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The Indigenous Canadian author brilliantly captures the interdependence of humans and the natural world, in a darkly satirical critique of colonialism

Noopiming, the first of Canadian writer-musician Leanne Betasamosake Simpson’s books to be published in the UK, means “in the bush” in the language of the Ojibwe people. The title of this startlingly original fiction is an ironic reference to Roughing It in the Bush; or, Forest Life in Canada, an 1852 memoir about “the civilisation of barbarous countries” by Susanna Moodie – Simpson’s eponymous “white lady” – a Briton who settled in the 1830s on the north shore of Lake Ontario, where Simpson’s ancestors resided and she now lives.

That 19th-century settlers’ guidebook went on to be hailed as the origin of Canadian women’s writing; Margaret Atwood adopted the Suffolk-born frontierswoman’s voice in her 1970 poetry collection, The Journals of Susanna Moodie. Though she mentions Moodie’s book only in an afterword, Simpson’s perspective is different. For Moodie, extolling “our copper, silver and plumbago mines” in the extractivist British colony, the “red-skin” was a noble savage, and the “half-caste” a “lying, vicious rogue”. Yet, rather than a riposte to the toxic original, Noopiming – first published in Canada in 2020 and shortlisted for the Dublin Literary award in 2022 – sets about building a world on its own terms. The “cure”, then – the antidote to Moodie’s blinkered vision – is this book.

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