shelter and my storm”, Roy reflects on Mary’s contradictions with candour and compassion. Fly, Wild Swans is the sequel to Chang’s bestselling Wild Swans, picking up where its predecessor left off and reflecting how that book was only made possible by the author’s mother, who shared family stories and kept her London-dwelling daughter apprised of events in China.

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Slow Poison by Mahmood Mamdani review – can you really rehabilitate Idi Amin?

The anthropologist and father of New York’s mayor-elect offers a revisionist view of modern Ugandan history

Children of Ugandan Indians are having a bit of a moment. Electropop boasts Charlie XCX; statecraft, the Patels: Priti the shadow foreign secretary, Kash the FBI boss. And while the ones who go into politics have tended to be conservative, we now have a counterexample in Zohran Mamdani, the democratic socialist who clinched the New York mayoralty at the beginning of this month.

The anomaly is best explained by the politics of his father, Mahmood Mamdani. The apple, it seems, did not roll especially far down the postcolonial hillside. Mahmood, professor of government and anthropology at Columbia University, has long styled himself as the left’s answer to VS Naipaul. Where the Nobel-winning curmudgeon surveyed postcolonial Africa with disdain, revelling in the wreckage of independence, Mamdani presents a more forgiving view: pathos instead of pity, paradox instead of despair. If independence didn’t live up to the promise, he argues, it was because the colonised had been dealt a losing hand.

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Crick: A Mind in Motion by Matthew Cobb review – the charismatic philanderer who changed science

Genius and arrogance play leading roles in a new biography of the man who helped uncover the structure of DNA

Most people could tell you that Francis Crick, together with James Watson, discovered the double helix structure of DNA, and shaped our understanding of how genes work. Fewer know that Crick also played a key role in modern neuroscience and inspired our continuing efforts to understand the biological basis of consciousness.

Crick once said the two questions that interested him most were “the borderline between the living and the non-living, and the workings of the brain”, questions that were usually discussed in religious or mystical terms but that he believed could be answered by science. In his new biography of the Nobel prize-winning scientist, Matthew Cobb, emeritus professor of zoology at the University of Manchester, does an admirable job of capturing the rare thinker who not only set himself such ambitious goals but made remarkable progress in achieving them, radically remaking two scientific disciplines in the process.

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Holbein: Renaissance Master by Elizabeth Goldring review – a magnificent portrait of the artist

The first scholarly biography in more than 100 years of the man who immortalised the Tudor court does not disappoint

Much of what we know, or think we know, about the court of Henry VIII comes directly from the paintings of Hans Holbein. There’s the famous portrait of the king himself – puffy, phallic and cruel, looking more like a murderer than a monarch. But there is also ascetic Thomas More, hiding his cruel streak behind fine bones, and sly yet thuggish Thomas Cromwell, with those shifty eyes and the beginnings of a double chin. “Hans the Painter” did the wives too – an appropriately sketchy drawing of Anne Boleyn, a saintly portrait of Jane Seymour who died after giving birth to Henry’s heir, and a pin-up version of Anne of Cleves.

It was this last portrait that caused an international incident in 1539 when Holbein was sent by Henry to the Low Countries to check whether Anne was pretty enough to be his next wife. Based on Holbein’s portrait, Henry committed to the marriage in absentia, only to be horrified when the actual Anne arrived on the Kentish coast, looking “nothing so fair as she hath been reported”. The union lasted six months.

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Seriously Silly: The Life of Terry Jones by Robert Ross review – portrait of a Python

An affectionate biography of the polymath includes details of never-produced gems such as Monty Python’s Third World War

Terry Jones was a Python, a historian, a bestselling children’s author and a very naughty boy. He loved to play women in drag, started a magazine about countryside ecology (Vole), founded his own real-ale brewery and was even once a columnist for this newspaper, beginning one piece in 2011 like this: “In the 14th century there were two pandemics. One was the Black Death, the other was the commercialisation of warfare.” He even used to write jokes for Cliff Richard.

It would be tempting in view of all this to call him a renaissance man, except that Jones rather despised the highfalutin Renaissance, preferring the earthiness of medieval times: his first published book was a scholarly reinterpretation of Chaucer’s Knight’s Tale, arguing that the hero’s fighting and pillaging was being presented satirically by the poet as something deplorable. Later he raided the Norse myth-kitty for the beloved children’s book (and, later, film) The Saga of Erik the Viking. His illustrator told him that Vikings didn’t really wear those massive helmets with horns sticking out at the sides, but Terry insisted on them. Historical accuracy could only get you so far.

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John Updike: A Life in Letters review – the man incapable of writing a bad sentence

Friends, enemies and lovers animate more than 60 years of the author’s remarkable correspondence

John Updike had the mind of a middling middle-class postwar American male, and the prose style of a literary genius. Such a lord of language was he that even the notoriously grudging Vladimir Nabokov afforded him a meed of praise. A reviewer, musing on the disproportion between the style and content of Updike’s fiction, likened him to a lobster with one hugely overgrown claw. It was a comparison Updike was to remember – for all his bland urbanity, on display from start to finish in this mighty volume of his letters, he could be prickly, and did not take slights lightly.

As a novelist he aimed, as he once put it, to “give the mundane its beautiful due”. Apart from a few rare and in some cases ill-advised ventures into the exotic – the court at Elsinore, Africa, the future – his abiding subject was the quotidian life of “ordinary” Americans in the decades between the end of the second world war and the coming of a new technological age in the closing years of the 20th century.

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