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Vì tin lời thầy phong thủy rằng chiếc gương giao thông đối diện nhà là "kính chiếu yêu" gây vận hạn, một người phụ nữ ở Thượng Hải, Trung Quốc đã liên tục xoay hướng gương, bất chấp việc gây ra hàng loạt vụ tai nạn cho hàng xóm.
Bốn mẫu xe nhà VinFast áp đảo những vị trí đầu tiên bảng xếp hạng, trong khi đó Ford có 3 mẫu và Mitsubishi đóng góp 2.
Một chiếc mũ bảo hiểm giá khoảng 100.000 đồng, một thiết bị định vị được cho là khoảng 750.000 đồng và hai ngày truy tìm. Câu chuyện lan truyền mạnh trên TikTok trước khi chủ tài khoản chủ động gỡ video sau lời xin lỗi từ phía người liên quan.
Meituan nổi tiếng là hãng giao hàng và đồ ăn sẵn sàng “đốt tiền” đấu với đối thủ.Spanning eras of conflict and Covid in Lebanon, this irresistible queer coming-of-age tale explores what it means to be truly free
Meet Raja, the narrator of Rabih Alameddine’s new novel. A 63-year-old gay philosophy teacher and drag entertainer, he is a stickler for rules and boundaries, living in a tiny Beirut flat with his octogenarian mother, the nosy and unfettered Zalfa. Invited to a writing residency in the US, Raja will use the occasion to relate his life – that is, if you don’t mind him taking the scenic route. “A tale has many tails, and many heads, particularly if it’s true,” Raja tells us. “Like life, it is a river with many branches, rivulets, creeks and distributaries.”
Winner of the 2025 US National Book Award for fiction, Alameddine’s seventh novel opens and closes in 2023, but the bulk of its action takes place earlier: encompassing the lead-up to and aftermath of the Lebanese civil war (1975-1990), the Covid pandemic, Lebanon’s 2019 banking crisis, and the Beirut port explosion in 2020. If this timeline makes the book sound like a punishing tour of Lebanese history, I promise it isn’t. More than a war chronicle or national exposé, it is a queer coming-of-age tale, an exploration of the bond between a mother and a son, and a meditation on storytelling, memory, survival and what it means to be truly free. Told in a voice as irresistibly buoyant as it is unapologetically camp, this rule-breaking spin on the trauma plot holds on to its cheer in the face of sobering material. Poignant but never cynical, often dark but never dour, wise without being showy and always eager to crack a joke, this is a novel that insists that the pain of the past need overwhelm neither present nor narrative, identity nor personality. With Sartre as his guide, and a drag fabulousness all his own, Raja shows us how.