Category Audiobooks

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A Particularly Nasty Case by Adam Kay audiobook review – a wayward doctor turns detective

Andy Serkis revels in his narration of the first murder mystery from the author of This Is Going to Hurt, which showcases Kay’s signature pitch-black humour

Dr Eitan Rose is stark naked in a gay sauna when he is called upon to perform CPR on an elderly man and fellow patron who is having a heart attack. When arriving paramedics ask Eitan for his details, he declines to give his real name, instead giving them the name of his work supervisor and nemesis, Douglas Moran. Eitan is a hard-partying consultant rheumatologist who has just returned to work after several months off following a mental health crisis, and who uses liquid cocaine secreted into a nasal inhaler to get through the working day.

When Moran dies in unexpected circumstances, Eitan suspects foul play and sets about finding the culprit. Soon he is performing illicit postmortems and impersonating a police detective so he can cross-examine a suspect. But when he tries to blow the whistle, his colleagues and the police decline to take his claims seriously. Eitan may work among medical professionals, but they are not above stigmatising a colleague diagnosed with bipolar disorder and taking his outlandish claims as evidence of his instability.

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Ncuti Gatwa leads star winners at first Speakies awards for audio storytelling

The actor won best performance for BBC drama Gatsby in Harlem at the inaugural British Audio awards, while Nicola Coughlan’s narration of Juno Dawson’s Queen B clinched best sci-fi audiobook

Audiobooks narrated by Ncuti Gatwa, Nicola Coughlan and David Tennant were among those recognised at the inaugural British Audio awards, the “Speakies”.

Gatwa’s performance in the lead role of Gatsby in Harlem helped it emerge as one of Monday evening’s biggest winners: it took three major prizes including audio of the year. The reimagining of Fitzgerald’s The Great Gatsby also won best audio drama adaptation, while Gatwa took home the best performance award for what organisers described as his “remarkable poise and flair” in capturing Gatsby’s character.

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Feminist History for Every Day of the Year by Kate Mosse review – the women who helped change the world

The bestselling author champions female trailblazers in an enjoyable anthology for all ages

Women make up roughly 50% of the population but only feature in about 0.5% of recorded history. In Feminist History for Every Day of the Year, Kate Mosse, the bestselling author of Labyrinth, celebrates can-do women and gives history’s trailblazers their due. Aimed at teenage readers but just as enjoyable for adults, this anthology comprises bite-sized stories of female achievement and the centuries-old fight for equality. As Mosse notes in the introduction, it is about women “who refused to accept the limitations put on them, who campaigned and marched, battled and challenged the status quo to change the world for the better”.

The book features a mixture of famous and lesser-known figures: artists, writers, scientists, academics, sportswomen, educators and politicians. There’s primatologist Dian Fossey; avant garde painter Amrita Sher-Gil; Britain’s first black headteacher Beryl Gilroy; Pakistani activist Malala Yousafzai; Ethiopian politician and humanitarian Senedu Gebru; racehorse trainer Florence Nagle; computer programmers Ada Lovelace and Dorothy Vaughan; and actor and music hall star Josephine Baker, who was also a pilot and agent in the French resistance during the second world war. Not all the assembled achievers are straightforwardly heroic – Marie Stopes may have founded Britain’s first ever birth control clinic in 1921, but she also believed in eugenics.

Available via Pan Macmillan, 10hr 16min

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Theft by Abdulrazak Gurnah audiobook review – coming-of-age saga in Tanzania

Three young people step boldly into their adult lives in this elegantly narrated novel from the Nobel laureate

The Nobel prize-winning author Abdulrazak Gurnah is known for his portrayals of east Africans and the after-effects of colonial rule. Opening in Zanzibar in the aftermath of independence, his 11th novel, Theft, spans half a century as it documents the lives of Karim, Fauzia and Badar. We learn how young Karim is treated as “an afterthought” by his mother, Raya, who divorces her much older husband and leaves her son behind to start a new life.

Mother and son are reunited several years later in Dar es Salaam, Tanzania, where Raya has married a pharmacist named Haji. Karim, who grows up to be handsome, intelligent and more than a little conceited, gets a scholarship to study in the city and meets Fauzia, who is training to be a teacher and is keen to avoid the fate of other “mute daughter[s] laid out for deflowering”. She and Karim marry, and the pair open their home to Badar, a former servant of Raya and Haji’s who was abandoned by his parents as a child.

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The Rest of Our Lives by Benjamin Markovits audiobook review – an American road trip with a twist

A law professor leaves his failing marriage and faltering career and hits the open road in this Booker-shortlisted novel of midlife turmoil

At the start of The Rest of Our Lives, we learn that Tom, a 55-year-old law professor from New York, plans to leave his wife just as soon as he has dropped their youngest child off at college. Tom and Amy have been together for 30 years. He believes theirs to be a “C-minus marriage” which was irreparably ruptured when Amy had an affair 12 years previously. And so, after leaving their daughter Miriam at college in Pittsburgh, he keeps on driving, revisiting old friends and places in search of his departed youth.

Benjamin Markovits’s 12th novel – which has been shortlisted for this year’s Booker prize – could be seen as a companion piece to Miranda July’s celebrated All Fours in its exploration of the dissatisfaction of middle age. Tom is not a reliable narrator of his life, though he is nonetheless a compelling protagonist even in his flagrant moments of self-deception.

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Lyra’s last story – exclusive extract from Philip Pullman’s final installment in The Book of Dust trilogy

Thirty years ago, The Northern Lights introduced the world to Lyra Silvertongue. Now, Pullman completes her story in The Rose Field – plus listen to an audiobook extract read by Michael Sheen

She washed herself as well as she could in the little basin with its lukewarm water, and looked in the mirror dispassionately. The bruises on her face were fading, but she was tanned by the sun, and her cheeks and the bridge of her nose not far off from being actually burnt, so she must find some cream or ointment to deal with that. A broad-brimmed hat would help too.

She spread a very little of the rose salve on her nose and lips, her cheekbones and forehead. Then she sat down and thought about Ionides.

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Yorùbá Boy Running by Biyi Bándélé audiobook review – from enslaved teenager to celebrated preacher

The novelist’s final work tells a remarkable tale of resilience, based on the life of Samuel Àjàyí Crowther, who was kidnapped by slavers but won his freedom

Set in 19th-century Òsogùn in what is now Nigeria, Yorùbá Boy Running opens with 13-year-old Àjàyí reporting a premonition to his mother about dark days ahead. A week later, the town is surrounded by Malian slave raiders and Àjàyí is kidnapped along with his mother, sister, best friend and neighbours. He is taken to Lagos and sold to Portuguese slavers preparing to ship their human cargo to the Americas. But they are intercepted by the British navy, which releases Àjàyí in Sierra Leone, where he is recruited by missionaries. From there, he is put on a path that leads to him to study at Oxford and become a celebrated preacher, linguist and abolitionist who meets Queen Victoria.

A remarkable tale of barbarism and resilience, Yorùbá Boy Running is the final work by the Nigerian novelist and film-maker Biyi Bándélé, who died in 2022 aged 54. Weaving in Africa’s colonial history and imagined – and improbably comic – conversations between warring Yorùbá factions, it is based on the real-life story of Samuel Àjàyí Crowther, who was kidnapped in 1821 and sold into slavery. Crowther secured his freedom and went on to become the first Black Anglican bishop in west Africa.

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Orbital by Samantha Harvey audiobook review – lyrical, hypnotic reading of otherworldly tale

Sarah Naudi reads the Booker-prize-winning novel about the daily lives of astronauts on the International Space Station

Tracking the movements of six astronauts on the International Space Station, Samantha Harvey’s Orbital – the winner of last year’s Booker prize – imagines the day-to-day lives of those who have chosen to be “shot into the sky on a kerosene bomb and then through the atmosphere in a burning capsule with the equivalent weight of two black bears upon them”.

Only basic information is provided about the crew, who are from Russia, the United States, Japan, Italy and the UK. Harvey is more interested in the tasks undertaken to keep themselves healthy and their lodgings shipshape. Simultaneously expansive and intimate, Orbital reveals how the usual routines of eating, sleeping and exercising are fraught with challenges when you are weightless: toothpaste foam must be swallowed rather than spat out and cutlery adhered to the table using magnets.

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Street-Level Superstar: A Year With Lawrence by Will Hodgkinson audiobook review – indie pop’s ultimate underdog

This warm, funny account of a mercurial talent gone to waste teems with love for its subject

When the music journalist Will Hodgkinson proposed writing a book on Lawrence, ex-frontman of the post-punk band Felt and latterly of Go-Kart Mozart (recently re-christened Mozart Estate), he was told there would be conditions. Lawrence – who goes by his first name only – said he couldn’t speak to any old bandmates. Furthermore, there could be no anecdotes or use of the word “just”. Asked what is wrong with “just”, Lawrence tells him: “I just don’t like it.”

A simultaneously entertaining and melancholic account of an overlooked musician, Street-Level Superstar depicts the sixtysomething Lawrence as a pallid eccentric who passes his time walking around London, who lives on liquorice and milky tea and is fearful of cheese – “We know that in nature if something smells, it is dangerous to eat.” We learn that Lawrence hasn’t had a girlfriend for years. Reflecting on sex, he says: “I was a two-minute wonder. They’re not missing much.”

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‘AI doesn’t know what an orgasm sounds like’: audiobook actors grapple with the rise of robot narrators

As demand for audio content grows, companies are looking for faster – and cheaper – ways to make it

When we think about what makes an audiobook memorable, it’s always the most human moments: a catch in the throat when tears are near, or words spoken through a real smile.

A Melbourne actor and audiobook narrator, Annabelle Tudor, says it’s the instinct we have as storytellers that makes narration such a primal, and precious, skill. “The voice betrays how we’re feeling really easily,” she says.

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