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Singapore enterprises are investing heavily in AI, but returns remain uneven. Here’s why governance, cost control and capacity matter more than headcount cuts.
The post Singapore’s AI ROI Reality: High Spend, Hard Returns appeared first on TechRepublic.
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India’s Cybersecurity Cost Equation
India’s cybersecurity budgets are rising, but SOC capacity isn’t keeping pace. Here’s how enterprises are measuring ROI and operational efficiency.
The post India’s Cybersecurity Cost Equation appeared first on TechRepublic.
How to Choose a Password Manager for Your Business
Learn how to choose a business-ready password manager by evaluating security, admin controls, scalability, and integration with identity systems.
The post How to Choose a Password Manager for Your Business appeared first on TechRepublic.
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Our Better Natures by Sophie Ward review – reimagining Andrea Dworkin
Three women, two real and one fictional, seek social justice in an ambitious novel that explores power in 1970s America
What kind of justice can we have in a world driven by power? The actor turned writer Sophie Ward likes to fuel her novels with philosophical conundrums and set herself complex writerly challenges. Her ingenious, Booker-longlisted Love and Other Thought Experiments was structured around philosophical thought experiments, from Pascal’s Wager to Descartes’ Demon, with a chapter narrated by an ant living inside a character’s brain. The Schoolhouse explored the ethics of self-directed schooling and of policing in a complicated cross-period procedural. Now she turns her attention to questions of justice, freedom and power in the 1970s United States, with a tripartite structure bringing together three women – two real and one imagined.
It’s 1971: the Manson Family have just been found guilty and hundreds of thousands are marching against the Vietnam war. In the Netherlands, 25-year-old Andrea Dworkin escapes her abusive husband and attends a debate between Chomsky and Foucault on justice and power. Back in the US, the poet Muriel Rukeyser throws herself into protesting once again, though her lover, the literary agent Monica McCall, tells her rightly that her health won’t stand it. The third character is loosely based on the family history of Ward’s own Korean-American wife. Phyllis Patterson welcomes her son home to rural Illinois from the army base in South Korea, and attempts to build a relationship with her new Korean daughter-in-law and grandchildren. All three women are testing their own capacity for justice in an unjust world.
