Category Irvine Welsh

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Zadie Smith, Michael Rosen, Irvine Welsh and Jeanette Winterson sign letter calling for Israel boycott

More than 200 writers request cessation of all trade until people of Gaza given adequate food, water and aid

Zadie Smith, Michael Rosen, Irvine Welsh and Jeanette Winterson are among more than 200 writers who have signed a letter calling for an “immediate and complete” boycott of Israel until the people of Gaza are given adequate food, water and aid.

Hanif Kureishi, Brian Eno, Elif Shafak, George Monbiot, Benjamin Myers, Geoff Dyer and Sarah Hall also signed the letter, which advocates the cessation of all “trade, exchange and business” with Israel.

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What we’re reading: writers and readers on the books they enjoyed in July

Writers and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

The user-friendly short chapter format of Nicci Cloke’s Her Many Faces, designed for our internet-lowered attention spans, obscures the fact that this page-turning, multiple viewpoint thriller is actually a densely plotted novel full of amazing twists. This is the book you want to take on a long, boring journey you’re dreading. You’ll pray you finish it before you arrive at your destination.

Men in Love by Irvine Welsh is published by Jonathan Cape (£20). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

Faber has reissued Barbara Kingsolver’s titles The Lacuna, Flight Behaviour and The Poisonwood Bible.

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Men in Love by Irvine Welsh review – the Trainspotting boys grow up

Three decades on from the author’s breakthrough debut, why are we still trapped in the Trainspotting moment?

It has been more than 30 years since Irvine Welsh published Trainspotting. To put that in perspective, it’s as distant to readers today as Catch-22 or To Kill a Mockingbird would have been in 1993. If you are anything like me, that doesn’t feel quite right. Because even at such a historical remove, there remains something undeniably resonant, something curiously current, about Welsh’s wiry, demotic, scabrous debut.

In part, this is explained by the sheer scale of Trainspotting’s success. It was one of those genuinely rare literary events, wherein a critically acclaimed, stylistically adventurous book catches the cultural zeitgeist to such a degree that it also becomes a commercial sensation, going on to sell over a million copies. Its cultural salience was further compounded by Danny Boyle’s cinematic adaptation, one of the highest-grossing UK films of all time, a visual intervention that seemed to crystallise the aesthetics of Britpop – high velocity, high audacity, high nostalgia.

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Irvine Welsh: ‘I’m often astounded that any relationships take place these days’

The follow-up to Trainspotting sees Renton, Begbie and co settling down. The bestselling author explains why now is the perfect time for romance

I was born in the great port of Leith. Stories are in my blood; listening to them, telling them. My family were typical of many in the area, moving from tenement to council scheme, increasingly further down the Forth estuary. I was brought up in a close community. I left school with practically no qualifications. I tended towards the interesting kids, the troublemakers. All my own fault. I was always encouraged to be more scholarly by my parents, who valued education. But I left school and became an apprentice technician, doing a City & Guilds course. I hated it. I was always a writer: I just didn’t know it. I cite being crap at everything else in evidence.

It’s why I’ve never stopped writing stories about my youth and my go-to gang of characters from Trainspotting. Their reaction to events and changes in the world helps inform my own. They’ve been given substance by people I’ve met down the decades, from Leith pubs to Ibiza clubs.

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