Category Comics and graphic novels

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The best graphic novels of 2025

Alison Bechdel and Joe Sacco return; plus Black Country cowboys, vengeful gods and an angling classic reimagined

Many of 2025’s best graphic novels looked to the past with mixed emotions. Growing up in 1970s California, Mimi Pond found the aristocratic Mitfords, born in the early years of the 20th century, compellingly exotic. She shares her lifelong fascination in Do Admit! (Jonathan Cape), a splendid book of geopolitics, jolly hockey sticks and gossipy asides, as the sisters choose between fascism and socialism and help shape attitudes to everything from class to funeral rites.

Pioneering photographer William Henry Jackson captured the old west for posterity, yet the popularity of his images speeded its destruction. Veteran cartoonist Bill Griffith recounts his great-grandfather’s life in Photographic Memory (Abrams), which takes in the civil war, slavery, the obliteration of the Great Plains peoples and the inauguration of the United States national parks, as well as the brutal legwork and dangerous alchemy of 19th-century photography. The narrative sometimes clunks, but the story is so good it’s hard to care.

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The Once and Future Riot by Joe Sacco review – a masterclass in visual reportage

The author of Palestine turns his attention to the legacies of Indian partition in this brilliant portrait of the 2013 Muzaffarnagar riots

Joe Sacco is one of a very small number of graphic novelists who have smashed through into the mainstream. His masterwork is Palestine, a collected volume of single-issue comic books he created in the 1990s, documenting the violence in Gaza. His technique is to embed as a journalist in a war zone and interview people on the street, telling their stories with pictures. Lessons on global politics emerge from ultra-local conflict and depictions of day-to-day life.

Palestine propelled Sacco to fame, drawing comparisons with Maus, Art Spiegelman’s two-volume saga about Polish Jews during the Holocaust with Nazis portrayed as cats, and Jews as mice. These works are sold prominently in bookshops, not in musty basements packed with racks of polyethylene-sheathed superhero comics. Alongside a couple of others, Maus and Palestine signalled that graphic novels, as they became known, could be serious works of fiction, nonfiction and journalism. Palestine itself is as depressingly relevant today as it was in the 1990s. In December 2023, it was reprinted for the first time in a decade, after selling out following the 7 October attacks.

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