From cultural appropriation to gender, Smith nails the politics of creativity. But on actual politics, she is less assured
Accepting a literary prize in Ohio last year, the novelist Zadie Smith described “feeling somewhat alienated from myself, experiencing myself as a posthumous entity”. Smith is only 50, but there is indeed something of the afterlife about the material gathered in her new book, which bundles various odds and ends from the past nine years: speeches, opinion pieces, criticism and eulogies for departed literary heroes – Philip Roth, Martin Amis, Hilary Mantel.
In Some Notes on Mediated Time – one of three completely new essays in the collection – Smith recalls how the “dreamy, slo-mo world” of her 1980s childhood gave way, within a generation, to the “anxious, permanent now” of social media. If you lived through that transition, you don’t have to be very old to feel ancient. When this estrangement is compounded by the ordinary anxieties of ageing, cultural commentary becomes inflected with self-pity. Smith’s identification with the protagonist of Todd Field’s Tár, a once revered conductor who finds herself shunned by the younger cohort, takes on existential proportions: “Our backs hurt, the kids don’t like Bach any more – and the seas are rising!”
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