Category Literary criticism

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Books, Culture, Literary criticism, Sách & Tri thức, Toni Morrison

On Morrison by Namwali Serpell review – a landmark appraisal of the great novelist’s work

Serpell leaves no stone unturned in her deep and enriching portrait of the Nobel laureate’s oeuvre

I have waited years for this book. But before I tell you what it is, I had better tell you what it is not. On Morrison is not a biography. Except for scattered references, there is little here about Chloe Anthony Wofford’s birth and early life in Lorain, Ohio; her education at Howard and Cornell universities; her editorial work at Random House; or her phenomenal success as a novelist. Nor is this book for fans who turn to Toni Morrison for inspirational quotes or to score political points.

Instead, On Morrison offers readers who can tell their Soaphead Church from their Schoolteacher something they have long hoped for: a rigorous appraisal of the work. Despite her enormous contribution to American letters, Morrison’s novels are still too often read for what they have to say about black life, rather than how they say it. Song of Solomon and Jazz are more likely to be found on African American studies syllabi than creative writing ones. In her introduction to On Morrison, Namwali Serpell identifies the reason: “She is difficult to read. She is difficult to teach.”

thanhtoong0
February 18, 2026

Books, Creative writing, Culture, Literary criticism, Sách & Tri thức

A Long Game by Elizabeth McCracken review – here’s how to really write your novel

The novelist and writing tutor delivers bracing advice that demolishes familiar ‘stick to what you know’ nostrums

Trope, POV, backstory, character arc. In the 30 years since I was a student of that benign, pipe-smoking, elbow-patched man of letters Malcolm Bradbury, the private language of creative writing workshops has taken over the world.

What writers used to say to small circles of students in an attempt to help them improve their storytelling technique has become a familiar way, often parodic and self-knowing, of interpreting the grand and not-so‑grand narratives of our time. “Don’t worry about Liz Truss’s YouTube series – she’s just having a main character moment.”

thanhtoong0
January 8, 2026

Books, Culture, Fiction, Literary criticism, Romance books, Sách & Tri thức

In Love With Love by Ella Risbridger review – a sexy celebration of romantic fiction

From Pride and Prejudice to Fifty Shades, a writer’s paean to the literature of desire

Eva Ibbotson, a doyenne of 1980s romantic fiction, once said self-deprecatingly that her books were aimed at “old ladies and people with flu”. To which Ella Risbridger, who is in her early 30s, sniffle-free and a devotee of Ibbotson’s “sexy and sweet” novels, has this cracking comeback: “If love is the most important thing, and to me it was and is, I want books that think that too.”

From here Risbridger plunges into what she charmingly calls “a field guide to delight”. Jane Eyre rubs shoulders with Ice Planet Barbarians (the bright blue aliens who inhabit the ice planet turn out to be sexy in a Mr Rochester kind of way). Pride and Prejudice makes its inevitable appearance, flanked by its many modern iterations, including the ones with dragons. Mills & Boon novels of every stripe are accorded the kind of sustained attention more usually given to Proust, while Judith Butler’s theories of gender are buttressed by a deft analysis of Rupert Campbell-Black, caddish hero of the Rutshire chronicles by the late, great Jilly Cooper.

thanhtoong0
November 7, 2025

Biography books, Books, Culture, Literary criticism, Oscar Wilde, Sách & Tri thức

After Oscar by Merlin Holland review – Wilde’s grandson on the legacy of a scandal

The playwright’s only living descendant traces the shadow cast by his trial – and his rehabilitation as a gay icon

Today, Oscar Wilde is one of the most celebrated writers in English, both instantly recognisable and actually read. His plays are performed. His words are quoted. He reclines in effigy on both the Strand and the King’s Road. He even has a commemorative window in Westminster Abbey. But it was not always so.

When he died in Paris, in 1900, aged just 46, the obituaries were not generous. There was a feeling of relief that an embarrassing figure had been removed the scene, and a general hope that he and his works would soon be forgotten. The Pall Mall Gazette suggested that nothing he wrote had “the strength to endure”.

thanhtoong0
October 13, 2025

Books, Culture, Hanya Yanagihara, Literary criticism, Sách & Tri thức

Authority: Essays on Being Right by Andrea Long Chu review – scorching hot takes

The Pulitzer-winning critic has some choice words for the likes of Zadie Smith, Hanya Yanagihara and Bret Easton Ellis

Andrea Long Chu stands accused of not playing by the rules, of appraising works of fiction as if they were essays or confessions rather than aesthetic objects. “It is true that I tend to treat a novel like an argument”, she writes in the introduction to Authority, a collection of essays and reviews published between 2018 and 2023 in outlets such as N+1, Bookforum and New York Magazine. Long Chu – who won a Pulitzer prize for criticism in 2023 – believes “all novels refract the veiled subjectivity of their authors”, and to pretend otherwise is to indulge a “pernicious form of commodity fetishism”. In her reviews, books betray their authors, invariably revealing some kernel of inadequacy – be it immaturity, myopia or just terminal dullness.

This approach borders on the psychoanalytical, and makes for fun reading. Long Chu diagnoses a case of “Munchausen by proxy” in Hanya Yanagihara, whose bestselling novels A Little Life (2015) and To Paradise (2022) are powered by “the misery principle”: “horrible things happen to people for no reason”, and the author is “a sinister kind of caretaker, poisoning her characters in order to nurse them lovingly back to health”. She notes a troubling tendency towards “infantile” idealisation of mothers and girlfriends in Tao Lin’s autofiction, and finds “something deeply juvenile” about the scatological motifs in Ottessa Moshfegh’s novels. Moshfegh’s medieval gore-fest Lapovona (2022), fails to shock, because “You cannot épater le bourgeois without an actual bourgeoisie”; “the leading coprophile of American letters” is trying too hard to convince us she’s not a prude.

thanhtoong0
August 1, 2025