Nhật Bản dạy cách dự đoán nguy hiểm bằng video mô phỏng tái hiện tình huống thật, học viên phải phân tích rủi ro, chọn cách xử lý an toàn.Alison Bechdel and Joe Sacco return; plus Black Country cowboys, vengeful gods and an angling classic reimagined
Many of 2025’s best graphic novels looked to the past with mixed emotions. Growing up in 1970s California, Mimi Pond found the aristocratic Mitfords, born in the early years of the 20th century, compellingly exotic. She shares her lifelong fascination in Do Admit! (Jonathan Cape), a splendid book of geopolitics, jolly hockey sticks and gossipy asides, as the sisters choose between fascism and socialism and help shape attitudes to everything from class to funeral rites.
Pioneering photographer William Henry Jackson captured the old west for posterity, yet the popularity of his images speeded its destruction. Veteran cartoonist Bill Griffith recounts his great-grandfather’s life in Photographic Memory (Abrams), which takes in the civil war, slavery, the obliteration of the Great Plains peoples and the inauguration of the United States national parks, as well as the brutal legwork and dangerous alchemy of 19th-century photography. The narrative sometimes clunks, but the story is so good it’s hard to care.
Mick Herron’s Slow Horses, Belinda Bauer’s obsessive world of bird egg collectors, Uketsu’s innovative Japanese detective mystery – and more
If we get the heroes we deserve, then Jackson Lamb, foul-mouthed and slovenly ringmaster of a circus of failed spies, is truly the man for our times. With Clown Town (Baskerville), the ninth book in Mick Herron’s state-of-the-nation satire/thriller mashup series, hitting the bestseller lists, and the fifth series of the Slow Horses TV adaptation streaming, this has been the author’s year. In the latest outing, Lamb and his stable of “losers, misfits and boozers” are well up to the mark as secrets about an IRA double agent threaten to come to light, exposing the seamier side of state security for a story of loyalty and betrayal.
Complicity and culpability, as well as class and professional ethics, are the subjects of Denise Mina’s The Good Liar (Harvill). When the creator of a revolutionary blood splatter probability scale realises that its flaws may have led to an unsafe conviction, she has to decide what to do about it. Tense and powerful, this is a sobering reminder of how the human element can undermine an apparently objective scientific method. The Confessions by Paul Bradley Carr (Faber) ventures into similar territory to terrifying effect. It takes place in an all-too-plausible future in which the world has become reliant on a decision-making algorithm; things go catastrophically awry when the AI tool begins to feel remorse for some of its decisions, and carnage results.
Ban lãnh đạo Apple mô tả đây là bước mở đầu cho một “chương mới” trong chiến lược AI toàn diện.
Ghế cạnh cửa thoát hiểm máy bay được ưa thích vì sự rộng rãi, thoải mái, nhưng hành khách không đáp ứng một số tiêu chuẩn đặc biệt sẽ không được ngồi ở vị trí này.