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Hàng loạt vụ rao bán dữ liệu doanh nghiệp Việt trên “web đen” gần đây đã gióng lên hồi chuông cảnh báo: Không doanh nghiệp nào có thể hy vọng “hacker chừa mình ra”!The complete works, including previously unpublished poems and expert notes, are brought together in one volume for the first time
Baudelaire introduced ordinary objects into poetry – likening the sky to a pan lid – and by doing so revolutionised poetic language. Likewise, Seamus Heaney introduced Northern Irish vernacular into the English lyric, peppering his lines with words like glarry, the Ulster word for muddy; kesh, from Irish ceis, a wickerwork causeway; and dailigone, “daylight gone” or dusk, from Ulster-Scots. It is this that gives his writing a mulchy richness and cultural resonance that remain unique in contemporary poetry. One of the key poems in North (1975) is a version of Baudelaire’s The Digging Skeleton, to which Heaney brings an Irish flavour – the skeletons dig the earth “like navvies”. It’s especially rich as digging for Heaney is also a metaphor for writing, while the archaeological metaphor resonates with the darkly symbolic bog poems.
Bringing all Heaney’s poems together in one volume, this collection lets us see for the first time all the archaeological layers that make up his oeuvre, from the talismanic Death of a Naturalist (1966) to the visionary long poem Station Island (1984), on to the parables of The Haw Lantern (1987) and the intimacies of The Human Chain (2010), the last volume published during the poet’s lifetime. A key poem in that collection, Chanson d’Aventure, describes his journey to hospital in an ambulance following a stroke: “Strapped on, wheeled out, forklifted, locked / In position for the drive”. The book also makes available at last Heaney’s prose poems, Stations (1975), released in a small press edition by Ulsterman Publications, which Heaney effectively kept under wraps as he felt the publication of Geoffrey Hill’s Mercian Hymns – “a work of complete authority” – had stolen his thunder in this form.
Ask me to translate what Loeb gives as
“In a retired vale…a sequestered grove”
And I’ll confound the Lethe in Moyola
By coming through Back Park down from Grove Hill
Across Long Rigs on to the riverbank –
Which way, by happy chance, will take me past
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