Category Autobiography and memoir

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Fair by Jen Calleja review – on the magic of translation

A highly original book from the author of Goblinhood explores the art and work of translating fiction

Jen Calleja is used to making things happen for herself, by herself, despite the fact that collaboration is vital to all her endeavours: her work as a literary translator, rendering German prose and poetry into English; her life as a publisher, and co-founder with her friend Kat Storace of Praspar Press, which aims to bring Maltese literature to a wider audience; her own writing, which includes the novel Vehicle and the essay collection Goblinhood; and her other incarnation, as a member of the post-punk band Sauna Youth.

All of this takes a significant amount of energy and determination, but one of Fair’s central contentions is that it is all made far harder than it ought to be by, in effect, the covert acceptance of inequality and exclusion in the arts and literature. She recalls, for example, finally feeling that she has made it as a translator when she is invited to speak at the London Book Fair; years later, she returns to tell the audience that she has plenty of work, but only £30 in her bank account because so many of the organisations in the room are behind on paying her. “Out of the frying pan of grifting,” as she acidly notes, “into the fire of contempt”.

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Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all

A picaresque story of massive success and deep despair that Rowland narrates with an impressive lack of self-pity

In the summer of 1979, Dexys Midnight Runners were a band you would have been hard-pushed to describe as anything other than unique. Their sound was a pugilistic update of classic 60s soul, topped with frontman Kevin Rowland’s extraordinary vocals, impassioned to the point that he permanently sounded on the verge of tears. It was fervent and a little retro, perfect for a musical climate in which mod and ska revivals were already bubbling. But Dexys’ image threw a spanner in the works. “I wore a white 1930s shirt and big baggy light-grey trousers tucked into white football socks just below the knee to give the effect of ‘plus fours’,” writes Rowland of a typical outfit. “I wore pink Mary Jane ballet shoes and my hair swept back, Valentino style.”

Other members appear on stage clad in jodhpurs and satin harem pants. The disparity between how they sound and how they look is so disconcerting, even their manager seems baffled. After a gig supporting the Specials, at which their appearance so enrages the crowd that the band have to be locked in a dressing room (“for our own safety”), they tone things down completely and begin taking to the stage in donkey jackets and mariner-style beanie hats.

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Inside the Salt Path controversy: ‘Scandal has stalked memoir since the genre was invented’

Raynor Winn’s bestselling book is far from the first time a true story has been called into question after publication. But how does it happen? And should readers really feel betrayed?

“The Salt Path is an unflinchingly honest, inspiring and life-affirming true story,” reads the description of Raynor Winn’s bestselling memoir on its publisher Penguin Random House’s website.

Which is unfortunate wording if accusations made at the weekend turn out to be true: an investigation by the Observer alleged that the 2018 book – which has recently been adapted into a film starring Gillian Anderson and Jason Isaacs – is not all that it seems. Winn writes in The Salt Path that she and her husband, Moth, had their home repossessed due to an investment in a friend’s company that went on to fail. With nowhere to live, as she tells it, the couple decided to walk the length of the South West Coast Path, wild camping along the way and relying on the kindness of strangers. The Observer piece suggests Winn’s account of becoming homeless is untruthful, and reports that she took £64,000 from her former employer. It also questions the legitimacy of Moth’s diagnosis with the neurological condition corticobasal degeneration (CBD), a core part of the memoir.

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