‘My poems are part of my flesh’: Palestinian poet Batool Abu Akleen on life in Gaza

At just 20, the poet is one of the most vivid witnesses to the conflict. She talks about dreams of Oxford, the deaths of friends and how tragedy has shaped the person she has become

Batool Abu Akleen was having lunch in the seaside apartment that has become the latest refuge for her family of seven, when a missile struck a nearby cafe. It was the last day of June, an ordinary Monday in Gaza City. “I was holding a falafel wrap and looking out of the window, and the window shook,” she says. Within an instant, dozens of men, women and children were dead, in an atrocity that was reported around the world. “It doesn’t feel real sometimes,” she adds, with the nonchalance of someone numbed by living with horror.

But this impression is misleading. At just 20 years old, Abu Akleen is becoming one of Gaza’s most vivid and unstinting witnesses, whose debut poetry collection has already won accolades from the novelist Anne Michaels, the playwright Caryl Churchill and the poet Hasib Hourani, among others. She has thrown her whole being into finding a language for the unspeakable, one capable of articulating its surrealism and absurdity as well as its daily tragedies.

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Was prehistory a feminist paradise?

Visions of matriarchal utopia may be wishful thinking, but there’s growing evidence of women wielding power

There is a stubborn and widely held idea that in some earlier phase of our species’ existence, women had equal status to men, or even ruled, and societies were happier and more peaceful for it. Then along came the patriarchy, and much bloodshed and oppression later, here we all are.

This notion of matriarchy and patriarchy as polar opposites – with a switch having been thrown between them – was seeded in the 19th century by Marxist theory, taking root in archaeology without much evidence. From there it spread to public consciousness.

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